Paper

Student Artwork Guide

John Beaumont

Name Class Date

samuel howell, John Beaumont (1878). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
samuel howell artsdot.com/en/artists/samuel-howell/
Painted
1878
Original size
91 x 70 cm

In context

John Beaumont — samuel howell

How big is it?

The original measures 91 × 70 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870

▲ this work, 1878

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/samuel-howell-john-beaumont-ARAFH6-en/

Colours

Measured from the image

    Main colour

    Black #0b0304

    Catalogued palette

    • #0B0304
    • #FDFCFC
    • #B78778
    • #5E2623
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    samuel howell

    Samuel Howell (1807–1876): A Quiet Master of Victorian Portraiture

    Samuel Duke Howell (born September 16, 1807; died November 30, 1876) was a British portrait painter who achieved considerable renown during the Victorian era. Though largely unrecognized in his own time, Howell’s meticulous attention to detail and masterful use of oil paint have cemented his place as a significant figure within the broader context of British art history. His work reflects the prevailing aesthetic sensibilities of the period—characterized by realism, psychological insight, and an emphasis on capturing the dignity and character of his subjects—yet Howell possessed a distinctive artistic voice that distinguishes him from many of his contemporaries.

    Early Life & Training: Little is known about Howell’s formative years beyond documented records indicating he was born in Newcastle upon Tyne, Northumberland. He apprenticed under Joseph Kaye, a respected portraitist who instilled in Howell a disciplined approach to artistic technique and an unwavering commitment to capturing the essence of human emotion.

    Style & Technique: Howell's style is undeniably rooted in academic tradition, mirroring the prevailing conventions of Victorian portraiture. However, he transcended mere imitation, demonstrating exceptional skill in rendering textures—particularly fabrics—with remarkable accuracy. His canvases are imbued with subtle gradations of color and meticulously crafted lighting effects that convey a profound sense of atmosphere and psychological depth.

    Notable Works: Howell produced approximately 150 portraits during his career, many of which depict prominent figures from Newcastle society. Among his most celebrated paintings include ‘Portrait of Joseph Kaye,’ completed in 1852—a stunning depiction of Kaye’s aged face and serene gaze—and ‘Jonah Wass,’ a portrait commemorating the deceased businessman Jonah Wass (died 1837). These works exemplify Howell's ability to convey not only physical likeness but also inner character.

    Influences & Legacy: Howell’s artistic sensibilities were undoubtedly shaped by the prevailing intellectual currents of his era, including Romanticism and Realism. He absorbed influences from artists such as Sir Joshua Reynolds and Thomas Lawrence, adapting their techniques to forge a uniquely personal style. Although Howell remained largely obscure during his lifetime, subsequent scholarship has recognized him as a pivotal contributor to Victorian portraiture—a testament to the enduring power of his artistic vision.

    Collections & Reproductions: Howell’s paintings are housed in several public collections across Britain, including Newcastle City Art Gallery and Tate Britain. WahooArt offers high-quality reproductions of his masterpieces, allowing enthusiasts worldwide to appreciate the beauty and sophistication of this overlooked Victorian artist.

    Exploring Howell's Artistic Vision: Key Characteristics

    Howell’s paintings stand apart from many of his peers due to several distinctive features. Firstly, he prioritized capturing psychological nuance—revealing subtle expressions and gestures that conveyed inner thoughts and feelings. Secondly, his meticulous attention to detail extended beyond mere representation; he painstakingly rendered textures with astonishing precision, particularly fabrics, creating surfaces that seemed to breathe with life. Thirdly, Howell skillfully employed lighting effects to establish mood and atmosphere, enhancing the dramatic impact of his compositions. Finally, his canvases possessed a quiet dignity—reflecting the moral seriousness and contemplative spirit characteristic of Victorian culture.

    Where to read more

    Find this online

    QR code linking to the download page for John Beaumont

    artsdot.com/en/art/download/samuel-howell-john-beaumont-ARAFH6-en/

    Cite this artwork

    MLA
    howell, samuel. John Beaumont. 1878, https://artsdot.com/en/art/samuel-howell-john-beaumont-ARAFH6-en/
    APA
    howell, samuel (1878). John Beaumont [Painting]. https://artsdot.com/en/art/samuel-howell-john-beaumont-ARAFH6-en/
    Chicago
    samuel howell. John Beaumont. 1878. https://artsdot.com/en/art/samuel-howell-john-beaumont-ARAFH6-en/
    Harvard
    howell, samuel (1878) John Beaumont. Available at: https://artsdot.com/en/art/samuel-howell-john-beaumont-ARAFH6-en/

    Look closely

    John Beaumont — samuel howell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of a Man in a Chair (1874), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.