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Student Artwork Guide

Urutu Snake

Name Class Date

Tarsila do Amaral, Urutu Snake (1928), MAM Rio. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Tarsila do Amaral artsdot.com/en/artists/tarsila-do-amaral/
Artist’s dates
1886 – 1973
Painted
1928
Medium
Oil On Canvas
Original size
60 x 72 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Period
19th Century
Held at
MAM Rio artsdot.com/en/museums/mam-rio-rio-de-janeiro/
Artistic style
Surrealist, Abstract Expressionist
Influences
Brazilian modernism
Notable elements
Egg motif, snake form
Subject or theme
Transformation, Symbolism

In context

Urutu Snake — Tarsila do Amaral

How big is it?

The original measures 60 × 72 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Shaded: the lifetime of Tarsila do Amaral (1886–1973) ▲ this work, 1928

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/tarsila-do-amaral-urutu-snake-D4BSTN-en/

Colours

Measured from the image

    Main colour

    Gray #6c825c

    Catalogued palette

    • #6C825C
    • #EBE4CE
    • #42353E
    • #3E667F
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Urutu Snake — Tarsila do Amaral

    A Dream Woven in Serpent Scales: Tarsila do Amaral’s “Urutu Snake”

    Tarsila do Amaral's "Urutu Snake," painted in 1928, isn’t merely a depiction of a reptile; it’s an immersion into the vibrant, surreal landscape of early Brazilian modernism. This oil on canvas, currently residing within the Museum of Modern Art in Rio de Janeiro, pulsates with a potent blend of abstract expressionism and the burgeoning dreamlike quality of Surrealism – a testament to do Amaral's embrace of European avant-garde movements while simultaneously grounding them in distinctly Brazilian imagery and symbolism. The painting immediately commands attention with its audacious scale—measuring 60 x 72 centimeters—and its bold, almost aggressively bright palette dominated by deep blues, verdant greens, and the arresting flash of a scarlet orb. It’s an artwork that refuses to be passively observed; it demands engagement, inviting viewers into a world where logic yields to intuition.

    The Egg and the Serpent: Symbolism Unveiled

    At the heart of “Urutu Snake” lies a colossal, textured egg – an element that immediately evokes notions of birth, potential, and nascent life. Its rough, granular surface, rendered with thick impasto strokes, suggests both fragility and immense power. Emerging from this primordial form is a sinuous serpent, its scales shimmering with subtle gradients of color, culminating in the aforementioned scarlet orb. The “Urutu” itself refers to a type of snake native to Brazil, but within do Amaral’s vision, it transcends mere identification. It embodies transformation, danger, and perhaps even the cyclical nature of existence – themes deeply rooted in Brazilian indigenous mythology. The red orb, often associated with the sun or vital energy, could represent both creation and destruction, mirroring the dualistic forces inherent in the serpent's journey.

    Technique and Vision: A Fusion of European Influence

    Do Amaral’s technique is a fascinating synthesis of influences. While clearly drawing inspiration from the Cubism and Surrealism prevalent in Paris at the time, she infuses her work with a uniquely Brazilian sensibility. The flattened perspective, reminiscent of early Cubist explorations, creates a sense of immediacy and intimacy, as if we are peering directly into this dreamscape. Yet, the swirling lines and organic forms—particularly those defining the serpent’s movement—suggest an embrace of Expressionism's emotional intensity. The visible brushstrokes, characteristic of oil on canvas, contribute to the painting’s tactile quality, inviting a sense of physical engagement with the artwork. The careful layering of colors and textures creates depth, despite the overall flattened composition, suggesting a deliberate attempt to capture not just a visual representation but also an atmospheric mood.

    Antropofagia and Brazilian Identity

    "Urutu Snake" is inextricably linked to the Antropofagia (Cannibalism) movement – a radical artistic philosophy championed by do Amaral and her contemporaries. This movement sought to dismantle European artistic conventions and forge a distinctly Brazilian identity through the incorporation of indigenous myths, folklore, and natural imagery. The painting embodies this ethos perfectly: it’s not a faithful representation of reality but rather a symbolic distillation of Brazil's soul. The vibrant colors, the serpent motif, and the overall dreamlike quality all contribute to a sense of national pride and cultural renewal—a bold declaration that Brazilian art could be both modern and uniquely its own. The painting stands as a powerful symbol of this artistic revolution, capturing the spirit of a nation rediscovering its roots.

    A Timeless Masterpiece: Reproduction and Beyond

    Reproductions of “Urutu Snake” offer an exceptional opportunity to bring this captivating artwork into any setting. The rich colors and dynamic composition will undoubtedly serve as a focal point, adding a touch of exoticism and intellectual depth to any room. Consider framing the reproduction in a manner that complements its vibrant palette – perhaps a dark wood frame to accentuate the intensity of the colors or a lighter tone to allow the artwork’s energy to shine through. “Urutu Snake” is more than just a painting; it's an invitation to explore the depths of Brazilian culture and the boundless possibilities of artistic expression.

