Paper

Student Artwork Guide

While We Wait 1

Name Class Date

tonia nneji, While We Wait 1 (2019), Rele Arts Foundation. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
tonia nneji artsdot.com/en/artists/tonia-nneji/
Artist’s dates
1991 – ?
Painted
2019
Medium
Painting
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Period
Contemporary
Held at
Rele Arts Foundation artsdot.com/en/museums/rele-arts-foundation-lagos/
Artistic style
Contemporary African Art
Subject or theme
Intimate interaction between women

In context

While We Wait 1 — tonia nneji

When was this painted?

  1. 1990
  2. 2000
  3. 2010

Shaded: the lifetime of tonia nneji (1991–?) ▲ this work, 2019

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/tonia-nneji-while-we-wait-1-DD2EN4-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #979c90

    Catalogued palette

    • #979C90
    • #04068D
    • #2A1318
    • #59A4F4
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    While We Wait 1 — tonia nneji

    An Intimate Study in Connection

    Tonia Nneji’s "While We Wait 1" draws the viewer into a moment suspended between conversation and contemplation. The composition centers on two women seated closely together on a simple bench, their gazes meeting across the space that divides them. This immediate focus creates an atmosphere thick with unspoken narratives—a palpable sense of shared history or anticipated revelation. While the palette is dominated by the stark contrast of black and white in the figures, the background introduces a vital warmth through the suggestion of a red and yellow blanket. This juxtaposition of monochrome intimacy against bursts of earthy color elevates the scene from a mere portrait to a profound meditation on human connection.

    Symbolism of Shared Space

    The arrangement itself speaks volumes about proximity and emotional distance. The bench acts as both a physical anchor and a subtle divider, suggesting that even in moments of deep togetherness, there remains a necessary space for individual thought. Nneji, whose work often delves into themes of resilience and the body's narrative, seems to be exploring the delicate balance between mutual support and personal solitude. The partially visible figure at the far left adds an element of the peripheral—the unseen observer or the lingering presence—suggesting that these intimate moments are always witnessed by a larger, surrounding world.

    Technique and Emotional Resonance

    The technique employed allows Nneji to achieve both graphic clarity and soft emotional ambiguity. The contrast in the rendering of the figures against the backdrop suggests a masterful handling of light and shadow, giving the work a timeless, almost photographic quality while retaining the expressive brushwork characteristic of contemporary African art. For collectors and designers alike, this piece offers depth; it is not simply decorative but conversation-starting. The rich emotional undercurrent—the quiet weight of waiting—lends itself beautifully to spaces that require thoughtful grounding, such as a sophisticated living area or an artist's studio.

    A Vision Rooted in Experience

    Drawing from her background and the powerful themes woven throughout her oeuvre, "While We Wait 1" resonates with narratives of strength found within vulnerability. Nneji’s art is known for its fearless vibrancy when tackling subjects of societal dialogue and personal endurance. Here, that resilience manifests not through overt struggle, but through the quiet dignity shared between the two women. Owning a reproduction of this piece allows one to bring into an interior space not just artwork, but a contemplation on empathy, support, and the enduring power found in simply being present with another soul.

    Artist and museum

    Artist

    tonia nneji

    Born in Lagos State, Nigeria

    The Vibrant Tapestry of Tonia Nneji

    Born in the bustling energy of Lagos State, Nigeria, in 1991, Tonia Nneji carries within her a visual language deeply rooted in the ancestral rhythms of her homeland. Her artistic lineage is inextricably linked to the traditions of carvers and the powerful presence of masquerade carriers, a heritage that breathes life into her contemporary practice. After graduating with honors from the University of Lagos in 2016, Nneji emerged not merely as a skilled painter, but as a profound storyteller capable of weaving complex societal dialogues into the very fabric of her canvases. Her work serves as a bridge between the historical weight of Nigerian craftsmanship and the urgent, pressing conversations of the modern era.

