Tamaño de papel

Guía de obras estudiantiles

between two fires

Nombre Clase Fecha

Francis Davis Millet, between two fires. Dominio público. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos clave

Artista
Francis Davis Millet artsdot.com/es/artists/francis-davis-millet_es/
Fechas del artista
1846 – 1912
Movimiento
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

En contexto

between two fires — Francis Davis Millet

¿Cuándo podría haberse pintado esta obra?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 66 al morir.

Sombreado: la trayectoria de Francis Davis Millet (1846–1912) cada pintura fechada, década tras década

No hay un año exacto registrado para este disco; basándose en la trayectoria del artista y el estilo de la obra, ¿a qué década lo atribuiría?

Comparar con

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: artsdot.com/es/art/similar/francis-davis-millet-between-two-fires-9HASZA-en/

Colores

Medido a partir de la imagen

    Color principal

    Putty #cbc7bb

    Paleta catalogada

    • #CBC7BB
    • #615B4F
    • #242526
    • #8D887A

    Estos colores integrados en toda la paleta del artista Encuentra otras pinturas por color

    Nombre del color principal
    Putty
    Intensidad
    Monochromatic Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Statement El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Balanced Harmony El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Muted Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Francis Davis Millet durante los últimos doce meses: 3 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 China 80,0%
    2. 2 Bulgaria 10,0%
    3. 3 Hong Kong 10,0%

    Localiza los tres países más oscuros en el mapa. ¿Se encuentra alguno de ellos en el país donde se custodia esta pintura? Escribe una razón por la cual personas de lugares lejanos podrían viajar para verla.

    Las 8 obras más vistas de Francis Davis Millet

    1. 1 Playing with Baby 25,0%
    2. 2 A Handmaiden, 1886 16,7%
    3. 3 Flemish Kitchen 16,7%
    4. 4 Una Esquinera Cálida, 1884 8,3%
    5. 5 Reading the Story of Oenone 8,3%
    6. 6 old harmonies 8,3%
    7. 7 turkish water seller 8,3%
    8. 8 between two fires esta obra 8,3%

    En conjunto, estas obras representan el 99,9% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 18 obras de este artista, de las cuales 8 fueron consultadas al menos una vez. Esta pintura ocupa el puesto 8 entre ellas, con un 8,3% de esa atención. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra de arriba y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de su técnica.

    Artista y museo

    Artista

    Francis Davis Millet

    Nacido en Mattapoisett, Estados Unidos

    A Life Interrupted: The Tragic Story of Francis Davis Millet

    Francis Davis Millet (1846 – 1912) was an American academic painter & sculptor whose life was tragically cut short aboard the RMS Titanic in April 1912. Known for murals that contained exactingly accurate historical details, he captivated audiences with his artistic vision and unwavering dedication to preserving excellence in American art. His journey from a young drummer boy in the Civil War to a celebrated artist and influential figure in American art institutions is a testament to his multifaceted talent and selflessness.

    Early Life and Artistic Foundations

    Francis Davis Millet was born in Mattapoisett, Massachusetts, in either 1846 or 1848 – conflicting accounts exist, a diary suggesting the latter date –. Most sources give his birth as November 3, 1846. At age fifteen, Millet enlisted as a private in the 60th Massachusetts Infantry during Civil War, serving as a drummer and assisting his father, a surgeon, in the army of the Potomac. This formative experience profoundly shaped his artistic sensibility; he often spoke of how aiding his father during the war instilled within him an appreciation for the vivid, arresting power of red – a color that would frequently appear in his paintings, lending them an emotional intensity. After graduating from Harvard with a Master of Arts degree, Millet embarked on a diverse career path, working as a reporter and editor before fully committing to his artistic pursuits. He honed his observational skills and developed a keen understanding of visual storytelling—skills that would prove invaluable throughout his life’s work.

    From Battlefield to Beaux-Arts: Artistic Development and Recognition

    Millet’s formal artistic training began in 1876 when he returned to Boston to contribute murals at Trinity Church alongside John La Farge, a pivotal figure in the American art scene. This experience ignited his passion for large-scale decorative work. He then journeyed to Europe, specifically Antwerp, Belgium, where he studied at the Royal Academy of Fine Arts. His talent was immediately recognized; he became the first student to win a silver medal in his initial year and followed it up with a gold medal the following year. This European sojourn proved crucial in shaping his artistic style, firmly grounding him within the academic classical tradition. He absorbed influences from Flemish masters and embraced innovative techniques—a commitment that would define his oeuvre for decades to come.

