Paper

Student Artwork Guide

Head

Name Class Date

William Turnbull, Head (1955), Arts Council Collection. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
William Turnbull artsdot.com/en/artists/william-turnbull/
Artist’s dates
1922 – 2012
Painted
1955
Original size
22 x 22 cm
Held at
Arts Council Collection artsdot.com/en/museums/arts-council-collection-london/

In context

Head — William Turnbull

How big is it?

The original measures 22 × 22 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Shaded: the lifetime of William Turnbull (1922–2012) ▲ this work, 1955

Compare with

  • 20 1963 artsdot.com/en/art/william-turnbull-20-1963-AS7CSV-en/
  • Sextet artsdot.com/en/art/william-turnbull-sextet-AQZCCL-en/
  • Head, 1950 artsdot.com/en/art/william-turnbull-head-ARD6A3-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-turnbull-head-D4JUNK-en/

Colours

Measured from the image

    Main colour

    Gray #7e6d73

    Catalogued palette

    • #7E6D73
    • #EEEFEC
    • #C8C4C1
    • #4D3740
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Head — William Turnbull

    William Turnbull often worked in series, and during the 1950s the head became a persistent motif in his sculptures and paintings. Unlike Brancusi

    Artist and museum

    Artist

    William Turnbull

    Born in Dundee, United Kingdom

    Early Life and Influences

    William Turnbull (1922-2012) was a Scottish artist whose career spanned sculpture, painting, and printmaking. Born in Dundee to John and Anne Turnbull, his early fascination with art manifested through copying illustrations from magazines. His formal education was interrupted by the Great Depression when he left school at 15 to find work, initially as a laborer and later painting film posters. Attending evening drawing classes at Dundee University under James McIntosh Patrick and Fred Mould proved formative, exposing him to landscape painting and illustration techniques. These early experiences laid the groundwork for his future artistic endeavors.

    World War II and Artistic Development

    Turnbull's life took a significant turn during World War II when he enlisted in the Royal Air Force (RAF) in 1941. Serving as a pilot in Canada, India, and Sri Lanka broadened his perspective and exposed him to diverse cultures. After the war, he briefly studied at the Slade School of Fine Art in London but found its approach restrictive. Disillusioned with the Slade's neo-romanticism, he relocated to Paris in 1948, a pivotal move that shaped his artistic trajectory. In Paris, he encountered influential artists and movements, including Cézanne and Monet, which deeply influenced his aesthetic sensibilities.

    Key Artistic Periods and Styles

    Turnbull’s career can be broadly divided into several distinct periods. His early sculpture (1950s) featured totemic columns and forms often inspired by ancient art and rock formations. The 1950s also saw him associated with the Independent Group, a forum for discussion and debate that contributed to the emergence of Pop Art. In the 1960s, he experimented with steel, Perspex, and fibreglass, creating modular sculptures influenced by American Colour Field Painting. A significant shift occurred in the 1970s when he returned to more molded forms and stylized bronze figurines, reflecting a renewed focus on surface patterns and color. Throughout his career, Turnbull demonstrated a remarkable versatility, seamlessly transitioning between different materials and styles while maintaining a distinctive artistic voice.

    Major Achievements and Historical Significance

    William Turnbull’s contributions to British art are considerable. His inclusion in the 1952 Venice Biennale's New Aspects of British Sculpture exhibition established his international reputation. A major retrospective at the Tate Gallery in 1973 provided a comprehensive overview of his work, prompting him to re-evaluate his artistic direction. Turnbull’s ability to synthesize diverse influences—from ancient art and European modernism to American Color Field Painting—created a unique body of work that defied easy categorization. His role within the Independent Group positioned him as an early innovator in the development of Pop Art, while his sculptures and paintings continue to be celebrated for their formal elegance and intellectual depth. He is remembered as a significant figure in post-war British art, known for his independent spirit and unwavering commitment to artistic exploration.

    Museum

    Arts Council Collection

    On show in London, United Kingdom

    A Living Legacy: The Pulse of British Creativity

    To encounter the

    Arts Council Collection

    is to step into a vibrant, breathing narrative of British artistic evolution. Unlike traditional institutions that confine masterpieces within the silent, static halls of a fortress-like museum, this collection operates as a "museum without walls." Founded in 1946 amidst the transformative shadows of post-war austerity, it was conceived not merely as a repository for aesthetic contemplation, but as an active conduit of cultural vitality. Its very essence lies in its movement; it is a curated circulation of inspiration that breathes life into universities, hospitals, and public buildings across the United Kingdom. This democratic approach ensures that exceptional art is never sequestered away from the public eye, but instead becomes an integral part of the communal landscape, fostering a deep-seated appreciation for the creative spirit that defines the nation.

    The collection’s historical journey is one of profound growth and intentionality. What began as a modest inheritance of paintings bequeathed by earlier councils has blossomed into a monumental holding of nearly 8,000 works by over 2,000 artists. This vast archive serves as a chronicle of the twentieth and twenty-first centuries, capturing the shifts in societal values and the radical transformations in visual language. For the collector or the art enthusiast, the collection offers an unparalleled window into the soul of British modernism, tracing the lineage from the visceral, psychological depths of

    Francis Bacon

    to the luminous, sun-drenched landscapes of

    David Hockney

    . It is a place where the monumental weight of

    Henry Moore’s

    sculptures meets the unflinching, textured intimacy of

    Lucian Freud’s

    portraits, creating a dialogue between form and emotion that transcends time.

    Innovation and the Contemporary Vanguard

    What truly distinguishes the Arts Council Collection is its fearless embrace of the contemporary and the emerging. It does not merely look backward with nostalgia; it actively shapes the future of art through visionary initiatives like the

    Frieze Acquisition Fund

    . By empowering curators to procure groundbreaking works from the prestigious Frieze London art fair, the collection ensures that the voices of the next generation are woven into the permanent fabric of British heritage. This commitment to innovation means that visitors—and those inspired by its works for interior curation—are always encountering the cutting edge of sculpture, photography, video, and installation. The collection thrives on tension and discovery, often presenting challenging or controversial pieces that provoke thought and ignite debate.

    Beyond its physical holdings, the institution’s impact is amplified through a sophisticated program of touring exhibitions and global partnerships. Through collaborations with entities such as the

    Coventry Biennial

    , the collection explores themes of urban identity and community outreach, bringing curated excellence to regional galleries far beyond the central hubs of London. This spirit of accessibility is further extended into the digital realm via the

    Google Arts & Culture

    partnership, allowing a global audience to wander through its treasures from any corner of the world. For the interior designer seeking to evoke a sense of sophisticated modernism or the scholar tracing the threads of artistic lineage, the Arts Council Collection remains an inexhaustible source of profound beauty and intellectual rigor.

    Where to read more

    Find this online

    QR code linking to the download page for Head

    artsdot.com/en/art/download/william-turnbull-head-D4JUNK-en/

    Cite this artwork

    MLA
    Turnbull, William. Head. 1955, Arts Council Collection. https://artsdot.com/en/art/william-turnbull-head-D4JUNK-en/
    APA
    Turnbull, William (1955). Head [Painting]. Arts Council Collection. https://artsdot.com/en/art/william-turnbull-head-D4JUNK-en/
    Chicago
    William Turnbull. Head. 1955. Arts Council Collection. https://artsdot.com/en/art/william-turnbull-head-D4JUNK-en/
    Harvard
    Turnbull, William (1955) Head. Arts Council Collection. Available at: https://artsdot.com/en/art/william-turnbull-head-D4JUNK-en/

    Look closely

    Head — William Turnbull

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at 20 1963, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Turnbull was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.