Paper

Student Artwork Guide

Ghost Plan No.1

Name Class Date

usami keiji, Ghost Plan No.1 (1969), Sezon Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
usami keiji artsdot.com/en/artists/usami-keiji/
Artist’s dates
1940 – 2012
Painted
1969
Movement
Contemporary Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Held at
Sezon Museum of Modern Art artsdot.com/en/museums/sezon-museum-of-modern-art-karuizawa/

In context

Ghost Plan No.1 — usami keiji

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: the lifetime of usami keiji (1940–2012) ▲ this work, 1969

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/usami-keiji-ghost-plan-no-1-D5H445-en/

Colours

Measured from the image

    Main colour

    Putty #d6d4d2

    Catalogued palette

    • #D6D4D2
    • #433955
    • #99B1BE
    • #C5935B
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Ghost Plan No.1 — usami keiji

    Born in Osaka in 1940, Keiji Usami was an artist representing the Japanese contemporary art scene. Usami began to teach himself painting. Usami held his first solo show at Minami Gallery (Tokyo) in 1982. and he started systematic creation of paintings by employing four human figures taken from a news photograph of the 1965 Watts riots in Los Angeles, circles and gradation. In 1966, Usami’s work was exhibited in The New Japanese Paintings and Sculpture at MoMA in NY. In 1968, Usami unveiled LASER=BEAM=JOINT, the first work in Japan using laser beam. His work from the same series exhibited in Japan World Exposition, Osaka 1970 received attention. Usami continued producing his works both in Japan and abroad, including those exhibited at the Venice Biennale 1972. The four symbolized human figures, which Usami repeatedly used and transformed, became his lifelong motif to compose paintings as “thinking space” for people of the same era and their world experience. Usami wrote a number of books and practiced his art theory described in the books in creating paintings. Four symbolized human figures, running man, pausing man, crouching man, and hurling man, originating from a news photograph of the Watts riot are drawn on the flat matière with no brush touches. Usami said, “Creating a system to replace ‘homogenous space and its scenographic expressions’ by the network of symbol relation was the answer to the question coming closer after the silence of space reduction. I named it ‘ghost plan.’”

    Artist and museum

    Artist

    usami keiji

    Born in Suita, Japan

    **a japanese painter's unique style**

    usami keiji, a renowned japanese painter, left an indelible mark on the art world with his distinctive style. born in 1940 in suita, japan, keiji's artistic journey began with a sudden yet impactful appearance at his first one-man show held at minami gallery, tokyo in 1963.

    **artistic style and global recognition**

    keiji's artworks are celebrated for their unique blend of traditional japanese elements and modern expression. his works have been exhibited in various museums and galleries worldwide, including the usami keiji | AllPaintingsStore.com, which showcases a selection of his notable pieces.

    key artworks:

    the oak at flagey (the oak of vercingetorix) (inspired by gustave courbet's style, though not a direct work of keiji)

    other notable works include oil on canvas pieces that reflect his unique approach to color and composition.

    museums and galleries:

    murauchi art museum, tokyo, japan (features a wide range of japanese art)

    other international galleries showcasing keiji's work

    **legacy and influence**

    usami keiji passed away in 2012, but his artistic legacy continues to inspire new generations. his unique style, blending traditional and modern elements, has influenced numerous artists worldwide. murauchi art museum, tokyo, japan is one of the many institutions that have recognized keiji's contributions to japanese art. the museum's collection includes a wide range of artworks, from ancient pottery and sculpture to modern manga and anime.

    **conclusion**

    usami keiji's enigmatic art style has left an enduring impact on the world of painting. through his unique approach to color, composition, and traditional japanese elements, he has inspired countless artists and continues to be celebrated in museums and galleries around the world. explore more of usami keiji's artworks at AllPaintingsStore.com and discover how his legacy continues to influence contemporary art.

    Museum

    Sezon Museum of Modern Art

    On show in Karuizawa, Japan

    A Sanctuary of Modernity: The Soul of Karuizawa

    Nestled within the emerald embrace of Karuizawa’s breathtaking natural landscape, the Sezon Museum of Modern Art stands as more than a mere repository for fine art; it is a profound dialogue between human creativity and the serene rhythms of the earth. To enter this space is to step into a contemplative haven where the boundaries between the interior gallery and the whispering forests of Nagano Prefecture begin to dissolve. The museum’s history is one of preservation and evolution, tracing its lineage back to 1962 as the Tanakawa Museum, established by Yasujiro Tsutsumi to safeguard a burgeoning legacy of aesthetic brilliance. As it transitioned to its current location in 1981 and eventually absorbed the esteemed collection of the Saison Museum, it has matured into a vital cultural beacon, offering a sanctuary where the pulse of contemporary art beats in perfect harmony with the seasonal shifts of the Japanese highlands.

