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Student Artwork Guide

Fly (decoration)

Name Class Date

thomas reaume, Fly (decoration), Canadian Museum of Nature. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
thomas reaume artsdot.com/en/artists/thomas-reaume/
Artist’s dates
1944 – 2021
Held at
Canadian Museum of Nature artsdot.com/en/museums/canadian-museum-of-nature-ottawa/

In context

Fly (decoration) — thomas reaume

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010
  9. 2020

Shaded: the lifetime of thomas reaume (1944–2021)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Cranberry artsdot.com/en/art/thomas-reaume-cranberry-D7X7PD-en/
  • Plantain artsdot.com/en/art/thomas-reaume-plantain-D7X7K4-en/
  • Decoration artsdot.com/en/art/thomas-reaume-decoration-D7X7N4-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/thomas-reaume-fly-decoration-D7X7MP-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a1a1a1

    Catalogued palette

    • #A1A1A1
    • #FEFEFE
    • #DBDCDA
    • #3A3A3A
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    thomas reaume

    Born in Windsor, Canada

    A Life Immersed in Nature’s Forms: The World of Thomas Reaume

    Thomas Jefferson Reaume, born in Windsor, Ontario in 1944 and passing away in London, Ontario on August 30, 2021, was a figure whose life defied easy categorization. He wasn't simply a biologist, an artist, or a photographer; he was a confluence of all these disciplines, a self-taught polymath driven by an insatiable curiosity for the natural world and a desire to capture its essence in uniquely abstract ways. His journey began with a formal education in wildlife biology at the University of Guelph, where his commitment to environmental stewardship manifested early on through initiatives like spearheading the Speed River cleanup—a testament to his proactive engagement with conservation. However, it was beyond the scientific realm that Reaume truly blossomed, forging a path as an abstract artist and botanist who sought not to replicate nature’s appearance but to distill its underlying forms and energies.

    The Pursuit of Pure Abstraction

    Reaume's artistic exploration centered on abstract photography, a medium he embraced with remarkable dedication. He wasn’t interested in depicting recognizable scenes or objects; instead, his work aimed for what he termed “pure abstraction”—images created with a camera but devoid of direct representation. This pursuit led to numerous exhibitions across libraries in Ontario, from Windsor to Toronto, showcasing a body of work that challenged conventional notions of photographic realism. He believed in the power of images as tools for individual interpretation and encouraged viewers to engage with his art on a deeply personal level. This wasn’t merely about aesthetic experimentation; it was a philosophical stance—a rejection of objectification in favor of experiencing nature's inherent qualities through form, color, and texture. His dedication extended beyond creation; he actively sought opportunities to share his work, believing that art should be accessible and integrated into the community.

    A Decade Dedicated to Botanical Illustration

    Alongside his abstract photography, Reaume embarked on a monumental undertaking: the comprehensive documentation of North American wild plants. Over ten years, he meticulously traveled across provinces, sketching an astonishing 10,000 penciled and inked plant species. This painstaking work culminated in the publication of 620 Wild Plants of North America, a book that earned him the prestigious Ralph Bird Award in 2010—an honor recognizing significant contributions to natural history education in Canada. The award acknowledged not only the sheer volume of research but also Reaume’s commitment to making complex botanical information accessible to a broad audience. He wasn't content with simply recording data; he designed, illustrated, and published the book himself, ensuring every detail reflected his vision. The book itself is a testament to his dedication—alphabetically arranged by plant families, complete with detailed sketches, interactive eBooks, and maps illustrating species ranges.

    Legacy of Grants and Collaboration

    Reaume’s multifaceted work garnered significant recognition throughout his career, including grants totaling $290,000.00 that allowed him to continue his research and artistic endeavors. He fostered a close working relationship with Nature Manitoba, collaborating on projects that furthered the understanding and appreciation of Canada's natural heritage. His influence extended beyond individual artworks or publications; he was a mentor, an educator, and a passionate advocate for environmental awareness. The donation of his original sketches to the Canadian Museum of Nature—a collection now digitized and accessible through Google Arts & Culture—ensures that his legacy will continue to inspire future generations of artists, scientists, and nature enthusiasts.

