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Student Artwork Guide

Drawing for two dressing tables

Name Class Date

Thomas Chippendale, Drawing for two dressing tables (1760), Leeds Museums - Galleries. Public domain.

The facts

Artist
Thomas Chippendale artsdot.com/en/artists/thomas-chippendale/
Artist’s dates
1718 – 1779
Painted
1760
Original size
21 x 32 cm
Held at
Leeds Museums - Galleries artsdot.com/en/museums/leeds-museums-galleries-leeds/

In context

Drawing for two dressing tables — Thomas Chippendale

How big is it?

The original measures 21 × 32 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770

Shaded: the lifetime of Thomas Chippendale (1718–1779) ▲ this work, 1760

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/

Colours

Measured from the image

    Main colour

    Putty #edebda

    Catalogued palette

    • #EDEBDA
    • #D6D1BC
    • #776E5A
    • #AEA891
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Drawing for two dressing tables — Thomas Chippendale

    This is the original drawing for plate LXII in the third edition of The Gentleman and Cabinet-Maker

    Artist and museum

    Artist

    Thomas Chippendale

    Born in United Kingdom

    Thomas Chippendale: A Life in Furniture

    Thomas Chippendale (June 5, 1718 – November 13, 1779) was an English cabinet-maker and furniture designer who revolutionized the world of interior design during the Georgian era. His innovative designs and exceptional craftsmanship cemented his place as one of the most influential figures in British decorative arts.

    Early Life and Career

    Born in Otley, Yorkshire, England, Chippendale’s early life remains somewhat shrouded in mystery. He began his career as an apprentice cabinet-maker, honing his skills in traditional woodworking techniques. By 1754, he had established his own workshop in St. Martin's Lane, London, quickly gaining a reputation for quality and originality.

    The Gentleman and Cabinet Maker’s Director

    Chippendale’s most significant contribution to the field was undoubtedly The Gentleman and Cabinet Maker’s Director, published in 1754. This pattern book, comprising over 160 engraved plates, showcased a diverse range of furniture designs – from elegant Rococo pieces to more restrained Neoclassical forms. It became an instant success and served as a crucial resource for cabinet-makers across England, Europe, and America.

    Artistic Development & Influences

    Chippendale’s style wasn't born in isolation; it was a synthesis of various influences:

    Rococo: He embraced the asymmetrical curves, shell motifs, and playful ornamentation characteristic of the Rococo movement.

    Chinese Design: The growing interest in chinoiserie – European interpretations of Chinese art and design – heavily influenced his work, particularly evident in fretwork and lacquered finishes.

    Gothic Revival: Chippendale also explored Gothic forms, incorporating pointed arches, trefoils, and other medieval elements into his furniture designs.

    Notable Works & Commissions

    While many original pieces attributed to Chippendale’s workshop are difficult to definitively identify, several notable examples survive:

    Drawing for a Girandole Bracket: A stunning example of his design skills, showcasing intricate carving and elegant proportions.

    Harewood House Commissions: He undertook extensive commissions for Harewood House in Yorkshire, creating elaborate furniture for the state rooms.

    Hampton Court Palace Commissions: Chippendale also received prestigious commissions from Hampton Court Palace.

    Legacy & Historical Significance

    Chippendale’s impact on furniture design is immeasurable. He didn't just create beautiful objects; he established a distinct style that defined the Georgian era. His designs continue to inspire contemporary furniture makers and designers today.

    Standard of Excellence: Chippendale set a new standard for quality and craftsmanship in British furniture making.

    Dissemination of Style: The Gentleman and Cabinet Maker’s Director democratized design, allowing cabinet-makers across the country to replicate his innovative forms.

    Enduring Influence: His designs remain highly sought after by collectors and continue to be reproduced and adapted in modern furniture production.

    Thomas Chippendale’s legacy extends far beyond the 18th century, solidifying his position as a true master of design and a pivotal figure in the history of decorative arts.

