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Student Artwork Guide

Untitled (mural study)

Name Class Date

William Zorach, Untitled (mural study) (1943). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Zorach artsdot.com/en/artists/william-zorach/
Artist’s dates
1887 – 1966
Painted
1943
Original size
143 x 49 cm
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

In context

Untitled (mural study) — William Zorach

How big is it?

The original measures 143 × 49 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 56. The artist lived to 79. 6 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Zorach (1887–1966) ▲ this work, 1943 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1927 Late works: from 1927

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-zorach-untitled-mural-study-AR2GSW-en/

Colours

Measured from the image

    Main colour

    Driftwood #b88b6a

    Catalogued palette

    • #B88B6A
    • #473632
    • #7B6E68
    • #D0B497

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Zorach over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by William Zorach

    1. 1 Along the Rhone, Avignon, (1910) 40.0%
    2. 2 Mirage Ships at Night, 1919 20.0%
    3. 3 Untitled, 1909 20.0%
    4. 4 Head, 1952 20.0%
    5. — Untitled (mural study), 1943 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Zorach

    Born in Jurbarkas, Russia

    Early Life and Education

    William Zorach, born Zorach Gorfinkel on February 28, 1889, in Jurbarkas, Lithuania (then part of the Russian Empire), was the eighth of ten children. His family emigrated to Cleveland, Ohio, in 1894. The Zorachs faced poverty and discrimination upon arrival in America. William left school after the seventh grade to support his family, working as a lithographer's apprentice. He later pursued artistic training at the Cleveland School of Art from 1905 to 1907, studying drawing and painting. In 1908, he moved to New York City and enrolled in the National Academy of Design. A pivotal moment arrived in 1910 when Zorach traveled to Paris, where he met Marguerite Thompson, who would become his wife and a fellow artist.

    Artistic Development and Influences

    While in Paris, Zorach encountered European modern art movements like Fauvism and Cubism, significantly influencing his artistic direction. He exhibited at the Salon d’Automne, gaining early recognition. His return to America in 1912 coincided with the groundbreaking Armory Show of 1913, which introduced his work to a wider American audience. Zorach's paintings during this period reflected his embrace of these modernist styles. However, by 1922, he shifted his focus from painting to sculpture, a medium in which he would achieve lasting recognition. He pioneered the technique of direct carving, working directly with stone boulders and other materials without preliminary models. His sculptural style drew inspiration from Egyptian, Greek, and primitive art forms.

    Major Works and Artistic Style

    Zorach's sculptures are characterized by their simplified geometric forms, expressive qualities, and depictions of family members, pets, and portraits. Notable works include Spirit of Dance for Radio City Music Hall, a large-scale bronze sculpture that exemplifies his ability to convey movement and emotion. His watercolors, often depicting the Maine coast where he lived, showcase his sensitivity to light, color, and atmosphere. Zorach's artistic style is marked by a directness and spontaneity in carving, emphasizing sculptural values while exploring themes of love, strength, and inner peace. He frequently used granite boulders, finding inspiration in their natural patterns and colors.

    Recognition and Legacy

    Throughout his career, William Zorach received numerous accolades and commissions. In 1927, he was awarded the Logan Medal of the Arts. He became a member of the American Academy of Arts and Letters in 1953. For thirty-three years, he taught sculpture at the Art Students League of New York. His works are held in prestigious collections worldwide, including the Smithsonian American Art Museum, the Metropolitan Museum of Art, and the Brooklyn Museum. Zorach's legacy lies in his pioneering role in introducing European modernism to America, his innovative direct carving technique, and his ability to create emotionally resonant sculptures that celebrate human connection and the beauty of the natural world. He died on November 15, 1966, leaving behind a significant body of work that continues to inspire artists and art enthusiasts today.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (mural study)

    artsdot.com/en/art/download/william-zorach-untitled-mural-study-AR2GSW-en/

    Cite this artwork

    MLA
    Zorach, William. Untitled (mural study). 1943, https://artsdot.com/en/art/william-zorach-untitled-mural-study-AR2GSW-en/
    APA
    Zorach, William (1943). Untitled (mural study) [Painting]. https://artsdot.com/en/art/william-zorach-untitled-mural-study-AR2GSW-en/
    Chicago
    William Zorach. Untitled (mural study). 1943. https://artsdot.com/en/art/william-zorach-untitled-mural-study-AR2GSW-en/
    Harvard
    Zorach, William (1943) Untitled (mural study). Available at: https://artsdot.com/en/art/william-zorach-untitled-mural-study-AR2GSW-en/

    Look closely

    Untitled (mural study) — William Zorach

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 10 — do you agree?)
    4. Our catalogue files this work under: naval scene, maritime life, american identity. Do you agree? What would you add, or take away?
    5. Look back at Head (1952), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I download "Untitled (mural study)" by William Zorach?

    The image of "Untitled (mural study)" by William Zorach can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Is "Untitled (mural study)" by William Zorach a light or a dark artwork?

    "Untitled (mural study)" is brilliant overall, and its luminance is gentle luminance.

    Which palette and lead color define "Untitled (mural study)"?

    "Untitled (mural study)" by William Zorach uses a neutrals palette, with driftwood (#b88b6a) as the dominant color.