Paper

Student Artwork Guide

Dinner

Name Class Date

Thomas Rowlandson, Dinner (1787), Hermitage Museum. Public domain.

The facts

Artist
Thomas Rowlandson artsdot.com/en/artists/thomas-rowlandson/
Artist’s dates
1756 – 1827
Painted
1787
Medium
Engraving Lines cut directly into a metal plate with a hand tool, then inked and pressed onto paper.
Original size
434 x 570 cm
Movement
Satirical Printmaking
Held at
Hermitage Museum artsdot.com/en/museums/hermitage-museum-saint-petersburg/
Artistic style
Caricature; Baroque Influence
Influences
Rococo
Notable elements or techniques
Exaggerated features; Dynamic composition; Hatching & crosshatching
Subject or theme
Aristocratic Excess; Social Critique

In context

Dinner — Thomas Rowlandson

How big is it?

The original measures 434 × 570 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Shaded: the lifetime of Thomas Rowlandson (1756–1827) ▲ this work, 1787

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/thomas-rowlandson-dinner-8Y3GT4-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #c7b7a4

    Catalogued palette

    • #C7B7A4
    • #433C34
    • #806D5A
    • #A88F79
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Dinner — Thomas Rowlandson

    A Critique of Excess: Examining Thomas Rowlandson’s ‘Dinner’

    Thomas Rowlandson, born in London in 1756 amidst the burgeoning social anxieties of Georgian England, stands as a monumental figure in satirical art history. His prolific output—spanning prints, caricatures, and theatrical productions—captured the zeitgeist of his era with unparalleled precision and daring, cementing his legacy as one of Britain’s most influential artists. Rowlandson's oeuvre is characterized by an unwavering commitment to exposing hypocrisy and challenging authority, achieved through masterful manipulation of visual language and a profound understanding of human psychology. This dedication culminated in ‘Dinner,’ completed in 1787, a hand-colored engraving that continues to resonate with audiences today as a searing indictment of aristocratic decadence.

    Composition and Style: A Symphony of Chaos

    Dinner’ immediately confronts the viewer with a densely populated scene rendered in Rowlandson's signature style—a deliberate orchestration of exaggeration and distortion designed to provoke contemplation. The composition is deliberately chaotic, mirroring the perceived disorderliness of the upper echelons of society. Figures jostle for space within an opulent dining room dominated by a towering chandelier adorned with elaborate floral motifs – symbols of wealth and artificial beauty. Rowlandson’s technique employs hatching and cross-hatching extensively to simulate textures like fabric and wood, lending a palpable sense of realism despite the stylized depiction. Lines are sharply defined, creating dramatic movement and emphasizing the theatrical poses adopted by two prominent figures—likely representing military officers or aristocrats—who dominate the background. These figures are presented with grotesque features, amplifying Rowlandson’s critique of arrogance and power.

    Technique: The Art of Engraving – Precision Through Line

    The engraving itself is a testament to Rowlandson's skill as an artist. Fine lines meticulously crafted by engravers build up tonal values and create astonishing detail—a remarkable feat considering the limitations of printmaking at the time. This painstaking process demanded considerable patience and precision, resulting in an image that possesses both visual richness and intellectual depth. The hand-coloring adds vibrancy to the scene, highlighting key elements and intensifying the emotional impact of Rowlandson’s commentary. Careful attention was paid to shading and highlights, enhancing the illusion of three dimensions and drawing the eye across the canvas.

    Historical Context: Satire as Social Commentary

    Dinner’ emerged during a period marked by significant social upheaval—the Enlightenment challenged traditional hierarchies and fueled debates about morality and governance. Rowlandson skillfully utilized satire to expose the perceived moral failings of the aristocracy, targeting their excessive consumption and disregard for public opinion. The print circulated widely throughout London society, sparking controversy and prompting discussions about societal values. Its enduring relevance lies in its ability to capture the anxieties of a nation grappling with rapid change and questioning established norms—a timeless exploration of human folly rendered with breathtaking artistic skill.

    Symbolism: Excess and Illusion

    Beyond its formal composition and technique, ‘Dinner’ is laden with symbolic representations that underscore Rowlandson's central argument. The overflowing glasses symbolize drunkenness and indulgence – a deliberate provocation designed to ridicule the perceived moral bankruptcy of the elite. Similarly, the imposing figures represent authority and arrogance, embodying the very qualities Rowlandson sought to expose as detrimental to societal wellbeing. Ultimately, ‘Dinner’ serves as a powerful reminder that art can serve not only as aesthetic pleasure but also as a vehicle for critical reflection—a legacy firmly established by Thomas Rowlandson's enduring contribution to British artistic heritage.

