Paper

Student Artwork Guide

Small Study 3

Name Class Date

susan blake, Small Study 3, Lewisham College. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
susan blake artsdot.com/en/artists/susan-blake/
Original size
24 x 20 cm
Held at
Lewisham College artsdot.com/en/museums/lewisham-college-london/

In context

Small Study 3 — susan blake

How big is it?

The original measures 24 × 20 cm (height × width), drawn here beside an adult of average height.

Compare with

  • Small Study 2 Abstract artsdot.com/en/art/susan-blake-small-study-2-abstract-ARAQPJ-en/
  • The Restaurant artsdot.com/en/art/susan-blake-the-restaurant-ARAQPE-en/
  • Janitors artsdot.com/en/art/susan-blake-janitors-ARAQPC-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/susan-blake-small-study-3-ARAQPG-en/

Colours

Measured from the image

    Main colour

    Espresso #503229

    Catalogued palette

    • #503229
    • #6E2A17
    • #A0512B
    • #442219
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    susan blake

    The Vibrant Geometry of Susan Blake

    Born in 1968, Susan Blake has emerged as a compelling voice in contemporary painting, weaving together the structured precision of geometric abstraction with the raw, emotive power of expressionism. Her artistic journey, rooted in the rigorous training of the Glasgow School of Art, serves as the foundation for a style that seeks to capture the fleeting essence of movement and the psychological depth of the human form. Through her mastery of oil painting, Blake creates worlds where figures appear suspended in a state of perpetual motion, caught between the calculated stability of geometric planes and the spontaneous energy of gestural brushwork.

    Blake’s visual language is one of profound dynamism. She possesses a unique ability to utilize simplified shapes to construct complex narratives of athleticism and emotion. Her compositions often feature precise lines and carefully balanced planes that suggest a sense of immediacy, as if the viewer has stumbled upon a momentary snapshot of life in flux. This structural clarity is frequently juxtaposed with a palette of striking, high-contrast colors—vibrant reds, deep blues, and radiant yellows—which act not merely as aesthetic choices but as emotional conduits. These hues breathe life into her subjects, heightening the sense of drama and inviting the viewer to experience the physical and psychological intensity of her depicted scenes.

    Influences and Artistic Lineage

    The depth of Blake’s work is significantly enriched by her dialogue with the titans of art history. She draws a clear lineage from the Surrealist explorations of Joan Miró and Yves Tanguy, adopting their ability to conjure dreamlike landscapes and subconscious imagery. This influence manifests in her capacity to create spaces that feel both grounded in reality and untethered by logic, where figures inhabit a realm of imaginative possibility.

    Furthermore, the spirit of Abstract Expressionism permeates her technique. The gestural freedom found in the works of Willem de Kooning and Jackson Pollock is evident in her more expressive passages, where color is permitted to dominate form and brushstrokes become traces of emotional improvisation. By blending this painterly spontaneity with a disciplined geometric framework, Blake achieves a rare equilibrium between order and chaos, much like the rhythmic tension found in athletic movement itself.

    Themes of Movement and Human Experience

    At the heart of Blake’s oeuvre is an enduring fascination with the human figure engaged in various states of contemplation or physical exertion. Her paintings often serve as studies of dynamism, where the body is rendered through a lens of both sensitivity and structural rigor. Whether depicting figures in quiet repose or caught in the midst of vigorous motion, her work explores the intersection of physicality and psyche.

    Her artistic output has been recognized through various solo exhibitions across Scotland and on the international stage, marking her as an artist capable of communicating universal themes through a highly personal aesthetic. Through her meticulous attention to detail and her fearless use of color, Susan Blake continues to push the boundaries of how we perceive the energy of life, transforming the canvas into a vibrant arena of geometric and emotional exploration.

    Museum

    Lewisham College

    On show in London, United Kingdom

    A Secret Sanctuary in South East London

    Tucked away within the vibrant, bustling landscape of London’s SE4 and SE8 districts, Lewisham College holds a secret that defies the conventional expectations of an educational institution. While many view a college campus merely as a site of academic rigor and technical training, this corner of the city offers something far more profound: a curated sanctuary of visual beauty. The collection is not merely a series of decorative adornments but a deliberate, soulful effort to weave the threads of creativity into the very fabric of student life. It is an unexpected legacy, where the pursuit of knowledge is inextricably linked to the appreciation of the aesthetic, creating an environment where intellectual curiosity is constantly fed by the silent, evocative power of the painted image.

    A Chronological Odyssey of Light and Form

    To wander through the halls of Lewisham College is to embark on a breathtaking journey through the evolution of human perception. The collection serves as a bridge between eras, guiding the observer from the soft, dappled light of Impressionism into the bold, transformative energy of Modern Art. One cannot help but feel a sense of profound serenity when encountering pieces such as Camille Pissarro’s ‘Dulwich College, London,’ which captures a moment of quietude and architectural grace with masterful precision. This chronological progression allows for a deep meditation on how artists have historically interpreted the world, offering collectors and enthusiasts alike a rare glimpse into the shifting tides of style and technique. Each canvas acts as a window, inviting the viewer to witness the transition from the delicate textures of the past to the striking, emotive abstractions of the contemporary age.

    Where Architecture Meets Artistic Contemplation

    The setting for this collection is as much a part of the experience as the art itself. The college’s campuses are masterfully designed, blending contemporary architectural facilities with spaces specifically curated for quiet contemplation and artistic exploration. These buildings do not merely house the art; they serve as a living backdrop that encourages a dialogue between the modern world and historical mastery. For the interior designer or the lover of fine spaces, the way these artworks interact with the thoughtfully designed learning environments provides endless inspiration. It is a place where the structural lines of modern education meet the fluid, emotive strokes of the masters, creating an atmosphere conducive to both scholarly engagement and deep, personal reflection.

    The Living Dialogue of Creativity

    What truly distinguishes Lewisham College from the grand, often imposing museums of London is its intimate scale and its profound connection to the future of art. Here, the distinction between the established master and the emerging talent is beautifully blurred through periodic exhibitions that feature student works alongside the permanent collection. This creates a vibrant, living dialogue—a way for the next generation of creators to stand in the shadow of greatness while contributing their own unique voices to the ongoing narrative of art history. It is this commitment to fostering a lifelong appreciation for visual culture, rather than simply preserving historical monuments, that makes the collection a singular treasure. To visit by appointment is to step into a private world where art is not just observed, but lived and breathed as an essential component of the human experience.

    Where to read more

    Find this online

    QR code linking to the download page for Small Study 3

    artsdot.com/en/art/download/susan-blake-small-study-3-ARAQPG-en/

    Cite this artwork

    MLA
    blake, susan. Small Study 3. n.d., Lewisham College. https://artsdot.com/en/art/susan-blake-small-study-3-ARAQPG-en/
    APA
    blake, susan (n.d.). Small Study 3 [Painting]. Lewisham College. https://artsdot.com/en/art/susan-blake-small-study-3-ARAQPG-en/
    Chicago
    susan blake. Small Study 3. n.d. Lewisham College. https://artsdot.com/en/art/susan-blake-small-study-3-ARAQPG-en/
    Harvard
    blake, susan (n.d.) Small Study 3. Lewisham College. Available at: https://artsdot.com/en/art/susan-blake-small-study-3-ARAQPG-en/

    Look closely

    Small Study 3 — susan blake

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Small Study 2 Abstract, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.