    Nneji’s creative process is an intimate exploration of resilience, often drawing from her personal navigation through significant health challenges. She utilizes the canvas to confront the heavy silences surrounding trauma and women’s health, transforming vulnerability into a site of strength and advocacy. Through her art, she champions bodily autonomy and protection against harassment, creating a visual sanctuary for dialogue. This mission is mirrored in her fascination with textile materials; she investigates commemorative fabrics as symbols of place and belonging, exploring how these woven narratives transcend geographical borders to communicate universal truths about identity and the human condition.

    A Masterful Blend of Pattern and Purpose

    The aesthetic power of Nneji’s work lies in its breathtaking fusion of abstraction and figurative elements. Her canvases are characterized by a meticulous attention to detail, where bold colors and intricate patterns pulsate with an almost rhythmic energy. This technique is deeply informed by ancestral craftsmanship, yet it remains resolutely contemporary. By interweaving geometric precision with organic, flowing forms, she creates a sense of movement that mimics the protective and enveloping nature of textiles. Each layer of color and every patterned line serves as a deliberate stroke in her larger effort to document the complexities of the female experience and the enduring spirit of cultural heritage.

    Her artistic development has been propelled by significant recognition within the international art community. Through prestigious residencies, such as those at Art Dubai, and accolades like the Ronke Ekensi Prize, Nneji has been afforded the space to expand her technical repertoire and deepen her thematic inquiries. Her presence in the global art landscape is further solidified by notable exhibitions, including:

    Solo presentations at rele gallery in both Lagos and Los Angeles, which showcased her ability to command international attention.

    Participation in the evocative group exhibition ‘Dancing in Dark Times’ at the Pippy Houldsworth Gallery in London.

    The inclusion of her work in the ‘Orita Meta’ exhibition at rele gallery, highlighting her connection to cultural crossroads.

    As a significant contributor to the evolving landscape of contemporary African art, Tonia Nneji continues to push the boundaries of what painting can achieve. Her work does not simply decorate; it defends, commemorates, and illuminates. By transforming the personal into the political and the ancestral into the avant-garde, she ensures that the narratives of identity, health, and belonging are etched permanently into the collective consciousness of the art world.

    Museum

    Rele Arts Foundation

    On show in Lagos, Nigeria

    Rele Arts Foundation: A Pulse of Contemporary African Art

    Nestled in the vibrant heart of Lagos, Nigeria, the Rele Arts Foundation stands as a beacon illuminating the dynamic landscape of contemporary and traditional African art. More than just a gallery, it’s a carefully cultivated space—a cultural hub where established masters converse with emerging voices, and where the echoes of ancient traditions resonate within the framework of modern expression. Founded by Adenrele Sonariwo in 2010, Rele has rapidly become a pivotal force, not only within Nigeria but increasingly on the global stage, bridging continents and fostering a deeper appreciation for the rich artistic heritage of the continent.

    The foundation’s ethos is rooted in a commitment to providing opportunities for Nigerian artists – particularly those often overlooked by mainstream institutions. This dedication manifests powerfully through its Young Contemporaries program, a prestigious initiative offering mentorship, residencies, and exhibition platforms to a select group of rising talents. But Rele's impact extends far beyond this single program; it’s woven into the very fabric of the gallery itself, a carefully curated environment designed to showcase the breadth and depth of African creativity. The architecture reflects this philosophy – clean lines and minimalist design create a neutral backdrop that allows the artwork to command center stage, while strategic use of natural light enhances the colors and textures, inviting viewers to fully immerse themselves in each piece.

    A Tapestry of Tradition and Innovation

    Rele’s collection is a compelling dialogue between the past and present. Alongside a significant selection of traditional masks and sculptures – powerful embodiments of Nigerian cultural history and spiritual beliefs – you'll discover a diverse array of sculptural works, ranging from abstract explorations of form to evocative figurative representations. These pieces often grapple with themes of identity, social commentary, and environmental concerns, reflecting the complexities of contemporary African life. The gallery’s commitment to showcasing cutting-edge work from emerging Nigerian artists is particularly noteworthy; they are actively shaping the future of art in Africa, pushing boundaries and challenging conventions.