    Museum

    Leeds Museums - Galleries

    On show in Leeds, United Kingdom

    A Tapestry of Yorkshire: The Soul of Leeds Museums & Galleries

    To step into the network of Leeds Museums & Galleries is to embark on a profound journey through the very fabric of Yorkshire’s identity. Far more than a mere collection of silent artifacts, these institutions serve as a vibrant, living chronicle where the echoes of industrial innovation meet the delicate whispers of artistic mastery. The story of this cultural landscape began in 1819 with the modest ambitions of the Leeds Philosophical and Literary Society, a small seed of curiosity that has since blossomed into an expansive, multi-venue odyssey. For the art lover or the discerning collector, these galleries offer a rare opportunity to witness the dialogue between the past and the present, where every object—from a weathered piece of machinery to a delicate brushstroke on canvas—contributes to a larger narrative of human resilience and creativity.

    The architectural journey through Leeds is as much a part of the experience as the treasures held within. The Leeds City Museum stands as a magnificent testament to Victorian grandeur, housed in the former Mechanics’ Institute designed by the renowned Cuthbert Brodrick. Here, the architecture itself performs a dance of historical significance, blending stately proportions with modern sensibilities that invite contemporary contemplation. In stark contrast, the Leeds Industrial Museum at Armley Mills offers a more visceral, and tactile encounter with history. Set within one of the world’s largest surviving woollen mills, the heavy, rhythmic presence of colossal machinery evokes the thrumming heart of the Industrial Revolution. For the interior designer or historian, these spaces provide an unparalleled study in how functional design and industrial aesthetics can shape the character of a landscape.

    For those whose passions lie in the realm of fine art and global heritage, the collection offers breathtaking diversity. Leeds Art Gallery stands as a beacon of creative excellence, boasting a collection of national importance that spans from the nuanced British works of the 19th century to the bold, provocative movements of the contemporary era. It is a space where established masters and emerging voices coexist, fostering an environment of constant artistic evolution. This aesthetic richness is complemented by the global treasures found within Leeds City Museum, where one might encounter the intricate beauty of Roman mosaics or the imposing, majestic presence of the "Leeds Tiger." From the natural history wonders of the Life on Earth gallery to the archaeological remnants of ancient civilizations, the collection invites a sense of wonder that transcends time and geography.

    What truly distinguishes Leeds Museums & Galleries is its profound commitment to immersive storytelling and community connection. At venues like the Abbey House Museum, history is not merely observed but lived; through meticulously recreated Victorian streets and period-accurate shops, visitors are transported into a sensory world of 19th-century life, where the atmosphere of a bygone era feels palpably real. This dedication to accessibility—often providing free admission to ensure that culture remains a universal right—ensures that these museums remain vital, breathing parts of the city's social fabric. Whether one is drawn by the martial splendor of the Royal Armouries or the industrial echoes of Armley Mills, the Leeds museum network offers an evocative, multi-sensory experience that continues to inspire, educate, and connect us to our shared human heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Drawing for two dressing tables

    artsdot.com/en/art/download/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/

    Cite this artwork

    MLA
    Chippendale, Thomas. Drawing for two dressing tables. 1760, Leeds Museums - Galleries. https://artsdot.com/en/art/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/
    APA
    Chippendale, Thomas (1760). Drawing for two dressing tables [Painting]. Leeds Museums - Galleries. https://artsdot.com/en/art/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/
    Chicago
    Thomas Chippendale. Drawing for two dressing tables. 1760. Leeds Museums - Galleries. https://artsdot.com/en/art/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/
    Harvard
    Chippendale, Thomas (1760) Drawing for two dressing tables. Leeds Museums - Galleries. Available at: https://artsdot.com/en/art/thomas-chippendale-drawing-for-two-dressing-tables-D7GLG4-en/

    Look closely

    Drawing for two dressing tables — Thomas Chippendale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at India picture (1771), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Thomas Chippendale was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.