Paper
Name Class Date

William Blake, Ciampolo tormented by devils 1. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Blake artsdot.com/en/artists/william-blake/
Artist’s dates
1757 – 1827
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Artistic style
Visionary Art
Influences
Blake's Mythology
Notable elements or techniques
Detailed linework, hatching & crosshatching
Subject or theme
Religious Conflict

In context

Ciampolo tormented by devils 1 — William Blake

When might this have been painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Shaded: the lifetime of William Blake (1757–1827) every dated painting, decade by decade

First works: up to 1800 Main working years: 1800–1820 Late works: from 1820

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

Colours

Measured from the image

    Main colour

    Gray #898989

    Catalogued palette

    • #898989
    • #F2F2F2
    • #C4C4C4
    • #414141

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Blake over the last twelve months — 48 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 41.9%
    2. 2 United States of America 9.9%
    3. 3 Romania 8.9%
    4. 4 Singapore 5.3%
    5. 5 Hong Kong 4.2%
    6. 6 Italy 3.3%
    7. 7 Spain 3.2%
    8. 8 Brazil 2.3%
    9. 9 France 2.3%
    10. 10 Mexico 1.6%
    11. · 38 other countries 17.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Blake

    1. 1 The Ancient of Days, 1794 10.7%
    2. 2 The Great Red Dragon and the Woman Clothed in Sun, 1806 4.5%
    3. 3 El gran dragón rojo y la mujer vestida de sol 3.2%
    4. 4 The Body of Abel Found by Adam and Eve 2.5%
    5. 5 The Red Dragon and the Woman Clothed with the Sun, 1805 2.3%
    6. 6 Satan Exulting over Eve, 1795 2.2%
    7. 7 Newton 2.1%
    8. 8 The Great Red Dragon and the Woman Clothed with Sun 2.0%
    9. 9 Hecate 1.6%
    10. 10 Isaac Newton, 1795 1.5%
    11. 11 Songs of Innocence (Title page), 1825 1.4%
    12. 12 Elohim Creating Adam, 1795 1.3%
    13. 13 The Resurrection 1.3%
    14. 14 Jacob's Ladder, 1806 1.2%
    15. 15 Whirlwind of Lovers 1.2%
    16. 16 Christ Nailed to the Cross The Third Hour, 1803 1.0%
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 1.0%
    18. 18 Nebuchadnezzar, 1795 1.0%
    19. 19 The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, 1824 0.9%
    20. — Ciampolo tormented by devils 1 this painting 0.0%

    Together these works take 42.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 283 works by this artist, of which 205 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Ciampolo tormented by devils 1 — William Blake

    A Descent into Darkness: Analyzing William Blake’s “Ciampolo Tormented by Devils”

    William Blake's "Ciampolo Tormented by Devils" stands as a haunting testament to the Romantic preoccupation with spiritual struggle and visionary experience. Executed in stark monochrome etching, this artwork transcends mere depiction; it plunges viewers into a realm of psychological torment and symbolic confrontation—a characteristic hallmark of Blake’s oeuvre. Created around 1817-1818 during his prolific period of artistic output, the print reflects Blake's fascination with biblical narratives and explores themes of innocence corrupted by evil forces.

    Composition and Technique: A Dynamic Struggle for Survival

    The image presents a powerfully unsettling scene centered on Ciampolo—a figure whose identity remains deliberately ambiguous—facing off against demonic entities. Blake employs a dynamic compositional strategy, utilizing diagonal lines to propel the eye across the canvas and conveying an overwhelming sense of instability. Overlapping planes create depth without resorting to conventional perspective, emphasizing the claustrophobic atmosphere of this internal battle. Thick and thin hatching techniques meticulously build up tonal values, capturing the textures of fiery landscapes and Ciampolo’s tormented flesh—a masterful demonstration of etching's ability to achieve remarkable detail and expressive nuance. The artist’s deliberate use of cross-hatching further amplifies the dramatic impact, mirroring the turbulent emotions conveyed by the subject matter.

