Papel

Guía de obras estudiantiles

Windmill

Nombre Curso Fecha

Eddie Arning, Windmill (1966). Reproducido con fines de referencia; todos los derechos reservados por el titular. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos generales

Artista
Eddie Arning artsdot.com/es/artists/eddie-arning/
Fechas del artista
1898 – 1993
Pintura
1966
Tamaño original
61 x 48 cm
Movimiento
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.

En contexto

Windmill — Eddie Arning

¿Qué dimensiones tiene?

Las medidas originales son 61 × 48 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

Año de creación

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 95 al morir.

Pintado cuando el artista tenía 68. El artista vivió hasta los 95. 3 de las 21 obras fechadas de este artista en nuestro catálogo son anteriores.

Sombreado: la trayectoria de Eddie Arning (1898–1993) ▲ esta obra, 1966 cada pintura fechada, década tras década

Obras similares

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: artsdot.com/es/art/similar/eddie-arning-windmill-AQTV8T-en/

Paleta de colores

Medido a partir de la imagen

    Color principal

    Bronze #d97c07

    Paleta guardada

    • #D97C07
    • #210F12
    • #723F18
    • #C26208

    Estos colores dentro de toda la paleta del artista Buscar otras pinturas por color

    Paleta de colores
    Dark La gama cromática dominante en la imagen.
    Color principal
    Bronze
    Intensidad
    Vivid Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Bold El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Strong Color Unity El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Vivid Color Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Eddie Arning durante los últimos doce meses: 2 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 China 83,3%
    2. 2 Estados Unidos 16,7%

    Encuentra los tres países más oscuros en el mapa. ¿Se encuentra el museo que custodia esta pintura en alguno de ellos? Escribe una razón por la cual personas de lugares lejanos podrían visitarlo.

    Las 6 obras más vistas de Eddie Arning

    1. 1 The Forest, 1964 33,3%
    2. 2 Man with Newport Cigarettes, 1970 16,7%
    3. 3 Benson and Hedges in a Barbershop, 1971 16,7%
    4. 4 Blue Churn on Yellow, 1964 16,7%
    5. 5 Colonel Sanders, 1968 16,7%
    6. Windmill, 1966 esta pintura 0,0%

    En conjunto, estas obras representan el 100,0% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 21 obras de este artista, de las cuales 5 fueron consultadas al menos una vez. Esta pintura aún no ha recibido visitas en este periodo; cierra la lista sin una clasificación. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra en la parte superior y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de lo bien que esté pintada.

    Artista y museo

    Artista

    Eddie Arning

    A Vision in Crayon: The Singular World of Eddie Arning

    Eddie Arning (1898-1993) was an American outsider artist whose work, largely created during the latter half of his life, offers a profoundly unique and compelling vision of faith, Americana, and everyday existence. Born in Texas, Arning lived a relatively quiet life as a farmer and handyman before embarking on a prolific artistic journey that would only gain recognition after his death. He wasn’t formally trained; his medium was almost exclusively crayon, and his subjects sprang from the depths of his personal beliefs and observations. To call him “self-taught” feels inadequate – Arning didn't seek instruction, he simply needed to create, driven by an inner compulsion that manifested in a vibrant, often startlingly direct style. His art isn’t about technical mastery; it’s about raw expression, unwavering conviction, and the unfiltered translation of his internal world onto paper.

    From Farm Life to Artistic Revelation

    Arning's early life provided little indication of the artistic fervor that would later consume him. He worked the land, a practical existence far removed from galleries or art schools. The turning point appears to have come in his 60s, when he began producing an astonishing number of crayon drawings and paintings. These weren’t sketches or preliminary studies; they were fully realized works, often large in scale, depicting scenes ranging from biblical narratives – particularly those surrounding Jesus Christ – to depictions of contemporary American life, rural landscapes, and even abstract patterns. The sheer volume of his output is remarkable, suggesting a relentless creative energy that demanded release. He wasn’t creating for an audience; he was creating because he had to. This inherent need is crucial to understanding the power and authenticity of his work. His home became filled with these images, transforming his living space into a personal chapel and gallery simultaneously.

