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Student Artwork Guide

Untitled

Name Class Date

Roberto Matta, Untitled (1949). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Roberto Matta artsdot.com/en/artists/roberto-matta/
Artist’s dates
1911 – 2002
Painted
1949
Original size
94 x 160 cm

In context

Untitled — Roberto Matta

How big is it?

The original measures 94 × 160 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Shaded: the lifetime of Roberto Matta (1911–2002) ▲ this work, 1949

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/roberto-matta-untitled-D2XR5A-en/

Colours

Measured from the image

    Main colour

    Walnut #7e4528

    Catalogued palette

    • #7E4528
    • #C3B17C
    • #0B0A0A
    • #978755
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Untitled — Roberto Matta

    Gestural marks and abstract forms characterize this untitled composition by Matta. They exemplify the artist’s application of "automatic" techniques associated with Surrealism, to which he was introduced by André Breton, the founder of the movement in Paris. Here, two upright, hybrid figures appear to confront, even antagonize, one another in amid a tense field punctuated with blunt passages of hot yellow and bright red. Reinterpreted by younger American artists in 1940s New York, including Jackson Pollock, Matta’s brand of biomorphic abstraction contributed to the foundation of what became known as Abstract Expressionism.

    Artist and museum

    Artist

    Roberto Matta

    Born in Santiago, Chile

    Roberto Matta: A Surrealist Visionary

    Born: November 11, 1911, Santiago, Chile

    Died: March 23, 2002, Civitavecchia, Italy

    Roberto Sebastián Antonio Matta Echaurren, known as Roberto Matta, was a Chilean painter and architect who significantly impacted abstract expressionism and surrealist art. His journey from architecture student to influential artist reflects a profound exploration of the subconscious mind and a unique artistic vision.

    Early Life and Artistic Development

    Education: Studied architecture at the Pontificia Universidad Católica de Chile, graduating in 1935.

    European Influences: Travels to Europe exposed him to prominent artists like René Magritte, Salvador Dalí, André Breton, and Le Corbusier, shaping his artistic style.

    Surrealist Engagement: Became a key figure within the Surrealist movement, embracing its exploration of dreams, the subconscious, and challenging conventional reality. His work was heavily influenced by Sigmund Freud's psychoanalytic theories.

    Key Artistic Characteristics and Influences

    Biomorphic Forms: Matta’s paintings are characterized by organic shapes and forms reminiscent of living organisms, a hallmark of his style.

    Psychological Landscapes: His works often depict dreamlike landscapes that evoke psychological states and emotions.

    Abstract Expressionism: While rooted in Surrealism, Matta's work significantly contributed to the development of Abstract Expressionism through its emphasis on gesture, color, and emotional expression. He collaborated with artists like Mark Rothko and Jackson Pollock.

    Modernismo Influence: His connection to the Modernismo art movement is evident in his use of Latin and Greek mythology and medieval verses.

    Major Works and Political Engagement

    Notable Paintings: Being with, Invasion of the Night, and Verbo América are among his most recognized works.

    Mural "The First Goal of the Chilean People": A large-scale mural painted in 1973 was later covered by the military regime of Augusto Pinochet. It was rediscovered and restored in 2008, now displayed at La Granja City Hall. This work demonstrates his political engagement and commentary on social issues.

    Ceramic Vessels: Matta also explored ceramic art, creating vessels with surrealist imagery and ancient motifs (as seen in "Senza titolo").

    Legacy and Historical Significance

    Influence on Subsequent Artists: Matta’s innovative use of color, form, and psychological themes inspired generations of artists.

    Museum Recognition: His works are held in prestigious collections including the Museum of Modern Art (MoMA) in New York City and the Butler Institute of American Art.

    Continued Relevance: Matta’s exploration of the subconscious mind, his blending of surrealism and abstraction, and his engagement with political themes continue to resonate with contemporary audiences.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    artsdot.com/en/art/download/roberto-matta-untitled-D2XR5A-en/

    Cite this artwork

    MLA
    Matta, Roberto. Untitled. 1949, https://artsdot.com/en/art/roberto-matta-untitled-D2XR5A-en/
    APA
    Matta, Roberto (1949). Untitled [Painting]. https://artsdot.com/en/art/roberto-matta-untitled-D2XR5A-en/
    Chicago
    Roberto Matta. Untitled. 1949. https://artsdot.com/en/art/roberto-matta-untitled-D2XR5A-en/
    Harvard
    Matta, Roberto (1949) Untitled. Available at: https://artsdot.com/en/art/roberto-matta-untitled-D2XR5A-en/

    Look closely

    Untitled — Roberto Matta

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Being With (Être Avec) (1946), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Roberto Matta was about 38 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.