    Notable exhibitions have cemented Rele's reputation as a vital platform for artistic discourse. “The Atlantic Triangle,” curated by Alfons Hug in 2017, offered a powerful exploration of interconnectedness across continents, while "Her Story" provided a poignant lens through which to examine the experiences of women within African society. Perhaps most strikingly, Rele has partnered with Samsung on an ongoing initiative, “Tech Meets Art,” demonstrating a willingness to embrace innovation and explore the intersection of art and technology – a testament to its forward-thinking approach.

    Expanding Horizons: Los Angeles and Beyond

    In 2021, Rele Arts Foundation took a bold step, establishing a location in Los Angeles, California—a landmark achievement as it marked the first African gallery to call the city home. This expansion represents more than just geographical growth; it signifies a deliberate effort to connect African art with a global audience and foster cross-cultural exchange. The Los Angeles space mirrors the ethos of the Lagos gallery – prioritizing emerging talent and creating a welcoming environment for both local collectors and international visitors.

    A Unique Cultural Hub

    What truly distinguishes Rele Arts Foundation is its role as a vibrant cultural hub. It’s a place where artists, curators, critics, and enthusiasts converge to exchange ideas, celebrate creativity, and build connections. The foundation actively promotes dialogue and appreciation for the diverse artistic expressions of Africa, fostering a sense of community and belonging. Rele's influence extends beyond its physical spaces; it has become synonymous with contemporary African art, inspiring artists and collectors alike to embrace the continent’s rich creative legacy.

    Notable Artists at Rele

    Olumide Onadipe:

    A Nigerian artist blending traditional and contemporary techniques to tackle environmental themes and social commentary. His work offers a powerful reflection on the challenges facing Africa today.

    Where to read more

    Find this online

    QR code linking to the download page for While We Wait 1

    artsdot.com/en/art/download/tonia-nneji-while-we-wait-1-DD2EN4-en/

    Cite this artwork

    MLA
    nneji, tonia. While We Wait 1. 2019, Rele Arts Foundation. https://artsdot.com/en/art/tonia-nneji-while-we-wait-1-DD2EN4-en/
    APA
    nneji, tonia (2019). While We Wait 1 [Painting]. Rele Arts Foundation. https://artsdot.com/en/art/tonia-nneji-while-we-wait-1-DD2EN4-en/
    Chicago
    tonia nneji. While We Wait 1. 2019. Rele Arts Foundation. https://artsdot.com/en/art/tonia-nneji-while-we-wait-1-DD2EN4-en/
    Harvard
    nneji, tonia (2019) While We Wait 1. Rele Arts Foundation. Available at: https://artsdot.com/en/art/tonia-nneji-while-we-wait-1-DD2EN4-en/

    Look closely

    While We Wait 1 — tonia nneji

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: women portrait, intimate scene, nigerian art. Do you agree? What would you add, or take away?
    4. Look back at While We Wait 4 (2019), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    While We Wait 1 — tonia nneji

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary color palette described for the background element in the artwork?

      • A Blue and green
      • B Red and yellow
      • C Black and white
    2. 2. How many women are prominently featured sitting on the bench in 'While We Wait 1'?

      • A One
      • B Two
      • C Three or more
    3. 3. What is the stated date of creation for this artwork?

      • A 2016
      • B 2019
    4. 4. According to the artist's biography, what major themes does Tonia Nneji often explore in her work?

      • A Mythology and gods
      • B Trauma and women’s health
      • C Landscape painting techniques
    5. 5. What is the relationship depicted between the two main subjects in the painting?

      • A They are looking away from each other.
      • B They are facing each other, creating an intimate atmosphere.
      • C One woman is standing while the other sits.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4A · 5A