Paper

Student Artwork Guide

Capri

Name Class Date

William Henry Holmes, Capri (1880). Public domain.

The facts

Artist
William Henry Holmes artsdot.com/en/artists/william-henry-holmes/
Artist’s dates
1846 – 1933
Painted
1880
Original size
25 x 36 cm

In context

Capri — William Henry Holmes

How big is it?

The original measures 25 × 36 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920
  10. 1930

Shaded: the lifetime of William Henry Holmes (1846–1933) ▲ this work, 1880

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-henry-holmes-capri-AQTRSN-en/

Colours

Measured from the image

    Main colour

    Clay #b16e4e

    Catalogued palette

    • #B16E4E
    • #6B3B2F
    • #D9A06F
    • #C68154
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    William Henry Holmes

    Born in Harrison County, United States of America

    Early Life and Education

    Born: Harrison County, United States of America (1846)

    Died: 1933

    William Henry Holmes was born on a farm near Cadiz, in Harrison County, Ohio, to Joseph and Mary Heberling Holmes on December 1, 1846.

    He graduated from the McNeely Normal School, Hopedale, Ohio in 1870.

    Briefly taught drawing, painting, natural history, and geology at the school.

    Received an honorary A.B. (Bachelor of Arts) degree from the school in 1889.

    Received an honorary Doctor of Science degree from The George Washington University in 1918.

    Career as Artist, Illustrator and Geologist

    In 1871, he went to Washington, D.C., to study art under Theodore Kaufmann.

    Employed by the Smithsonian Institution drawing and sketching fossil shells and shells of live mollusks.

    Became an artist/topographer with the government survey of Ferdinand Vandeveer Hayden in 1872, replacing Thomas Moran.

    First trip out West was to Yellowstone National Park.

    Gained a national reputation as a scientific illustrator, cartographer, pioneering archaeologist, and geologist during the 1870s.

    His work on the laccolith influenced Grove Karl Gilbert's own work.

    Worked closely with photographer William H. Jackson.

    Helped produce Hayden’s Geological and Geographical Atlas of Colorado (1877, 1881).

    Studied at Munich, Germany under Frank Duveneck to further his art studies.

    Took lessons in "museum making" from Adolphe B. Meyer of Dresden's Anthropology Museum.

    Assigned to Clarence Dutton as a geologist and illustrator after returning to the U.S.

    Illustrated the atlas for Dutton’s Tertiary History of the Grand Canyon District (1882).

    Created a triptych panorama of the Grand Canyon from Point Sublime, considered a masterpiece.

    Archaeological Work and Ethnological Studies

    Began studying Ancestral Pueblo culture remains in Utah in 1875.

    His models of ancient Indian ruins were displayed at the Centennial International Exhibition in Philadelphia.

    Became an expert in prehistoric pottery, shell art, textiles, and Native American arts.

    Discovered and reported Indian petroglyphs in central West Virginia in 1889.

    Published "Art in Shell of the American Indians" (1883) and "Pottery of the Ancient Pueblos" (1886).

    Studied the Etowah Indian Mounds of the Mississippian culture in Georgia.

    Published his synthesis of pottery in 1903.

    Museum Directorship and Later Life

    Served as head curator of anthropology at the U.S. National Museum (1897-1932).

    Chief of the Bureau of American Ethnology (1902–1909).

    Director of National Gallery of Art (now Smithsonian American Art Museum) (1920–32).

    Assembled exhibits of Indian arts from the Northwest Coast.

    Published "Handbook of Aboriginal American Antiquities" (1919).

    Lived in Royal Oak, Michigan upon retirement in 1932.

    Died April 20, 1933.

    Legacy and Significance

    Known for his contributions to scientific illustration, archaeology, and anthropology.

    Influential figure in establishing professional archaeology in the United States.

    His work on the antiquity of humans in the Americas had a conservative influence on archaeological research.

    A "Renaissance Man" with diverse talents and interests.

    His detailed illustrations significantly contributed to geological and anthropological understanding.

    Where to read more

    Find this online

    QR code linking to the download page for Capri

    artsdot.com/en/art/download/william-henry-holmes-capri-AQTRSN-en/

    Cite this artwork

    MLA
    Holmes, William Henry. Capri. 1880, https://artsdot.com/en/art/william-henry-holmes-capri-AQTRSN-en/
    APA
    Holmes, William Henry (1880). Capri [Painting]. https://artsdot.com/en/art/william-henry-holmes-capri-AQTRSN-en/
    Chicago
    William Henry Holmes. Capri. 1880. https://artsdot.com/en/art/william-henry-holmes-capri-AQTRSN-en/
    Harvard
    Holmes, William Henry (1880) Capri. Available at: https://artsdot.com/en/art/william-henry-holmes-capri-AQTRSN-en/

    Look closely

    Capri — William Henry Holmes

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Deserted Bed of a Glacier, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Henry Holmes was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.