    The architectural essence of the museum is a masterclass in organic integration, conceived by the visionary architect Kiyonori Kikutake. Rather than imposing itself upon the landscape, the structure acts as an architectural echo of the surrounding mountains and ancient trees. Utilizing a palette of natural materials such as cedar and stone, the design honors Japan’s deep-seated reverence for environmental connection. Large, expansive windows serve as living canvases, flooding the galleries with a soft, diffused daylight that breathes life into every brushstroke and sculpture. This deliberate transparency allows the art to exist not in isolation, but within a continuous flow of light and shadow, inviting visitors to experience works of art as part of a larger, breathing ecosystem.

    A Tapestry of Visionary Masters

    The collection held within these walls is a breathtakingly diverse tapestry, weaving together the bold, emotive threads of Western abstraction with the delicate, nuanced sensibilities of Japanese modernism. Collectors and enthusiasts will find themselves captivated by the museum’s ability to foster unexpected conversations between disparate eras and styles. One might find the monumental, color-saturated presence of Mark Rothko standing in silent, powerful communion with the sculptural precision of Isamu Noguchi. This juxtaposition is the heartbeat of the Sezon collection, where the visceral impact of Anselm Kiefer meets the ethereal, surrealist explorations of Man Ray. The museum’s strength lies in this very tension—the ability to present a world where non-representational forms and abstract textures challenge the viewer to engage with color and composition on a purely instinctive level.

    Beyond the heavyweights of international modernism, the museum celebrates the profound contributions of Japanese masters such as Hisao Domoto and the innovative spirit of Michael Rikio Ming Hee Ho. The curation extends even beyond the gallery walls into the enchanting sculptural gardens designed by Isamu Wakabayashi. Here, art becomes an immersive, open-air experience; sculptures interact with meticulously pruned bonsai trees and tranquil ponds, creating a pathway of discovery that encourages a slower, more meditative pace. For the interior designer or the lover of fine aesthetics, the museum serves as an ultimate inspiration, demonstrating how the placement of form and the consideration of space can elevate the human spirit and transform a physical environment into a spiritual retreat.

    A Legacy of Intellectual Discovery

    Throughout its storied existence, the Sezon Museum of Modern Art has remained at the vanguard of contemporary artistic discourse, hosting groundbreaking exhibitions that push the limits of spatial perception. Notable past showcases, such as the collaborative exploration of space by Hiroshi Hara and Madeline Gins, have challenged audiences to reconsider how we inhabit and interpret our surroundings. The museum’s ability to celebrate both established legends, like the vibrant and mesmerizing Yayoi Kusama, alongside emerging talents ensures that its narrative is never static, but always moving toward new horizons of meaning. It remains a destination where the act of viewing is transformed into an act of feeling—a place where every visitor is invited to contemplate the profound beauty inherent in both the man-made masterpiece and the natural world.

    Where to read more

    Find this online

    QR code linking to the download page for Ghost Plan No.1

    artsdot.com/en/art/download/usami-keiji-ghost-plan-no-1-D5H445-en/

    Cite this artwork

    MLA
    keiji, usami. Ghost Plan No.1. 1969, Sezon Museum of Modern Art. https://artsdot.com/en/art/usami-keiji-ghost-plan-no-1-D5H445-en/
    APA
    keiji, usami (1969). Ghost Plan No.1 [Painting]. Sezon Museum of Modern Art. https://artsdot.com/en/art/usami-keiji-ghost-plan-no-1-D5H445-en/
    Chicago
    usami keiji. Ghost Plan No.1. 1969. Sezon Museum of Modern Art. https://artsdot.com/en/art/usami-keiji-ghost-plan-no-1-D5H445-en/
    Harvard
    keiji, usami (1969) Ghost Plan No.1. Sezon Museum of Modern Art. Available at: https://artsdot.com/en/art/usami-keiji-ghost-plan-no-1-D5H445-en/

    Look closely

    Ghost Plan No.1 — usami keiji

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: abstract figures, geometric shapes, fragmented forms. Do you agree? What would you add, or take away?
    5. Look back at Purgatory,Tower of Foam (1997), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.