    Artist and museum

    Artist

    Thomas Rowlandson

    Born in London, United Kingdom

    A Life Etched in Satire: The World of Thomas Rowlandson

    Born amidst the bustling streets of Old Jewry, London, on July 13th, 1756 (baptized July 23rd, 1757), Thomas Rowlandson emerged as a defining voice – and pen – of Georgian England. His life, initially shadowed by his father’s financial struggles that necessitated a move to Richmond, North Yorkshire in 1759, would ultimately blossom into an artistic career marked by unparalleled wit and incisive social commentary. Rowlandson wasn't merely documenting his era; he was holding a mirror to its follies, exaggerating its vanities, and immortalizing its characters with a uniquely satirical eye. From humble beginnings, nurtured by an uncle’s support that allowed him access to education at Dr. Barwis’ school in Soho Square, Rowlandson embarked on a path that would see him become one of the most celebrated – and controversial – caricaturists of his time. Even as a schoolboy, his innate talent manifested itself in playful sketches adorning the margins of his books, foreshadowing a career dedicated to visual storytelling with a mischievous edge.

    Formative Years and Artistic Development

    Rowlandson’s formal artistic training began at the Royal Academy in 1772, where he honed his skills for six years, including a period of study in Paris under Jean-Baptiste Pigalle. This exposure to continental techniques proved invaluable, laying the foundation for his distinctive style – a blend of delicate draughtsmanship and bold exaggeration. However, it was upon returning to England that Rowlandson truly found his voice. Initially attempting portraiture, he soon discovered his true calling lay not in flattering representation but in pointed satire. The financial pressures following his aunt’s death further propelled him towards caricature as a means of livelihood, yet this shift wasn't merely pragmatic; it was an artistic awakening. He began to dissect the social landscape with ruthless accuracy, targeting politicians, aristocrats, and everyday citizens alike. His early works were characterized by a remarkable facility for line and a keen understanding of human expression, qualities that would become hallmarks of his mature style.

    Collaboration and The Rise to Prominence

    The true flowering of Rowlandson’s career came through his fruitful collaboration with publisher Rudolph Ackermann. This partnership yielded some of his most enduring works, including the immensely popular The Schoolmaster's Tour (1809), a series of plates accompanied by verses from Dr. William Combe, and the iconic Tour of Dr. Syntax in Search of the Picturesque (1812). The Dr. Syntax series, with its subsequent installments – Dr. Syntax in Search of Consolation (1820) and The Third Tour of Dr. Syntax in Search of a Wife (1821) – captivated audiences with its whimsical narrative and Rowlandson’s masterful illustrations. These works weren't simply visual accompaniments to text; they were integral to the storytelling, enhancing the humor and social commentary through dynamic compositions and expressive characterizations. The delicate color washes and precise reed-pen outlines became synonymous with Rowlandson’s style, showcasing his technical brilliance and artistic flair. His ability to capture both the grandeur of landscapes and the absurdity of human behavior cemented his reputation as a leading artist of the era.

    A Legacy of Satire and Social Observation

    Rowlandson's impact extends far beyond the immediate popularity of his works during his lifetime. He left behind an extensive body of art – over 381 artworks are cataloged at AllPaintingsStore.com alone – that provides a vivid and often unflattering portrait of Georgian society. His caricatures weren’t merely about ridicule; they were astute observations on the political climate, social customs, and human foibles of his time. He fearlessly lampooned figures like the Duchess of Devonshire, William Pitt the Younger, and Napoleon Bonaparte, exposing their vulnerabilities and challenging established power structures. Beyond the overtly satirical, Rowlandson also produced a wealth of illustrations for novels and topographical works, demonstrating his versatility as an artist. His legacy continues to inspire artists and art enthusiasts today, offering a unique window into a bygone era. The enduring appeal of his work lies in its timeless relevance – the human tendencies towards vanity, hypocrisy, and absurdity that he so brilliantly captured remain remarkably consistent across centuries. His influence can be seen in subsequent generations of cartoonists and illustrators who have embraced satire as a means of social commentary.