    A Lasting Impression

    Thomas Reaume’s life was a testament to the power of interdisciplinary exploration and unwavering dedication. He wasn't confined by traditional boundaries; he seamlessly blended scientific rigor with artistic expression, creating a body of work that is both intellectually stimulating and emotionally resonant. His motto—"The day was always full of possibilities"—encapsulates his approach to life and art, reminding us to embrace curiosity, celebrate the beauty of nature, and find joy in the pursuit of knowledge. He left behind not just a collection of images and illustrations but a profound sense of wonder and a lasting invitation to see the world with fresh eyes.

    Museum

    Canadian Museum of Nature

    On show in Ottawa, Canada

    A Cathedral of Earth and Time

    Nestled in the vibrant heart of Ottawa, the Canadian Museum of Nature stands as much more than a mere repository of specimens; it is a profound architectural and scientific masterpiece that embodies Canada's enduring fascination with the natural world. To step inside its hallowed halls is to enter a cathedral dedicated not to divine figures, but to the unfolding story of our planet. The museum’s primary residence, the Victoria Memorial Museum Building, is a breathtaking Beaux-Arts landmark completed in 1912. Designed by Bertram Macallery, the structure itself serves as a silent narrator of ambition and reverence, with its soaring ceilings, ornate stonework, and expansive windows that evoke the majesty of boreal forests and the tranquil stillness of glacial lakes. For the art lover or interior designer, the building offers a palette of textures and a sense of grandeur that mirrors the very landscapes it seeks to document.

    The history of this institution is a tapestry woven from threads of scientific curiosity and national identity. Its origins trace back to 1856 with the pioneering efforts of the Geological Survey of Canada, initially serving as a humble archive in Montreal for geological formations and archaeological treasures. As the decades progressed, the mission expanded, evolving from a specialized survey into a multidisciplinary guardian of human and natural history. This transformation reached a pivotal milestone in 1927 when it was renamed the National Museum of Canada, signaling a growing desire to define and champion a unique Canadian heritage. Through extensive renovations completed in the early 21st century, the museum has emerged as a modern marvel, seamlessly blending its historical weight with cutting-edge exhibition spaces that invite contemporary engagement.

    A Dialogue Between the Monumental and the Minute

    Within its walls, the collection offers a breathtaking dialogue between the monumental and the minute. Visitors are often first captivated by the colossal presence of prehistoric giants, such as the

    Albertosaurus sarcophagus

    , whose skeletal remains transport the observer back millions of years into a lost era. Yet, the museum’s true magic lies in its ability to balance these titans with the delicate artistry of the natural world. The Canadian Gems Gallery presents a shimmering display of mineralogical beauty, where light dances across crystalline structures, while the Water Gallery explores the fluid, life-giving role of our planet's most vital element. For those drawn to the ephemeral and the fragile, the Arctic Gallery provides an evocative journey through the North, utilizing cultural artifacts and interactive displays to tell a poignant story of survival and adaptation in a changing climate.

    What truly distinguishes the Canadian Museum of Nature is its dual identity as both a world-class exhibition space and a leading center for scientific research. It is a place where the boundaries between art and science blur; the botanical specimens are as much works of natural design as they are biological data points. Scientists working within these walls actively investigate pressing environmental issues, ensuring that the museum remains a living, breathing entity rather than a static monument to the past. For collectors and enthusiasts of natural beauty, the museum serves as an eternal source of inspiration, reminding us that understanding our geological and biological history is the most profound way to safeguard our collective future.

    Where to read more

    Find this online

    QR code linking to the download page for Fly (decoration)

    artsdot.com/en/art/download/thomas-reaume-fly-decoration-D7X7MP-en/

    Cite this artwork

    MLA
    reaume, thomas. Fly (decoration). n.d., Canadian Museum of Nature. https://artsdot.com/en/art/thomas-reaume-fly-decoration-D7X7MP-en/
    APA
    reaume, thomas (n.d.). Fly (decoration) [Painting]. Canadian Museum of Nature. https://artsdot.com/en/art/thomas-reaume-fly-decoration-D7X7MP-en/
    Chicago
    thomas reaume. Fly (decoration). n.d. Canadian Museum of Nature. https://artsdot.com/en/art/thomas-reaume-fly-decoration-D7X7MP-en/
    Harvard
    reaume, thomas (n.d.) Fly (decoration). Canadian Museum of Nature. Available at: https://artsdot.com/en/art/thomas-reaume-fly-decoration-D7X7MP-en/

    Look closely

    Fly (decoration) — thomas reaume

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Cranberry, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.