    Artist and museum

    Artist

    Tarsila do Amaral

    Born in Cachoeira do Sul, Brazil

    A Brazilian Visionary: The Life and Art of Tarsila do Amaral

    Tarsila do Amaral emerged as a pivotal figure in the vibrant tapestry of early 20th-century Brazilian art, a painter who dared to distill the essence of her nation’s identity onto canvas with bold colors and an innovative spirit. Born on September 1, 1886, in Capivari, São Paulo, into a prosperous coffee-producing family, Tarsila's upbringing afforded her opportunities uncommon for women of her time. This privilege allowed her to pursue artistic training, initially under the guidance of Pedro Alexandrino Borges before embarking on a transformative journey to Paris in 1920. It was within the walls of the Académie Julian and later the Académie Moderne that she encountered the avant-garde currents reshaping the art world – Cubism, Futurism, and Expressionism – influences that would profoundly shape her artistic trajectory. The mentorship of Fernand Léger, Albert Gleizes, and André Lhote proved particularly impactful, encouraging her to synthesize European modernism with a distinctly Brazilian sensibility.

    Forging a National Identity Through Art

    Upon returning to Brazil in the early 1920s, Tarsila became a central force in defining a uniquely Brazilian modernist tradition. She wasn’t simply importing European styles; she was actively seeking to create an art that spoke to the soul of her nation, reflecting its landscapes, people, and cultural complexities. This quest led her to collaborate with a group of like-minded artists and intellectuals – Anita Malfatti, Menotti Del Picchia, Mário de Andrade, and Oswald de Andrade – collectively known as Grupo dos Cinco. Together, they challenged conventional artistic norms and spearheaded a movement that sought to break free from academic constraints and embrace a new visual language. Tarsila’s contribution was particularly significant in articulating this vision through her paintings, which often depicted scenes of Brazilian life with a dreamlike quality and vibrant palette.

    The Power of *Abaporu* and the Antropofagia Movement

    Perhaps no single work embodies Tarsila's artistic philosophy more powerfully than Abaporu (1928). This iconic painting, depicting a solitary figure with oversized feet seated amidst a surreal landscape, became the catalyst for one of Brazil’s most influential cultural movements: Antropofagia – or “cannibalism.” Inspired by Oswald de Andrade's manifesto of the same name, Antropofagia proposed that Brazilian artists should "devour" foreign influences and transform them into something uniquely their own. Abaporu visually captured this concept, representing a rejection of colonial imitation and an embrace of cultural hybridity. The painting’s imagery – the large feet rooted in the land, the enigmatic expression – resonated deeply with a nation grappling with its identity in the wake of independence. It wasn't merely a work of art; it was a declaration of artistic sovereignty. Beyond Abaporu, works like A Negra (1923) and Morro da Favela demonstrated her engagement with social themes, portraying marginalized communities and challenging prevailing societal norms.

    Legacy and Enduring Influence

    Throughout her long and prolific career, Tarsila do Amaral continued to explore the complexities of Brazilian identity through a diverse body of work. Her paintings are characterized by their bold colors, simplified forms, and dreamlike atmosphere, often blending elements of realism with surrealism and abstraction. She didn’t shy away from experimentation, constantly evolving her style while remaining true to her core vision. Her influence extended beyond the realm of painting, inspiring generations of Brazilian artists and shaping the nation's cultural landscape. Today, Tarsila do Amaral’s works are held in prestigious collections worldwide, including the Museu de Valores do Banco Central do Brasil and the Museu de Arte do Rio Grande do Sul. Her art continues to captivate audiences with its vibrant energy, poetic imagery, and profound exploration of what it means to be Brazilian. She passed away on January 17, 1973, leaving behind a legacy as one of Latin America’s most important modernist artists – a visionary who dared to paint her nation's soul.

    Museum

    MAM Rio

    On show in Rio de Janeiro, Brazil

    A Beacon of Brazilian Modernity

    Nestled within the lush, verdant embrace of Flamengo Park, the Museu de Arte Moderna do Rio de Janeiro, known affectionately as MAM Rio, stands as a profound testament to Brazil’s vibrant cultural spirit. Overlooking the shimmering expanse of Guanabara Bay, with the iconic silhouette of Sugarloaf Mountain rising majestically in the distance, the museum offers much more than a mere repository for art; it provides an immersive dialogue between human expression and the breathtaking natural beauty of Rio de Janeiro. Since its establishment in 1948, MAM Rio has functioned as a pivotal force in shaping the trajectory of modern art within Brazil, acting as both a sanctuary for established masters and a launchpad for emerging talents, fostering an intellectual exchange that continues to resonate through the decades.