    Preserving Rowlandson’s Vision

    Today, Rowlandson's work is preserved in numerous museum collections worldwide, including those accessible through platforms like AllPaintingsStore.com, which offers an extensive catalog of his creations alongside works by contemporaries such as Samuel Henry Gordon Alken and William Hogarth. Pieces like Hengar House the Seat of Matthew Mitchell Esq., Cornwall (1812) and Glorious Defeat of the Dutch Navy (1797) stand as testaments to his artistic skill and historical significance. Exploring these collections allows us to appreciate not only Rowlandson’s technical mastery but also the depth of his social insight. His art serves as a reminder that laughter can be a powerful tool for critique, and that even in the most frivolous of subjects, there is often a profound truth waiting to be revealed. The continued accessibility of his work ensures that Thomas Rowlandson's satirical vision will continue to provoke thought and inspire amusement for generations to come.

    Museum

    Hermitage Museum

    On show in Saint Petersburg, Russia

    A Frozen Palace: Unveiling the Treasures of the Hermitage

    The State Hermitage Museum in Saint Petersburg isn’t merely a repository of art; it's an immersive journey through time, a testament to Russia’s imperial ambitions and its enduring artistic legacy. Nestled within the opulent Winter Palace – once the very heart of Tsarist power – the museum unfolds like a meticulously crafted narrative, revealing layers of history, culture, and breathtaking beauty. Founded by Catherine the Great in 1764 with a single painting as its nucleus, it has blossomed into one of the world’s largest and most comprehensive museums, housing over three million objects spanning millennia and continents. More than just a collection, the Hermitage is an architectural marvel, a series of interconnected historic buildings – including the Winter Palace itself, the Small Hermitage, the Old Hermitage, the New Hermitage, and the General Staff Building – each contributing uniquely to its grand story.

    From Tsarist Dreams to Artistic Legacy

    Catherine’s initial acquisition, a modest collection of Western European paintings, laid the foundation for what would become an unparalleled artistic treasure. This early focus on European art reflected her enlightened ideals and desire to expose Russia to the best of continental culture. The Winter Palace's origins trace back to Peter the Great’s vision for a grand, western-style capital city. Initially conceived as a residence, its transformation into the museum’s central hall speaks volumes about Russia’s evolving relationship with Europe and its embrace of artistic innovation. The Hermitage's story is inextricably linked to Russian history, adapting and reflecting the changing tastes and ambitions of successive rulers – a layered narrative palpable as you wander through its galleries. From Napoleon’s invasion to the Soviet era, the museum has endured, safeguarding Russia’s artistic heritage for generations.

    Renaissance Reveries and Dutch Delights: Cornerstones of Artistic Brilliance

    Stepping into the Renaissance galleries is akin to entering a world reborn – a period defined by a renewed interest in classical antiquity and an embrace of human potential. Immediately captivating is Nicolas Poussin’s

    The Holy Family with St. Elizabeth and John the Baptist

    , a serene depiction of familial piety and spiritual contemplation. Notice how Poussin masterfully blends technical precision with humanist ideals; observe the subtle ripple of drapery folds mirroring Saint George's grace as he confronts the dragon—a potent symbol of triumph over evil. The painting’s balance and clarity reflect the Renaissance’s fascination with proportion and order, while its subject matter speaks to the era’s burgeoning interest in virtue and heroism. Scholars have analyzed Poussin’s use of perspective and chiaroscuro – dramatic lighting – demonstrating a profound understanding of artistic principles that would influence generations of artists to come. Alongside Poussin, explore works by Raphael, Titian, and Veronese, each offering a unique window into the Renaissance spirit. These artists skillfully employed techniques like sfumato—a hazy blending of colors—to create atmospheric depth and evoke emotion.

    Transitioning into the Dutch Golden Age collection is an exercise in sensory delight. The masterful use of light and shadow –

    chiaroscuro

    – dominates this section, transforming ordinary scenes into moments of profound emotional resonance. Rembrandt’s

    The Return of the Prodigal Son

    stands as a cornerstone of this artistic achievement, its dramatic composition conveying tenderness and forgiveness through the father’s expressive face. Beyond Rembrandt’s monumental works, canvases by Vermeer, Frans Hals, and Jan Steen reveal the remarkable skill with which these artists captured scenes from daily existence. Vermeer's

    Girl with a Pearl Earring

    is particularly arresting – a quiet moment of contemplation rendered with exquisite detail; the subject’s gaze directed outwards, conveying both vulnerability and intelligence. The meticulous layering of paint – a technique known as glazing – contributes to the luminous quality of Vermeer’s paintings, highlighting his unparalleled ability to capture fleeting expressions and subtle nuances of emotion. Consider also the vibrant portraits by Hals, brimming with life and character. These artists prioritized capturing psychological realism, striving to portray their subjects with remarkable accuracy and sensitivity.

