Paper

Student Artwork Guide

Self Portrait

Name Class Date

William Aiken Walker, Self Portrait (1914). Public domain.

The facts

Artist
William Aiken Walker artsdot.com/en/artists/william-aiken-walker/
Artist’s dates
1839 – 1921
Painted
1914
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Self Portrait — William Aiken Walker

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Shaded: the lifetime of William Aiken Walker (1839–1921) ▲ this work, 1914

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/william-aiken-walker-self-portrait-8DP9RE-en/

Colours

Measured from the image

    Main colour

    Espresso #653c33

    Catalogued palette

    • #653C33
    • #D3B491
    • #201519
    • #AE815E
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    William Aiken Walker

    Born in Charleston, United States of America

    William Aiken Walker: A Life in Paint

    William Aiken Walker (March 11, 1839 – January 3, 1921) was an American artist renowned for his genre paintings, particularly those capturing the lives of African Americans in the post-Reconstruction South. His work offers a poignant glimpse into a pivotal period of American history.

    Early Life and Influences

    Born in Charleston, South Carolina, to an Irish Protestant father and a mother with deep roots in South Carolina society, Walker’s early life was marked by relocation following his father's death in 1842. The family moved to Baltimore, Maryland, before returning to Charleston in 1848. This exposure to different environments likely shaped his artistic perspective.

    Artistic Development and Career

    Walker’s artistic journey began with formal training, though details remain scarce. He is primarily self-taught. During the American Civil War, he enlisted in the Confederate Army, serving under General Wade Hampton. Wounded at the Battle of Seven Pines in 1862, his subsequent assignment to picket duty unexpectedly provided him with time to paint.

    He became celebrated for his depictions of everyday life, focusing particularly on the experiences of Black sharecroppers and laborers. His paintings are characterized by a realistic style and an empathetic portrayal of his subjects. Two of his most recognized works – depicting scenes from rural Southern life – were reproduced as chromolithographs by Currier and Ives, significantly expanding their reach.

    Notable Works

    Bombardment of Fort Sumter, Charleston Harbor, Charleston, South Carolina, 1863: A powerful depiction of a key event initiating the Civil War.

    St. Finebar's Church, Broad Street, Charleston: Showcasing Walker’s skill in architectural painting and capturing the essence of Charleston’s cityscape.

    Cotton Gin, Adams County, Mississippi: A representative example of his genre scenes focusing on agricultural labor.

    Cabin Scene 1: Illustrating the living conditions of sharecroppers with striking realism.

    Themes and Style

    Walker’s work is distinguished by its focus on genre painting, a style that depicts scenes from everyday life. He masterfully captured the dignity and resilience of his subjects, offering a nuanced perspective on post-Reconstruction Southern society. His paintings often portray the hardships faced by African Americans while also highlighting their strength and community spirit.

    Historical Significance & Legacy

    Walker’s art provides valuable historical documentation of a complex period in American history. He offers insights into the social, economic, and racial dynamics of the post-Civil War South that are often absent from more formal historical accounts. His paintings serve as visual testimonies to the lives of those who lived through this era.

    He continued painting until his death on January 3, 1921, in Charleston, where he is buried in the family plot at Magnolia Cemetery. Today, his work can be found in museums such as the Gibbes Museum of Art in Charleston, South Carolina, ensuring that his legacy continues to inspire and inform future generations.

    Influences

    While specific artistic influences are not extensively documented, Walker’s realism suggests an awareness of contemporary American genre painters. His focus on social commentary aligns with a broader trend in 19th-century art towards addressing issues of class and inequality.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    artsdot.com/en/art/download/william-aiken-walker-self-portrait-8DP9RE-en/

    Cite this artwork

    MLA
    Walker, William Aiken. Self Portrait. 1914, https://artsdot.com/en/art/william-aiken-walker-self-portrait-8DP9RE-en/
    APA
    Walker, William Aiken (1914). Self Portrait [Painting]. https://artsdot.com/en/art/william-aiken-walker-self-portrait-8DP9RE-en/
    Chicago
    William Aiken Walker. Self Portrait. 1914. https://artsdot.com/en/art/william-aiken-walker-self-portrait-8DP9RE-en/
    Harvard
    Walker, William Aiken (1914) Self Portrait. Available at: https://artsdot.com/en/art/william-aiken-walker-self-portrait-8DP9RE-en/

    Look closely

    Self Portrait — William Aiken Walker

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, dignified gentleman, mustache. Do you agree? What would you add, or take away?
    5. Look back at Still LIfe with Cheese, Bottle of Wine and Mouse (1876), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.