    Symbolism and Emotional Resonance: Confronting Inner Demons

    Blake’s symbolism is layered and profound. The demonic figures represent primal forces of evil—a direct allusion to biblical interpretations of Lucifer and Satan—while Ciampolo embodies vulnerability and innocence battling against overwhelming oppression. The fiery landscape serves as a potent metaphor for Hell itself, symbolizing the inescapable torment of spiritual conflict. Blake's masterful manipulation of light and shadow intensifies the emotional impact, highlighting Ciampolo’s anguish and conveying the palpable fear associated with confronting one’s deepest anxieties. This artwork isn't merely visually arresting; it compels contemplation on themes of faith, doubt, and the eternal struggle between good and evil—resonances that continue to captivate audiences today.

    Historical Context: Romantic Visionary Art

    “Ciampolo Tormented by Devils” firmly establishes itself within the broader context of Romantic art – a movement characterized by an emphasis on emotion, imagination, and individualism. Blake’s artistic vision aligns seamlessly with the Romantic spirit's rejection of Enlightenment rationalism and embrace of subjective experience. Influenced by thinkers like Rousseau and Coleridge, Blake sought to express profound spiritual truths through unconventional mediums—particularly illuminated printing—a technique he pioneered that combined etching with hand-coloring to create stunning visual narratives imbued with symbolic meaning.

    Concluding Thoughts: An Enduring Legacy

    William Blake’s “Ciampolo Tormented by Devils” remains an enduring masterpiece of Romantic art, demonstrating the artist's unparalleled ability to translate psychological turmoil into visually arresting imagery. Its meticulous technique, evocative symbolism, and profound emotional resonance continue to inspire artists and collectors alike—a testament to Blake’s unwavering commitment to exploring the darkest recesses of human consciousness and conveying timeless truths about faith and morality.

    Artist and museum

    Artist

    William Blake

    Born in London, United Kingdom

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it a distinctive textural quality and allowing for greater artistic freedom than traditional methods. Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven and Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelite Brotherhood, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to inspire poets, painters, and thinkers across disciplines. His exploration of complex philosophical and religious ideas through art remains profoundly relevant, challenging us to question conventional wisdom and embrace the power of individual vision. Blake’s legacy isn't simply about his artistic achievements; it is about his unwavering commitment to creative freedom—a testament to the enduring power of imagination in a world often dominated by reason and constraint.

    Where to read more

    Find this online

    QR code linking to the download page for Ciampolo tormented by devils 1

    artsdot.com/en/art/download/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

    Cite this artwork

    MLA
    Blake, William. Ciampolo tormented by devils 1. n.d., https://artsdot.com/en/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    APA
    Blake, William (n.d.). Ciampolo tormented by devils 1 [Painting]. https://artsdot.com/en/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    Chicago
    William Blake. Ciampolo tormented by devils 1. n.d. https://artsdot.com/en/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/
    Harvard
    Blake, William (n.d.) Ciampolo tormented by devils 1. Available at: https://artsdot.com/en/art/william-blake-ciampolo-tormented-by-devils-1-8EWSAB-en/

    Look closely

    Ciampolo tormented by devils 1 — William Blake

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 5 — do you agree?)
    4. Our catalogue files this work under: torture, demons, mythology. Do you agree? What would you add, or take away?
    5. Look back at Newton, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Ciampolo tormented by devils 1" one of William Blake's most popular works?

    The popularity level recorded for "Ciampolo tormented by devils 1" by William Blake is iconic.

    What colors dominate "Ciampolo tormented by devils 1" by William Blake?

    The color identity of "Ciampolo tormented by devils 1" by William Blake: a neutrals palette, dominated by gray (#898989).

    Are the colors of "Ciampolo tormented by devils 1" by William Blake vivid or muted?

    "Ciampolo tormented by devils 1" by William Blake is recorded with a muted saturation and a monochromatic intensity.