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Student Artwork Guide

St Mawes, Cornwall

Name Class Date

William Pitt, St Mawes, Cornwall (1872). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Pitt artsdot.com/en/artists/william-pitt/
Artist’s dates
1849 –
Painted
1872
Original size
40 x 75 cm

In context

St Mawes, Cornwall — William Pitt

How big is it?

The original measures 40 × 75 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 23. 1 of the 6 dated works by this artist in our catalogue came earlier.

▲ this work, 1872 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-pitt-st-mawes-cornwall-AS7SQ5-en/

Colours

Measured from the image

    Main colour

    Driftwood #a28863

    Catalogued palette

    • #A28863
    • #121A0D
    • #EFD7B9
    • #614F34

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Pitt over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by William Pitt

    1. 1 Charlton, Wiltshire, 1877 25.0%
    2. 2 The Eagle Tower, Caernarvon Castle, 1872 25.0%
    3. 3 St Mawes, Cornwall, 1872 this painting 25.0%
    4. 4 Warwick Castle, 1852 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 4 were looked at at least once. This painting ranks 3 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    St Mawes, Cornwall — William Pitt

    The painting St Mawes, Cornwall by William Pitt is a captivating depiction of a serene village scene, showcasing the artist's skill in capturing the essence of everyday life. Created in 1872, this oil on canvas piece measures 40 x 75 cm and is currently housed at the Royal Cornwall Museum in the United Kingdom.

    Artistic Style and Technique

    The painting features a picturesque village situated on the side of a hill overlooking a large body of water. The village is surrounded by lush green landscape with trees and grassy areas, creating a sense of tranquility. Several boats are visible in the water, including one near the center of the image and another towards the right side. The overall atmosphere is peaceful, with a sense of community among the villagers and visitors alike. Key elements of the painting include the use of warm colors, which evoke a sense of comfort and relaxation. The brushstrokes are bold and expressive, adding texture and depth to the scene. The artist's attention to detail is evident in the depiction of the village buildings, boats, and people, creating a sense of realism.

    Similar Works and Artists

    For fans of William Pitt, other notable works include those by Marc Nattier, such as The Lovers, which can be found at the Alte Pinakothek museum in Munich, Germany. Visit https://AllPaintingsStore.com to explore more artworks, including The Lovers by Marc Nattier. Additionally, works by John Singer Sargent, such as Hercules, showcase the artist's mastery of Neoclassicism.

    Discover more about William Pitt and his works on https://AllPaintingsStore.com

    Explore the collection at the Royal Cornwall Museum

    Learn about other artists, such as Marc Nattier and John Singer Sargent, on https://AllPaintingsStore.com

    The painting St Mawes, Cornwall by William Pitt is a beautiful representation of a serene village scene, showcasing the artist's skill in capturing everyday life. With its warm colors and bold brushstrokes, this piece is sure to captivate art enthusiasts. Visit https://AllPaintingsStore.com to explore more artworks and learn about the artists who created them.

    Artist and museum

    Artist

    William Pitt

    A Brush with Devon: The Life and Landscapes of William Pitt

    William Pitt, born in 1849, remains a somewhat enigmatic figure within the pantheon of British 19th-century landscape painters. While overshadowed by more celebrated contemporaries, his evocative depictions of Devon & Plymouth’s pastoral beauty have steadily garnered recognition, appearing in esteemed publications like Mutual Art and ArtDaily, and attracting attention from collectors drawn to their quiet intensity. Pitt wasn't a painter who sought grand pronouncements or revolutionary styles; instead, he dedicated himself to capturing the subtle nuances of the English countryside, particularly the region that became his artistic home. His life, though relatively undocumented compared to many artists of his era, reveals a dedication to observation and a keen sensitivity to the natural world. He wasn’t a flamboyant personality making headlines, but rather a diligent craftsman who allowed the landscapes themselves to speak through his brushstrokes.

    Early Life and Artistic Development

    Details surrounding Pitt's early life are scarce, adding to the mystique that surrounds his work. What is known suggests a relatively conventional artistic upbringing for the time. He likely received formal training, though the specifics of his education remain elusive. The influence of the Barbizon school – with its emphasis on direct observation and plein air painting – seems apparent in his later works. However, Pitt wasn’t simply mimicking French techniques; he infused them with a distinctly English sensibility, focusing on the softer light and rolling hills characteristic of Devon. His early paintings demonstrate a growing mastery of atmospheric perspective and a developing ability to capture the fleeting effects of weather and time of day. It's believed that his move to Plymouth was pivotal, providing him with access to a wealth of inspiring scenery and fostering a deep connection to the coastal landscapes that would define much of his oeuvre.

