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Student Artwork Guide

Sheep

Name Class Date

Stass Paraskos, Sheep. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Stass Paraskos artsdot.com/en/artists/stass-paraskos/
Original size
36 x 57 cm

In context

Sheep — Stass Paraskos

How big is it?

The original measures 36 × 57 cm (height × width), drawn here beside an adult of average height.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/stass-paraskos-sheep-ARAQJU-en/

Colours

Measured from the image

    Main colour

    Walnut #7d4e2e

    Catalogued palette

    • #7D4E2E
    • #C0BD92
    • #423225
    • #959575

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Stass Paraskos over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Cyprus 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Stass Paraskos

    1. 1 Cypriot Woman Raped by Turkish Soldiers 50.0%
    2. 2 Church and Angels 50.0%
    3. — Sheep this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Stass Paraskos

    Stass Paraskos: A Cypriot Visionary

    Stass Paraskos (1933–2014) stands as a monumental figure in Cypriot art history, recognized for his deeply emotive paintings that grapple with themes of refuge, mythology, and the human condition. Born Stasinos Paraskos in Anaphotia, Cyprus—a village steeped in ancient traditions—his artistic journey began amidst humble beginnings but blossomed into an internationally acclaimed career marked by unwavering conviction and profound engagement with both Cypriot culture and modernist aesthetics.

    Early Life & Education: Stass’s formative years were shaped by the pastoral landscape of Cyprus, fostering a connection to nature that would permeate his artistic vision. He pursued formal education at Leeds College of Art (1956–58), where he encountered Harry Thubron and Terry Frost—influential figures who championed experimentation and encouraged exploration beyond conventional boundaries.

    The Cornish Influence: Moving to Cornwall in 1959, Stass found inspiration in the vibrant artistic community centered around St Ives, collaborating with artists like Peter Lanyon and Ben Nicholson. This period solidified his commitment to abstraction while retaining a sensitivity to color and form rooted in Mediterranean traditions.

    Teaching & Artistic Development: From 1960–9 Stass served as lecturer at Leeds College of Art and Leicester Polytechnic, nurturing the talents of aspiring artists and establishing himself as a respected pedagogue. His work evolved throughout his career, reflecting influences from Surrealism and exploring complex psychological landscapes.

    Notable Works & Artistic Style

    Stass Paraskos’s oeuvre is characterized by powerful figurative paintings imbued with symbolic resonance—most notably ‘Church & Angels,’ a monumental canvas depicting biblical imagery rendered in bold hues and textured surfaces, and ‘Cyprus Refugees,’ which powerfully conveys the trauma of displacement through evocative color palettes and dynamic compositions. His artistic style blended Surrealist techniques with Expressionist fervor, prioritizing emotional intensity over literal representation. Recurring motifs included Cypriot landscapes—often imbued with spiritual significance—and depictions of human figures grappling with existential dilemmas.

    ‘Church & Angels’: This iconic piece exemplifies Paraskos’s masterful use of color and texture to convey profound emotion and spiritual contemplation.

    ‘Cyprus Refugees’: The painting powerfully communicates the psychological impact of displacement, utilizing a muted palette and dynamic brushstrokes to evoke feelings of vulnerability and resilience.

    Legal Battles & Artistic Integrity

    Stass’s artistic reputation was challenged in 1966 when he faced legal scrutiny following an exhibition featuring paintings deemed “obscene” by a member of the public. The ensuing trial—documented extensively by Norbert Lynton—became a landmark case concerning freedom of expression and artistic liberty, highlighting the importance of defending unconventional viewpoints. Despite losing the verdict, Stass steadfastly maintained his conviction that art should transcend societal constraints and prioritize genuine emotional honesty.

    Legacy & Recognition

    Stass Paraskos’s enduring legacy resides in his unwavering dedication to artistic exploration and his profound contribution to Cypriot culture. He established the Cyprus College of Art, fostering a new generation of artists and promoting intercultural dialogue. His work gained international acclaim—including an official representation at São Paulo Biennial—solidifying his position as one of Cyprus's most celebrated visual artists. Today, Stass Paraskos’s paintings continue to inspire contemplation and provoke discussion about the role of art in confronting societal anxieties and celebrating human resilience.

    Where to read more

    Find this online

    QR code linking to the download page for Sheep

    artsdot.com/en/art/download/stass-paraskos-sheep-ARAQJU-en/

    Cite this artwork

    MLA
    Paraskos, Stass. Sheep. n.d., https://artsdot.com/en/art/stass-paraskos-sheep-ARAQJU-en/
    APA
    Paraskos, Stass (n.d.). Sheep [Painting]. https://artsdot.com/en/art/stass-paraskos-sheep-ARAQJU-en/
    Chicago
    Stass Paraskos. Sheep. n.d. https://artsdot.com/en/art/stass-paraskos-sheep-ARAQJU-en/
    Harvard
    Paraskos, Stass (n.d.) Sheep. Available at: https://artsdot.com/en/art/stass-paraskos-sheep-ARAQJU-en/

    Look closely

    Sheep — Stass Paraskos

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Church and Angels, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Sheep" free of copyright?

    The copyright answer for "Sheep" by Stass Paraskos: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    How do the colors of "Sheep" relate to each other?

    The colors of "Sheep" by Stass Paraskos show a softly mixed palette harmony. Harmony describes how the colors relate to each other.

    What color palette is used in "Sheep" by Stass Paraskos?

    "Sheep" by Stass Paraskos uses a neutrals color palette. The palette summarizes the work's overall color character.