    Service During Wartime and Artistic Innovation

    During the Russo-Turkish war of 1877–78, Millet served as a war correspondent for prominent publications like the New York Herald and the London Daily News. His bravery under fire earned him decorations from both Russia and Romania, demonstrating his courage and willingness to confront danger in pursuit of truth. He traveled extensively throughout Greece, Italy, Switzerland, and Germany, documenting historical sites and capturing atmospheric landscapes—activities that fueled his artistic inspiration and broadened his worldview. Notably, Millet pioneered the use of compressed air spray painting during the World’s Columbian Exposition in Chicago in 1893, a groundbreaking technique that revolutionized mural decoration and cemented his reputation as an innovator.

    Legacy and Remembrance

    Francis Davis Millet died aboard the RMS Titanic at Cherbourg, France, on April 10, 1912, en route to New York City on Academy business. His final act of heroism – assisting women and children into lifeboats as the ship sank – embodies his character and selflessness. Though his body was recovered by the cable boat Mackay-Bennett, his death marked a profound loss for the art world. The Butt–Millet Memorial Fountain, erected in Washington D.C. in 1913, stands as a lasting tribute to Millet and his close friend Archibald Butt, both victims of the Titanic disaster. A bronze bust in Harvard University’s Widener Library also serves as a poignant memorial. His paintings, sculptures, and literary works continue to captivate audiences, reminding us of the enduring power of creativity and the fragility of human existence. Millet’s artistic legacy persists today, inspiring artists and scholars alike with his unwavering dedication to excellence and his profound understanding of the human condition.

    Dónde leer más

    Consíguelo en línea

    Código QR que enlaza con la página de descarga de between two fires

    artsdot.com/es/art/download/francis-davis-millet-between-two-fires-9HASZA-en/

    Cómo citar esta obra

    MLA
    Millet, Francis Davis. between two fires. n.d., https://artsdot.com/es/art/francis-davis-millet-between-two-fires-9HASZA-en/
    APA
    Millet, Francis Davis (n.d.). between two fires [Painting]. https://artsdot.com/es/art/francis-davis-millet-between-two-fires-9HASZA-en/
    Chicago
    Francis Davis Millet. between two fires. n.d. https://artsdot.com/es/art/francis-davis-millet-between-two-fires-9HASZA-en/
    Harvard
    Millet, Francis Davis (n.d.) between two fires. Available at: https://artsdot.com/es/art/francis-davis-millet-between-two-fires-9HASZA-en/

    Observa de cerca

    between two fires — Francis Davis Millet

    Observa con atención

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. ¿Cuántos rostros puedes encontrar? ____ (nuestro catálogo cuenta con 3 — ¿estás de acuerdo?)
    4. Nuestro catálogo clasifica esta obra bajo: domestic interior, 17th century life, family portraiture. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    5. Vuelva a consultar Una Esquinera Cálida (1884), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.

    Tu respuesta

    Escriba un breve párrafo sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.

    Preguntas y respuestas

    ¿Cómo se integra "between two fires" en los temas y el estilo de Francis Davis Millet?

    "between two fires" pertenece a la etapa Realism de Francis Davis Millet, cuyos temas recurrentes incluyen academic tradition, monumental murals, international exhibitions, dutch golden age, classical composition, detailed realism, domesticity & family, social observation.

    ¿Cómo se relaciona el tema de "between two fires" con la temática habitual de Francis Davis Millet?

    Entre los temas recurrentes de Francis Davis Millet —academic tradition, monumental murals, international exhibitions, dutch golden age, classical composition, detailed realism, domesticity & family, social observation— "between two fires" aporta su propio enfoque sobre domestic interior, 17th century life, family portraiture, quiet conversation, muted color palette, formal setting, soft lighting scene.

    ¿Dónde puedo comprar una imagen digital de "between two fires" de Francis Davis Millet?

    Para obtener una copia digital de "between two fires" de Francis Davis Millet, puede solicitar descarga de una imagen digital en alta resolución en su página de Imagen digital de alta resolución.