    A Global Tapestry: Beyond Europe's Shores

    The Hermitage’s story extends far beyond the Renaissance and Dutch Golden Age, revealing a truly global collection. Ancient artifacts—shimmering gold artifacts and intricately crafted jade sculptures recovered from Scythian burial mounds—offer a tangible connection to the vibrant trade networks of the Silk Road, demonstrating that artistic expression transcends temporal boundaries and reveals the sophistication of nomadic cultures. Medieval Christian art radiates spiritual power, including Byzantine icons brimming with symbolism – their vibrant colors and stylized figures conveying profound theological narratives. The museum’s curators have painstakingly reconstructed these artifacts, allowing for an immersive journey through human history, from the grandeur of imperial Rome to the solemn beauty of Orthodox faith. Recent expeditions to Siberia have unearthed remarkable discoveries – including mammoth ivory carvings and exquisitely decorated shamanic masks – enriching the Hermitage's understanding of Eurasian artistic traditions. Explore collections showcasing ancient Egyptian treasures, Greek sculptures, and Asian ceramics, each telling a unique story of human ingenuity and cultural exchange.

    A Living Legacy: Exhibitions and Future Horizons

    The Hermitage isn’t a static monument; it’s a living institution constantly evolving with new discoveries and exhibitions. While its permanent collection remains breathtaking in scope – encompassing over three million objects—temporary displays offer fresh perspectives on familiar works and introduce visitors to lesser-known artists and cultures. Don’t miss opportunities to engage with interactive exhibits designed for all ages, offering deeper insights into the artworks and their historical context. Visiting the Hermitage is not simply about observing masterpieces; it's about engaging with a legacy—a testament to human creativity, intellectual inquiry, and the enduring power of art to inspire and transform. The museum’s commitment to preservation and research ensures that this extraordinary collection will continue to captivate and educate generations to come. The Hermitage also maintains a strong focus on digital engagement, offering virtual tours and online resources for visitors worldwide.

    Where to read more

    Find this online

    QR code linking to the download page for Dinner

    artsdot.com/en/art/download/thomas-rowlandson-dinner-8Y3GT4-en/

    Cite this artwork

    MLA
    Rowlandson, Thomas. Dinner. 1787, Hermitage Museum. https://artsdot.com/en/art/thomas-rowlandson-dinner-8Y3GT4-en/
    APA
    Rowlandson, Thomas (1787). Dinner [Painting]. Hermitage Museum. https://artsdot.com/en/art/thomas-rowlandson-dinner-8Y3GT4-en/
    Chicago
    Thomas Rowlandson. Dinner. 1787. Hermitage Museum. https://artsdot.com/en/art/thomas-rowlandson-dinner-8Y3GT4-en/
    Harvard
    Rowlandson, Thomas (1787) Dinner. Hermitage Museum. Available at: https://artsdot.com/en/art/thomas-rowlandson-dinner-8Y3GT4-en/

    Look closely

    Dinner — Thomas Rowlandson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: 18th century, aristocracy, revelry. Do you agree? What would you add, or take away?
    4. Look back at Sculptor Shop (1780), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Thomas Rowlandson was about 31 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Dinner — Thomas Rowlandson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary artistic technique employed in ‘Dinner’?

      • A Oil Painting
      • B Watercolor Rendering
      • C Engraving
    2. 2. The artwork critiques which social aspect of Georgian England?

      • A Religious Reform
      • B Industrial Revolution
      • C Aristocratic Excess
    3. 3. What is prominent in the background of ‘Dinner’?

      • A A Landscape Scene
      • B A Bustling Marketplace
      • C Imposing Figures
    4. 4. Thomas Rowlandson's style is characterized by:

      • A Realistic Depiction
      • B Minimalist Composition
      • C Exaggerated Features
    5. 5. What material was primarily used for the hand-coloring of ‘Dinner’?

      • A Acrylic Paint
      • B Colored Pencil
      • C Ink

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C