    Themes and Symbolism: A Personal Mythology

    The core of Arning’s artistic vision revolves around religious themes, specifically his interpretation of Christianity. However, his depictions of Jesus are far from conventional. They are often intensely emotional, sometimes unsettling, and imbued with a distinctly personal symbolism. Figures radiate light, appear in multiple forms within the same composition, or are surrounded by swirling patterns that suggest divine energy. Beyond religious iconography, Arning’s work is populated with scenes of everyday life – families, farm animals, cars, houses – rendered with a naive simplicity that belies their emotional depth. He frequently incorporated text into his works, often repeating phrases or biblical verses, further emphasizing the spiritual and moral weight he attached to his subjects. Vintage Americana is also a key element; images of mid-century automobiles, clothing styles, and domestic interiors ground his visions in a specific time and place, creating a fascinating juxtaposition between the sacred and the mundane. The repetition of certain motifs – stars, crosses, swirling lines – suggests a personal mythology that unfolds across the breadth of his oeuvre.

    Technique and Style: The Power of Crayon

    Arning’s choice of crayon as his primary medium is perhaps one of the most striking aspects of his work. It's an unconventional material for serious art, often associated with childhood or amateur expression. Yet, Arning wielded it with remarkable skill and intensity. He layered colors to create depth and texture, used bold outlines to define forms, and exploited the inherent vibrancy of the crayon itself. His style is characterized by a naive simplicity, a lack of traditional perspective or anatomical accuracy that contributes to the raw emotional power of his images. The slightly waxy texture of the crayon adds another layer of tactility to his work, inviting viewers to engage with it on a visceral level. He often worked on large sheets of paper or cardboard, creating expansive compositions that envelop the viewer in his world. This deliberate choice of scale and medium reinforces the sense of immediacy and authenticity that defines his art.

    Legacy and Historical Significance: The Outsider’s Voice

    Eddie Arning remained largely unknown during his lifetime. His work was discovered after his death by a collector who recognized its extraordinary power and originality. Since then, it has gained increasing attention from the art world, earning him recognition as a significant figure in outsider art and American folk art. Arning’s work challenges conventional notions of artistic training and skill, demonstrating that profound creativity can emerge from unexpected sources. His unwavering faith, his unique vision, and his raw emotional expression resonate deeply with viewers, offering a glimpse into the inner world of an artist who remained true to himself despite – or perhaps because of – his isolation. He stands as a testament to the power of art as a means of personal revelation and spiritual exploration, a voice from the margins that continues to captivate and inspire.

    His work is now held in numerous private collections and museums.

    Arning’s “Jesus craze” artwork has become particularly sought after by collectors.

    He represents a significant example of self-taught American art from the 20th century.

    Más información

    Disponible en línea

    Código QR que enlaza con la página de descarga de Windmill

    artsdot.com/es/art/download/eddie-arning-windmill-AQTV8T-en/

    Cómo citar esta obra

    MLA
    Arning, Eddie. Windmill. 1966, https://artsdot.com/es/art/eddie-arning-windmill-AQTV8T-en/
    APA
    Arning, Eddie (1966). Windmill [Painting]. https://artsdot.com/es/art/eddie-arning-windmill-AQTV8T-en/
    Chicago
    Eddie Arning. Windmill. 1966. https://artsdot.com/es/art/eddie-arning-windmill-AQTV8T-en/
    Harvard
    Arning, Eddie (1966) Windmill. Available at: https://artsdot.com/es/art/eddie-arning-windmill-AQTV8T-en/

    Observa de cerca

    Windmill — Eddie Arning

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: abstract ferris wheel, geometric design, vibrant colors. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar Red Boat on Blue (1964), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. ¿Dónde se puede apreciar esto en esta obra?

    Tu respuesta

    Redacte un breve párrafo sobre esta obra de arte. Utilice la información de las secciones anteriores de esta guía y sus respuestas previas.

    Preguntas y respuestas

    ¿Quién creó "Windmill"?

    "Windmill" fue creada por Eddie Arning. La información en esta página describe la obra original de Eddie Arning.

    ¿Puedo usar la realidad aumentada para ver "Windmill" de Eddie Arning en mi habitación?

    "Windmill" tiene una vista previa en realidad aumentada: la página de Vista previa AR de la obra permite visualizarla en su propio espacio mediante un dispositivo compatible.

    ¿Cuáles son las dimensiones de la obra original "Windmill" de Eddie Arning?

    La obra original "Windmill" de Eddie Arning mide 61 x 48 cm.