Paper

Student Artwork Guide

A Cuban Cigarette

Name Class Date

Thomas Stuart Smith, A Cuban Cigarette (1869), Stirling Council Municipal Buildings. Public domain.

The facts

Artist
Thomas Stuart Smith artsdot.com/en/artists/thomas-stuart-smith/
Artist’s dates
1815 – 1869
Painted
1869
Medium
Oil
Original size
67 x 56 cm
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Period
19th Century
Held at
Stirling Council Municipal Buildings artsdot.com/en/museums/stirling-council-municipal-buildings-stirling/
Subject or theme
Man smoking in a red jacket

In context

A Cuban Cigarette — Thomas Stuart Smith

How big is it?

The original measures 67 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860

Shaded: the lifetime of Thomas Stuart Smith (1815–1869) ▲ this work, 1869

Compare with

  • Alone, 1848 artsdot.com/en/art/thomas-stuart-smith-alone-AQUABB-en/
  • Study of a Boy artsdot.com/en/art/thomas-stuart-smith-study-of-a-boy-AQUAKZ-en/
  • A Quiet Pipe artsdot.com/en/art/thomas-stuart-smith-a-quiet-pipe-AQUADK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/

Colours

Measured from the image

    Main colour

    Walnut #96560c

    Catalogued palette

    • #96560C
    • #7D1810
    • #C4AA64
    • #26120E
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Thomas Stuart Smith

    The Quiet Grandeur of Thomas Stuart Smith

    Thomas Stuart Smith (1815–1869) remains a singular and evocative figure in the tapestry of Scottish art history, a painter who possessed the rare ability to bridge the sweeping emotional heights of Romanticism with the tender, grounded intimacy of everyday observation. Born into a life shaped by unconventional circumstances—as the illegitimate nephew of Alexander Smith, whose estate at Glassing all near Dunblane provided a backdrop of intellectual and landed prestige—Smith’s early years were marked by a cosmopolitan breadth. His formative travels through France and his subsequent return to England allowed him to absorb the shifting currents of European aesthetics, fostering a perspective that was as much about scientific inquiry as it was about artistic passion.

    His life and work were deeply embedded in the transformative atmosphere of the Victorian era. While many of his contemporaries sought to capture the monumental shifts of industrialization through heroic narratives, Smith turned his gaze inward and toward the hearth. He found profound meaning in the subtle nuances of domesticity, capturing Welsh interiors bathed in a soft, diffused light and kitchens brimming with the vibrant textures of fresh produce. His canvases served as windows into the human experience, where the psychological depth of a portrait was just as significant as the atmospheric weight of a landscape.

    A Synthesis of Realism and Romanticism

    The brilliance of Smith’s technique lies in his masterful synthesis of seemingly opposing movements. He was deeply moved by the Pre-Raphaelite Brotherhood, drawing inspiration from the meticulous botanical accuracy and atmospheric precision championed by masters such as John Everett Millais and William Holman Hunt. This influence is visible in his commitment to truthful observation; he approached the natural world with a keen eye for detail that honored the integrity of every leaf, shadow, and fabric fold.

    Yet, beneath this layer of meticulous realism lay a heart steeped in Romanticism. Smith did not merely document reality; he sought to evoke mood. Through innovative experimentation with light and perspective, he infused his scenes with a sense of longing and sublime emotion. His work often oscillates between the following elements:

    The Intimate: A focus on the quiet, unobserved moments of daily life and social commentary.

    The Atmospheric: The use of light to create a sense of temporal depth and emotional resonance.

    The Observational: A rigorous dedication to the textures and botanical truths of the natural world.

    Legacy and Philanthropic Spirit

    Beyond his contributions to the canvas, Thomas Stuart Smith left an indelible mark on the cultural landscape of Scotland through his commitment to education and the preservation of art. His legacy is perhaps most tangibly felt through his role as the founder of the Stirling Smith Art Gallery and Museum. This act of philanthropy ensured that the beauty he sought to capture would remain accessible to future generations, cementing his name not just as a creator of images, but as a guardian of heritage.

    In the history of nineteenth-century art, Smith stands as a bridge between eras. He navigated the transition from the grand, idealized visions of the early century to the more grounded, socially conscious realism that would define much of the later Victorian period. His ability to find the extraordinary within the ordinary continues to resonate, reminding us that the most profound truths are often found in the quietest corners of our existence.

    Museum

    Stirling Council Municipal Buildings

    On show in Stirling, United Kingdom

    The Architectural Heartbeat of Stirling

    Standing as a monumental testament to civic pride, the Stirling Council Municipal Buildings command attention within the historic landscape of Scotland’s ancient gateway. The architecture does not merely serve a functional purpose; it acts as a silent curator of the city's identity, offering a profound sense of permanence that resonates with anyone who appreciates the intersection of historical grandeur and civic duty. To approach these structures is to engage with a narrative written in stone, where the weight of Victorian ambition meets the enduring spirit of the Stirling community. The interplay of light against the textured masonry provides an endless source of inspiration for those drawn to the aesthetic of architectural heritage and the dignity of classical forms.

    A Curated Legacy of Civic Grandeur

    While these buildings may not house the gilded frames of a traditional art gallery, they offer a different kind of exhibition: an immersive display of civic evolution and historical continuity. The grandeur of the facade invites contemplation on the layers of time that have shaped Stirling, making it a destination for those who seek to understand the aesthetic foundations of Scottish municipal life. For the interior designer or the art enthusiast, the atmosphere within and around these halls provides a masterclass in texture, scale, and historical resonance. It is here that the very fabric of the city's governance becomes a canvas for its ongoing story, preserving the dignity and the architectural rhythm of a city that has stood at the crossroads of history for centuries.

    Where to read more

    Find this online

    QR code linking to the download page for A Cuban Cigarette

    artsdot.com/en/art/download/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/

    Cite this artwork

    MLA
    Smith, Thomas Stuart. A Cuban Cigarette. 1869, Stirling Council Municipal Buildings. https://artsdot.com/en/art/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/
    APA
    Smith, Thomas Stuart (1869). A Cuban Cigarette [Painting]. Stirling Council Municipal Buildings. https://artsdot.com/en/art/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/
    Chicago
    Thomas Stuart Smith. A Cuban Cigarette. 1869. Stirling Council Municipal Buildings. https://artsdot.com/en/art/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/
    Harvard
    Smith, Thomas Stuart (1869) A Cuban Cigarette. Stirling Council Municipal Buildings. Available at: https://artsdot.com/en/art/thomas-stuart-smith-a-cuban-cigarette-AQUAAM-en/

    Look closely

    A Cuban Cigarette — Thomas Stuart Smith

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: man smoking, portrait, red jacket. Do you agree? What would you add, or take away?
    4. Look back at Alone (1848), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.