    The Devon & Plymouth Period: A Pastoral Vision

    Pitt’s most significant artistic contributions stem from his period spent painting in Devon and around Plymouth. He eschewed dramatic or idealized representations, instead focusing on scenes of everyday rural life – fields stretching towards distant horizons, quiet coastal coves bathed in soft light, and the gentle rhythm of agricultural activity. His paintings aren't about grand narratives; they are about a feeling, an atmosphere, a sense of tranquility and connection to the land.

    Subtle Color Palettes: Pitt’s work is characterized by muted color palettes – soft greens, browns, grays, and blues that evoke the natural tones of the Devon countryside.

    Atmospheric Perspective: He was a master of atmospheric perspective, creating a sense of depth and distance through subtle gradations of tone and color.

    Emphasis on Light: The play of light is crucial in Pitt’s paintings. He skillfully captured the changing effects of sunlight on the landscape, imbuing his scenes with a sense of realism and immediacy.

    His dedication to capturing these subtle nuances sets him apart from many of his contemporaries who favored more dramatic or picturesque subjects. He wasn't interested in imposing a vision onto the landscape; he was interested in revealing its inherent beauty.

    Influences and Artistic Connections

    While Pitt’s style is distinctly his own, it’s possible to identify several artistic influences that shaped his development. The aforementioned Barbizon school painters undoubtedly played a role, as did the works of John Constable and J.M.W. Turner – both masters of English landscape painting. However, Pitt wasn't simply imitating these artists; he synthesized their techniques with his own unique sensibility, creating a style that is both familiar and original. It’s also worth noting the growing popularity of plein air painting during this period, which encouraged artists to work directly from nature, capturing its fleeting effects in real time. Pitt embraced this approach, allowing him to develop a more intimate connection with his subjects and create paintings that feel remarkably fresh and immediate.

    Legacy and Historical Significance

    William Pitt’s historical significance lies not in groundbreaking innovation but in the quiet consistency of his vision. He wasn't attempting to revolutionize landscape painting; he was simply dedicated to capturing the beauty of Devon & Plymouth with honesty and sensitivity. His work offers a valuable glimpse into the English countryside during the 19th century, providing a visual record of rural life and agricultural practices that have since disappeared. While not a household name, his paintings are increasingly sought after by collectors who appreciate their subtle beauty and evocative atmosphere. The continued interest in his work suggests a growing recognition of his artistic merit and a renewed appreciation for the quiet power of landscape painting. His legacy is one of dedication, observation, and a profound connection to the natural world – qualities that continue to resonate with audiences today.

    Where to read more

    • The artist William Pitt artsdot.com/en/artists/william-pitt/
    • Similar works More works to compare artsdot.com/en/art/similar/william-pitt-st-mawes-cornwall-AS7SQ5-en/

    Find this online

    QR code linking to the download page for St Mawes, Cornwall

    artsdot.com/en/art/download/william-pitt-st-mawes-cornwall-AS7SQ5-en/

    Cite this artwork

    MLA
    Pitt, William. St Mawes, Cornwall. 1872, https://artsdot.com/en/art/william-pitt-st-mawes-cornwall-AS7SQ5-en/
    APA
    Pitt, William (1872). St Mawes, Cornwall [Painting]. https://artsdot.com/en/art/william-pitt-st-mawes-cornwall-AS7SQ5-en/
    Chicago
    William Pitt. St Mawes, Cornwall. 1872. https://artsdot.com/en/art/william-pitt-st-mawes-cornwall-AS7SQ5-en/
    Harvard
    Pitt, William (1872) St Mawes, Cornwall. Available at: https://artsdot.com/en/art/william-pitt-st-mawes-cornwall-AS7SQ5-en/

    Look closely

    St Mawes, Cornwall — William Pitt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Charlton, Wiltshire (1877), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Pitt was about 23 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "St Mawes, Cornwall" more bright or more dark overall?

    "St Mawes, Cornwall" is balanced overall, and its luminance is gentle luminance.

    Where can I buy a hand-painted reproduction of "St Mawes, Cornwall" by William Pitt?

    "St Mawes, Cornwall" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.

    Who made "St Mawes, Cornwall", and when?

    The author of "St Mawes, Cornwall" is William Pitt, and the work is dated 1872.