    The museum’s physical presence is itself a masterpiece of modernist achievement. Conceived by the visionary architect Affonso Eduardo Reidy and completed in 1955, the structure rejects the traditional, enclosed gallery concept in favor of a design that breathes with the rhythm of the city. Reidy’s brilliant use of external pillars creates sweeping, column-free interiors, allowing artworks to inhabit the space without constraint, bathed in a soft, natural glow filtered through ingenious aluminum shutters. This architectural boldness finds its perfect counterpart in the surrounding landscapes designed by the legendary Roberto Burle Marx. The museum and garden exist in a seamless transition, where indigenous plants and flowing organic forms echo the very rhythms of Brazilian modernism, creating a harmonious sanctuary for contemplation.

    Resilience Through Rebirth

    The history of MAM Rio is a poignant narrative of both immense triumph and devastating tragedy. The institution’s soul was tested on July 8, 1978, when a catastrophic fire consumed approximately ninety percent of its precious collection. The loss was immeasurable, swallowing significant works by international icons such as Pablo Picasso, Joan Miró, and Salvador Dalí, leaving a void in the nation's cultural fabric. Yet, from these ashes rose a spirit of even greater determination. The subsequent period of reconstruction transformed MAM Rio into a multifaceted arts center, expanding its mission to include an art school, theater, and diverse public services. This era of rebirth proved that while physical objects may be fragile, the impulse toward creativity is indestructible, turning a site of loss into a dynamic hub of cultural resilience.

    Today, the collection serves as a rich, kaleidoscopic tapestry of Brazilian modernism and contemporary innovation. Visitors can wander through galleries that showcase a diverse range of media—from the bold, rhythmic abstractions of Rubem Ludolf de Oliveira to intricate sculptures, photographs, and cutting-edge new media installations. The museum’s commitment to the local identity is palpable; it actively seeks out the pulse of the nation, ensuring that the Brazilian experience is represented with both depth and nuance. For the collector or the art enthusiast, the rotating exhibitions offer a constant state of discovery, where global trends meet local traditions in a sophisticated, ever-evolving conversation.

    A Holistic Cultural Sanctuary

    What truly distinguishes MAM Rio from other institutions is its holistic approach to the artistic experience. It is not merely a place to view paintings; it is a living ecosystem where education, performance, and social interaction converge. The integration of the rooftop terrace—a vibrant lounge offering panoramic views of the bay—with the scholarly rigor of its galleries creates an environment that caters to both the intellectual and the sensory. For interior designers seeking inspiration or art lovers searching for a profound connection to place, MAM Rio offers a unique intersection of architectural grace, historical depth, and contemporary vitality. It remains a destination where the air itself feels charged with creativity, inviting all who enter to participate in the enduring legacy of Brazilian art.

    Where to read more

    Find this online

    QR code linking to the download page for Urutu Snake

    artsdot.com/en/art/download/tarsila-do-amaral-urutu-snake-D4BSTN-en/

    Cite this artwork

    MLA
    Amaral, Tarsila do. Urutu Snake. 1928, MAM Rio. https://artsdot.com/en/art/tarsila-do-amaral-urutu-snake-D4BSTN-en/
    APA
    Amaral, Tarsila do (1928). Urutu Snake [Painting]. MAM Rio. https://artsdot.com/en/art/tarsila-do-amaral-urutu-snake-D4BSTN-en/
    Chicago
    Tarsila do Amaral. Urutu Snake. 1928. MAM Rio. https://artsdot.com/en/art/tarsila-do-amaral-urutu-snake-D4BSTN-en/
    Harvard
    Amaral, Tarsila do (1928) Urutu Snake. MAM Rio. Available at: https://artsdot.com/en/art/tarsila-do-amaral-urutu-snake-D4BSTN-en/

    Look closely

    Urutu Snake — Tarsila do Amaral

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: surrealism, egg symbol, snake motif. Do you agree? What would you add, or take away?
    4. Look back at São Paulo (1924), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Urutu Snake — Tarsila do Amaral

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in Tarsila do Amaral’s ‘Urutu Snake’?

      • A A detailed portrait of a snake.
      • B An abstract representation of an egg and a serpent.
      • C A realistic landscape scene with a river.
    2. 2. The artwork ‘Urutu Snake’ is primarily associated with which Brazilian art movement?

      • A Salvador Dalí Surrealism
      • B Tarsila do Amaral's Antropofagia (Anthropophagy)
      • C Fernando Botero’s figurative painting style
    3. 3. What is a prominent feature of the texture depicted in ‘Urutu Snake’?

      • A Smooth and polished surfaces.
      • B A rough, granular appearance, particularly on the egg.
      • C Uniformly applied paint with no visible brushstrokes.
    4. 4. In what year was ‘Urutu Snake’ created?

      • A 1920
      • B 1928
      • C 1935
    5. 5. The color palette of ‘Urutu Snake’ is predominantly characterized by:

      • A Warm, vibrant reds and yellows.
      • B Cool blues and greens with contrasting warm accents.
      • C Monochromatic grayscale tones.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B