Tamaño de papel

Guía de obras estudiantiles

The Flame

Nombre Clase Fecha

Jackson Pollock, The Flame (1938). Dominio público. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos clave

Artista
Jackson Pollock artsdot.com/es/artists/jackson-pollock_es/
Fechas del artista
1912 – 1956
Pintura al óleo
1938
Técnica y materiales
Oil On Board
Tamaño original
51 x 76 cm
Movimiento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Época
Modern
Artistic style
Gestural abstraction
Notable elements or techniques
Drip painting
Subject or theme
Energy & Transformation

En contexto

The Flame — Jackson Pollock

Dimensiones

Las medidas originales son 51 × 76 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

¿Cuándo se pintó esta obra?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 44 al morir.

Pintado cuando el artista tenía 26. El artista vivió hasta los 44. 4 de las 50 obras fechadas de este artista en nuestro catálogo son anteriores.

Sombreado: la trayectoria de Jackson Pollock (1912–1956) ▲ esta obra, 1938 cada pintura fechada, década tras década

Primeras obras: hasta 1941 Años principales de actividad: 1941–1948 Obras tardías: desde 1948

Estas tres franjas dividen las obras de este catálogo que cuentan con una fecha en un primer cuarto, una mitad central y un último cuarto. No representan la producción completa del artista: un periodo breve puede ser un vacío en el registro más que una etapa de inactividad. Los mismos años con la vida del artista trazada en ellos

Comparar con

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: artsdot.com/es/art/similar/paul-jackson-pollock-the-flame-8EWJY8-en/

Colores

Medido a partir de la imagen

    Color principal

    Phthalo Green #2d221b

    Paleta catalogada

    • #2D221B
    • #DDC18D
    • #A72E11
    • #98754D

    Estos colores integrados en toda la paleta del artista Encuentra otras pinturas por color

    Paleta
    Earthy La gama cromática dominante en la imagen.
    Nombre del color principal
    Phthalo Green
    Intensidad
    Balanced Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Statement El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Strong Color Unity El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Deep_shadow El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Balanced Soft Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Jackson Pollock durante los últimos doce meses: 69 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 China 19,1%
    2. 2 Francia 8,2%
    3. 3 Estados Unidos 7,4%
    4. 4 Alemania 7,1%
    5. 5 Japón 5,8%
    6. 6 España 5,6%
    7. 7 Italia 5,3%
    8. 8 Brasil 3,2%
    9. 9 Singapur 2,7%
    10. 10 México 2,6%
    11. · 59 otros países 33,0%

    Localiza los tres países más oscuros en el mapa. ¿Se encuentra alguno de ellos en el país donde se custodia esta pintura? Escribe una razón por la cual personas de lugares lejanos podrían viajar para verla.

    Las 20 obras más vistas de Jackson Pollock

    1. 1 Número uno, 1949, 1950 35,9%
    2. 2 Ritmo de Otoño. Número 30, 1950 7,0%
    3. 3 One. Number 31, 1950 5,8%
    4. 4 Convergencia 5,2%
    5. 5 Número 5, 1948 3,2%
    6. 6 Luz Blanca, 1954 2,3%
    7. 7 Número 1A 1,9%
    8. 8 Número 5, 1948 1,9%
    9. 9 Número 10, 1949 1,8%
    10. 10 Número 3, 1948 1,7%
    11. 11 Número 1, 1948 1,3%
    12. 12 Número 6, 1949 1,3%
    13. 13 Número 3, 1949 1,3%
    14. 14 Número 8 1,0%
    15. 15 Número 2, 1951 0,8%
    16. 16 Saint François de Paul avec un frère Saint Paul et saint François 0,8%
    17. 17 Fuera de la telaraña. Número 7 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Full Fathom Five 0,8%
    20. 66 The Flame, 1938 esta obra 0,2%

    En conjunto, estas obras representan el 75,8% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 176 obras de este artista, de las cuales 125 fueron consultadas al menos una vez. Esta pintura ocupa el puesto 66 entre ellas, con un 0,2% de esa atención. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra de arriba y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de su técnica.

    Sobre esta obra

    The Flame — Jackson Pollock

    A Blaze of Early Expressionism: Examining Jackson Pollock’s “The Flame”

    “The Flame,” painted by Paul Jackson Pollock in 1938, stands as a pivotal moment in the burgeoning Abstract Expressionist movement. More than just pigment on canvas, it embodies a radical reimagining of artistic process and intention—a testament to Pollock's formative explorations into the realm of spontaneous gesture and emotional resonance. Measuring 51 x 76 cm, this oil painting on fiberboard captures a dynamic composition dominated by swirling hues of dark tones punctuated by bursts of crimson and ochre, mirroring the very essence of its namesake.

