Papel

Guía de obras estudiantiles

Yellarne

Nombre Curso Fecha

John Goba Naissance, Yellarne (1993). Reproducido con fines de referencia; todos los derechos reservados por el titular.

Datos generales

Artista
John Goba Naissance artsdot.com/es/artists/john-goba-naissance_es/
Fechas del artista
1944 – 2019
Pintura
1993
Tamaño original
130 x 70 cm
Movimiento
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.

En contexto

Yellarne — John Goba Naissance

¿Qué dimensiones tiene?

Las medidas originales son 130 × 70 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

Año de creación

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Sombreado: la trayectoria de John Goba Naissance (1944–2019) ▲ esta obra, 1993

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Paleta de colores

Medido a partir de la imagen

    Color principal

    Espresso #422d35

    Paleta guardada

    • #422D35
    • #EEEEEE
    • #B6AFA9
    • #B2882F
    Paleta de colores
    Pastels La gama cromática dominante en la imagen.
    Color principal
    Espresso
    Intensidad
    Monochromatic Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Bold El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Discordant Palette El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Brilliant El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    Sobre esta obra

    Yellarne — John Goba Naissance

    Of Mende origin, John Goba was born in 1944 in Mattru Jong, Sierra Leone, into the hermetic milieu of women’s Bondo Society, in which his grandmother played an important role. Goba came of age under her protection, and at the end of his period of initiation, he settled in Mountain Cut, a district in Freetown. There, when he was around thirty, he experienced a revelation which prompted him to begin making masks for the Ode-lay initiation rituals and masquerades that had sprung up in Freetown in the 1970s. Ode-lay masks and dress are characterized by an extraordinary ornamental exuberance, incorporating unexpected materials (such as Christmas tree ornaments) to achieve spectacular effects. Goba’s first masks, made of wood and brightly coloured with industrial paint, initially followed Ode-lay customs. As he became more experienced, he began to create sculptures with greater freedom.Goba’s imagery is inspired by the traditional lore and mysteries of his environment and his sculptures are a skilful blend of figures borrowed from time-honoured tales and his own fantasies. A multitude of porcupine quills invariably protrude from the main characters of his tableaux, as if assuring their protection and forbidding any access to the heart—or secret core—of the work. Each sculpture, Goba likes to say, has its own private history to which only the artist has the key.He died in 2019.

    Artista y museo

    Artista

    John Goba Naissance

    Nacido en Makeni, Sierra Leone

    John Goba Naissance: Weaver of Quill and Color

    John Goba Naissance, born in Makeni, Sierra Leone in 1944, emerged from the rich artistic traditions of Mende culture to become one of Sierra Leone’s most distinctive sculptors. His work transcends mere representation; it embodies a profound engagement with folklore, ritual symbolism, and the transformative power of material—primarily epines de porc (porcupine quills)—to create mesmerizing visual narratives.

    Naissance's artistic journey began amidst the backdrop of Sierra Leone’s turbulent history, marked by colonial rule and civil conflict. Despite these challenges, he persevered in honing his craft, drawing inspiration from the ancestral beliefs and practices of his people. The Mende secret societies—particularly those concerned with initiation rites and divination—served as a cornerstone for his artistic vision, informing both his sculptural forms and his masks. These masks aren’t simply decorative objects; they are conduits to spiritual realms, meticulously crafted to embody symbolic representations of ancestors and spirits. Their intricate designs reflect the profound understanding of cosmology held by Mende elders – a visual language steeped in myth and tradition.

    His technique is remarkably innovative. Naissance painstakingly prepares small figures – often stylized humanoids – onto which he attaches hundreds of porcupine quills. This laborious process isn't merely about adding texture; it’s a deliberate act of appropriation and transformation. The quills, sourced locally, represent resilience and strength—symbols deeply rooted in Mende cosmology. Each quill is carefully selected for its shape and color, mirroring the natural world around Makeni and reflecting the artist’s connection to his cultural heritage. Following the quill attachment, Naissance applies industrial paint in bold hues – crimson, turquoise, ochre – creating striking contrasts that heighten the visual impact of his sculptures. This juxtaposition of organic material and synthetic pigment underscores a fascination with blending tradition and modernity—a dialogue between ancient symbolism and contemporary artistic expression.

    Naissance gained international recognition through participation in prestigious art events like the Venice Biennale and the Havana Biennial, cementing his place as a pivotal figure in contemporary African art. His monumental sculptures – notably “Yellarne” and “Kamajoh”—have captivated audiences worldwide with their arresting imagery and intellectual depth. These pieces explore themes of identity, spirituality, and social commentary, demonstrating Naissance’s commitment to addressing pressing issues facing Sierra Leone and its diaspora. The Biennale selections particularly highlighted his ability to communicate complex cultural narratives on a global stage, establishing him as a voice for Mende culture within the international art community.

    Beyond his artistic accomplishments, Naissance’s legacy extends to fostering creativity within Sierra Leone's younger generation. He actively encourages experimentation and collaboration, ensuring that Mende artistic traditions continue to inspire future artists. His sculptures stand as testament to the enduring spirit of Sierra Leonean culture—a vibrant blend of ancestral wisdom and inventive artistry—and his contribution to the global art landscape remains undeniable. He continues to mentor aspiring sculptors, nurturing talent and promoting dialogue between tradition and innovation, securing a lasting impact on Sierra Leone’s artistic future.

    Más información

    Disponible en línea

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    artsdot.com/es/art/download/john-goba-naissance-yellarne-D67UDK-en/

    Cómo citar esta obra

    MLA
    Naissance, John Goba. Yellarne. 1993, https://artsdot.com/es/art/john-goba-naissance-yellarne-D67UDK-en/
    APA
    Naissance, John Goba (1993). Yellarne [Painting]. https://artsdot.com/es/art/john-goba-naissance-yellarne-D67UDK-en/
    Chicago
    John Goba Naissance. Yellarne. 1993. https://artsdot.com/es/art/john-goba-naissance-yellarne-D67UDK-en/
    Harvard
    Naissance, John Goba (1993) Yellarne. Available at: https://artsdot.com/es/art/john-goba-naissance-yellarne-D67UDK-en/

    Observa de cerca

    Yellarne — John Goba Naissance

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: african masks, ritual art, surrealism. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar The Twins Created (1996), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. ¿Dónde se puede apreciar esto en esta obra?

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