Papel

Guía de obras estudiantiles

Self Portrait (recto)

Nombre Curso Fecha

john guthrie spence smith, Self Portrait (recto) (1917). Obra de dominio público.

Datos generales

Artista
john guthrie spence smith artsdot.com/es/artists/john-guthrie-spence-smith/
Fechas del artista
1880 – 1951
Pintura
1917
Tamaño original
50 x 41 cm
Movimiento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

En contexto

Self Portrait (recto) — john guthrie spence smith

¿Qué dimensiones tiene?

Las medidas originales son 50 × 41 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

Año de creación

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Sombreado: la trayectoria de john guthrie spence smith (1880–1951) ▲ esta obra, 1917

Obras similares

  • Bakehouse Close, 1941 artsdot.com/es/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor artsdot.com/es/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 artsdot.com/es/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: artsdot.com/es/art/similar/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

Paleta de colores

Medido a partir de la imagen

    Color principal

    Walnut #614423

    Paleta guardada

    • #614423
    • #34200D
    • #CCA46C
    • #94703E
    Paleta de colores
    Earthy La gama cromática dominante en la imagen.
    Color principal
    Walnut
    Intensidad
    Balanced Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Bold El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Unified Palette El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Deep_shadow El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Balanced Soft Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Artista y museo

    Artista

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Self Portrait (recto)

    artsdot.com/es/art/download/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Cómo citar esta obra

    MLA
    smith, john guthrie spence. Self Portrait (recto). 1917, https://artsdot.com/es/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    APA
    smith, john guthrie spence (1917). Self Portrait (recto) [Painting]. https://artsdot.com/es/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Chicago
    john guthrie spence smith. Self Portrait (recto). 1917. https://artsdot.com/es/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/
    Harvard
    smith, john guthrie spence (1917) Self Portrait (recto). Available at: https://artsdot.com/es/art/john-guthrie-spence-smith-self-portrait-recto-AQUSGD-en/

    Observa de cerca

    Self Portrait (recto) — john guthrie spence smith

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. ¿Cuántos rostros puedes encontrar? ____ (nuestro catálogo cuenta 1 — ¿estás de acuerdo?)
    4. Nuestro catálogo clasifica esta obra bajo: portrait painting, self reflection, earth tones art. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    5. Vuelva a consultar Bakehouse Close (1941), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.

    Tu respuesta

    Redacte un breve párrafo sobre esta obra de arte. Utilice la información de las secciones anteriores de esta guía y sus respuestas previas.