Paper
Name Class Date

Simone Peterzano, Autoportret simone peterzano. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Simone Peterzano artsdot.com/en/artists/simone-peterzano/
Artist’s dates
1540 – 1596
Movement
Mannerism Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved.

In context

Autoportret simone peterzano — Simone Peterzano

When might this have been painted?

  1. 1540
  2. 1550
  3. 1560
  4. 1570
  5. 1580
  6. 1590

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 56 at death.

Shaded: the lifetime of Simone Peterzano (1540–1596) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

Colours

Measured from the image

    Main colour

    Walnut #664b2e

    Catalogued palette

    • #664B2E
    • #A8AB8F
    • #181716
    • #C4733C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Simone Peterzano over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%300 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Simone Peterzano

    1. 1 Study of a Half-Length Figure, 1580 50.0%200 visits
    2. 2 Medor and Angelica 25.0%100 visits
    3. 3 Head of an Old Bearded Man, 1578 25.0%100 visits
    4. — Autoportret simone peterzano this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Simone Peterzano

    Born in Venice, Italy

    Simone Peterzano: Life and Legacy

    Early Life and Training

    Born: Venice, Italy in 1540.

    Initial training under the tutelage of Titian, a master of Venetian Renaissance painting. This foundational experience deeply influenced Peterzano’s use of color and composition.

    Peterzano's early career saw him move to Milan, where he began to establish himself as a painter of religious subjects.

    Artistic Development and Style

    Peterzano’s style evolved within the context of Mannerism, characterized by elongated figures, stylized poses, and dramatic compositions. However, he infused this with a Venetian sensibility learned from Titian.

    His work demonstrates influences from other prominent artists of the time, including Veronese and Tintoretto, particularly in his use of vibrant colors and dynamic scenes.

    Over time, Peterzano’s style became more monumental and austere, reflecting a shift towards a more restrained aesthetic.

    Major Works and Achievements

    Frescoes in San Maurizio al Monastero Maggiore (Milan): Early works showcasing his Venetian influences and establishing his reputation in Milan.

    Frescoes at Garegnano Charterhouse (1578-1582): Considered one of his most significant achievements, these frescoes demonstrate a masterful command of composition and narrative.

    Religious Paintings: Numerous altarpieces and devotional works for churches throughout Milan and the surrounding region, including “Madonna with Child and Saints” (Bioggio) and “St. Ambrose between Sts. Gervasius and Protasius” (Duomo of Milan).

    Still Life paintings: Peterzano also created several still life paintings, demonstrating a keen eye for detail and texture.

    Influence and Historical Significance

    Peterzano’s most enduring legacy lies in his role as the teacher of Caravaggio, one of the most revolutionary artists in Baroque history. He instructed Caravaggio between 1584 and 1588.

    While Caravaggio ultimately developed a highly individual style, Peterzano provided him with a solid foundation in technique and composition.

    Peterzano’s work represents a bridge between the Mannerist tradition and the emerging Baroque style. His emphasis on dramatic lighting and emotional intensity foreshadowed developments in 17th-century painting.

    Death: Peterzano died in Milan in 1596, leaving behind a significant body of work that continues to be studied and appreciated today.

    Legacy and Further Study

    Peterzano’s contributions to art history are increasingly recognized for their influence on Caravaggio and his role in the transition from Mannerism to Baroque.

    His paintings offer valuable insights into the artistic climate of late 16th-century Italy.

    Where to read more

    Find this online

    QR code linking to the download page for Autoportret simone peterzano

    artsdot.com/en/art/download/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

    Cite this artwork

    MLA
    Peterzano, Simone. Autoportret simone peterzano. n.d., https://artsdot.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    APA
    Peterzano, Simone (n.d.). Autoportret simone peterzano [Painting]. https://artsdot.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    Chicago
    Simone Peterzano. Autoportret simone peterzano. n.d. https://artsdot.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/
    Harvard
    Peterzano, Simone (n.d.) Autoportret simone peterzano. Available at: https://artsdot.com/en/art/simone-peterzano-autoportret-simone-peterzano-A2ACFN-en/

    Look closely

    Autoportret simone peterzano — Simone Peterzano

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait painting, self-portrait artwork, renaissance art. Do you agree? What would you add, or take away?
    4. Look back at Medor and Angelica, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Mannerism: Deliberately stretched bodies and odd, crowded spaces, made once perfect balance had already been achieved. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What does "Autoportret simone peterzano" by Simone Peterzano depict?

    The subjects of "Autoportret simone peterzano" are portrait painting, self-portrait artwork, renaissance art, italian painter, mannerist style, 16th century portrait, historical figure.

    What level of contrast does "Autoportret simone peterzano" by Simone Peterzano show?

    The contrast level of "Autoportret simone peterzano" by Simone Peterzano is bold.

    Can I watch "Autoportret simone peterzano" as a full-screen slideshow?

    "Autoportret simone peterzano" by Simone Peterzano can be viewed as a slideshow on the artwork's Diaporama page.