    Composition and Symbolism: An Orchestration of Movement

    At first glance, “The Flame” presents a deceptively simple visual narrative—a central motif representing an incandescent blaze engulfing scattered avian figures amidst an amorphous expanse. However, this apparent simplicity belies a profound symbolic depth. Pollock’s deliberate arrangement isn't merely decorative; it speaks to the movement and transformation inherent in fire itself – a metaphor for creative energy and spiritual rebirth. The birds, positioned strategically throughout the canvas, aren’t mere incidental additions but rather symbols of freedom and untamed instinct—a conscious nod to influences gleaned from Mexican muralism and Benton’s Regionalist aesthetic.

    Technique: Dripping Paint - A Revolutionary Approach

    Pollock's groundbreaking technique – drip painting – distinguishes “The Flame” as a cornerstone of Abstract Expressionism. Rejecting traditional brushstrokes, he employed a method whereby paint was poured, dripped, splashed, and flung onto the canvas from above, allowing gravity to dictate patterns and textures. This process demanded an almost meditative focus on action and intuition, prioritizing feeling over meticulous representation. The resulting surface is characterized by interwoven lines and splatters of color that create an illusion of movement—a palpable energy captured in tangible form. It’s a technique directly traceable to Benton's influence and mirroring the expressive fervor found within Mexican muralism.

    Historical Context: Embracing Chance Amidst Artistic Dialogue

    Created during a period of significant artistic experimentation, “The Flame” reflects the broader anxieties and aspirations of its time. Pollock wrestled with ideas surrounding automatism—the subconscious channeling of emotion into art—drawing inspiration from Surrealist principles alongside Benton’s emphasis on rhythmic composition. The painting's visual vocabulary – bold colors, gestural brushstrokes – aligns seamlessly with the stylistic trajectory established by artists like Mark Rothko and Yayoi Kusama, cementing Pollock’s place as a pioneer in redefining artistic expression.

    Emotional Resonance: Capturing Transient Feeling

    Ultimately, “The Flame” transcends mere visual description; it strives to evoke an emotional response from the viewer. The painting's chromatic palette—dark hues contrasted by vibrant reds and yellows—creates a dramatic tension that mirrors the primal force of fire. More than just depicting a scene, Pollock sought to convey a state of mind – a feeling of unrestrained creativity and transformative potential. Reproductions offer a remarkable opportunity to experience this captivating artwork’s emotive power firsthand.

    Artista y museo

    Artista

    Jackson Pollock

    Nacido en Cody, Estados Unidos

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip painting.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Though initially met with mixed reviews—some critics dismissed his work as chaotic or lacking skill—Pollock’s reputation grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression.

    Dónde leer más

    Consíguelo en línea

    Código QR que enlaza con la página de descarga de The Flame

    artsdot.com/es/art/download/paul-jackson-pollock-the-flame-8EWJY8-en/

    Cómo citar esta obra

    MLA
    Pollock, Jackson. The Flame. 1938, https://artsdot.com/es/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    APA
    Pollock, Jackson (1938). The Flame [Painting]. https://artsdot.com/es/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    Chicago
    Jackson Pollock. The Flame. 1938. https://artsdot.com/es/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    Harvard
    Pollock, Jackson (1938) The Flame. Available at: https://artsdot.com/es/art/paul-jackson-pollock-the-flame-8EWJY8-en/

    Observa de cerca

    The Flame — Jackson Pollock

    Observa con atención

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: flame motif, dynamic composition, bird imagery. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar Número uno, 1949 (1950), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. ¿Dónde se puede apreciar esto en esta obra?

    Tu respuesta

    Escriba un breve párrafo sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.

    Preguntas y respuestas

    ¿Qué emoción transmite "The Flame" de Jackson Pollock?

    "The Flame" de Jackson Pollock transmite un tono emocional Energetic.

    ¿Qué edad tenía Jackson Pollock cuando creó "The Flame"?

    Cuando se creó "The Flame" en 1938, Jackson Pollock —nacido/a en 1912— tenía 26 años.

    ¿Qué paleta de colores y qué emoción evocan "The Flame"?

    En "The Flame", los colores de Earthy acompañan a un sentimiento Energetic.