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Student Artwork Guide

North Easter Gale

Name Class Date

Robert Weir Allan, North Easter Gale. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Weir Allan artsdot.com/en/artists/robert-weir-allan/
Artist’s dates
1851 – 1942
Original size
133 x 208 cm

In context

North Easter Gale — Robert Weir Allan

How big is it?

The original measures 133 × 208 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930
  10. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 91 at death.

Shaded: the lifetime of Robert Weir Allan (1851–1942) every dated painting, decade by decade

First works: up to 1879 Main working years: 1879–1905 Late works: from 1905

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/robert-weir-allan-north-easter-gale-AQV5AX-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #242520

    Catalogued palette

    • #242520
    • #7C725B
    • #9F937C
    • #5B5440

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert Weir Allan over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.1%400 visits
    2. 2 United States of America 28.6%200 visits
    3. 3 United Kingdom 14.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Robert Weir Allan

    1. 1 Home with a Good Fishing 30.8%400 visits
    2. 2 Robert Weir Allan (1852–1942), Artist, Self Portrait, 1935 15.4%200 visits
    3. 3 Home and Shelter, 1905 15.4%200 visits
    4. 4 Doorway and Figures, 1875 7.7%100 visits
    5. 5 Sheltered from the Stormy Sea, 1904 7.7%100 visits
    6. 6 Fresh from the Sea, 1899 7.7%100 visits
    7. 7 Sea Piece 7.7%100 visits
    8. 8 Near Athens 7.7%100 visits
    9. — North Easter Gale this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 36 works by this artist, of which 8 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert Weir Allan

    Robert Weir Allan (1851 – 1942): Echoes of the Scottish Coast

    Robert Weir Allan, born in Edinburgh in 1851, was a Scottish painter whose distinctive style fused Impressionistic techniques with an unwavering fascination for the rugged beauty of Scotland’s coastline and rural communities. Unlike many artists of his era preoccupied with grand narratives or formal portraiture, Allan dedicated himself to capturing the essence of everyday life – fishermen hauling nets, children playing on beaches, and the quiet grandeur of windswept hillsides – transforming these scenes into canvases brimming with light and color.

    Early Life & Education: Allan’s formative years were spent in Edinburgh, where he received a grounding in classical art principles at James Baikie's School of Art. However, it was his exposure to the burgeoning Impressionist movement that truly ignited his artistic vision.

    Influences: Allan’s palette and approach owe considerable debt to French Impressionists like Claude Monet and Camille Pissarro. He meticulously observed atmospheric conditions – mist, sunlight filtering through foliage – striving to convey not just what he saw but how it felt. The influence of Scottish Romantic painters such as William Turner also subtly permeated his work.

    A Painter’s Obsession: The Scottish Landscape

    Allan's artistic output centered almost exclusively on landscapes, particularly those depicting the Firth of Forth and Orkney Islands. He possessed an extraordinary ability to translate fleeting moments into enduring images—a sunrise over Cromarty Firth, a storm brewing off Stromness Sound—capturing the dramatic interplay between light and shadow with remarkable precision. His canvases aren’t merely representations of places; they are imbued with emotion, conveying a palpable sense of solitude and wonder. Consider his iconic depiction of Orkney beaches – “The Old Pier,” for instance – where Allan skillfully employed broken brushstrokes to evoke the turbulent sea spray and the muted hues of twilight.

    Technique: Allan’s technique involved layering thin washes of color onto canvas, building up tonal variations gradually. He favored a plein air approach—painting outdoors directly from nature—allowing him to capture the immediacy of observation and respond instinctively to changing conditions.

    Notable Works: Among his most celebrated paintings are “The Old Pier,” “Dunstanburgh Castle” and “Kirkwall Harbour.” These works exemplify Allan’s mastery of Impressionistic principles and his unwavering commitment to portraying the Scottish landscape with unparalleled sensitivity.

    Recognition & Legacy

    Allan's dedication to his craft garnered him considerable acclaim during his lifetime. He exhibited extensively in Scotland and internationally, securing commissions for murals and decorative panels. Although he remained largely unrecognized by mainstream art critics of his time, his paintings continue to resonate with viewers today—a testament to their enduring beauty and emotional depth. Allan’s legacy resides not merely in the artworks themselves but also in his unwavering belief that art should serve as a conduit for experiencing the sublime – capturing the grandeur and majesty of the natural world.

    Posthumous Reputation: Following Allan's death in 1942, his work gradually gained recognition within specialist circles. Today, he is regarded as one of Scotland’s foremost landscape painters of the late nineteenth century—a pivotal figure in establishing Impressionism’s presence on British shores.

    Further Exploration

    To delve deeper into Robert Weir Allan's artistic journey, consult resources such as:

    The Scottish National Gallery

    Kirkcaldy Art Gallery

    Where to read more

    Find this online

    QR code linking to the download page for North Easter Gale

    artsdot.com/en/art/download/robert-weir-allan-north-easter-gale-AQV5AX-en/

    Cite this artwork

    MLA
    Allan, Robert Weir. North Easter Gale. n.d., https://artsdot.com/en/art/robert-weir-allan-north-easter-gale-AQV5AX-en/
    APA
    Allan, Robert Weir (n.d.). North Easter Gale [Painting]. https://artsdot.com/en/art/robert-weir-allan-north-easter-gale-AQV5AX-en/
    Chicago
    Robert Weir Allan. North Easter Gale. n.d. https://artsdot.com/en/art/robert-weir-allan-north-easter-gale-AQV5AX-en/
    Harvard
    Allan, Robert Weir (n.d.) North Easter Gale. Available at: https://artsdot.com/en/art/robert-weir-allan-north-easter-gale-AQV5AX-en/

    Look closely

    North Easter Gale — Robert Weir Allan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Doorway and Figures (1875), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "North Easter Gale" by Robert Weir Allan in the public domain?

    "North Easter Gale" by Robert Weir Allan is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    Is a download available for "North Easter Gale"?

    "North Easter Gale" by Robert Weir Allan can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    How much light do the colors of "North Easter Gale" appear to reflect?

    The colors of "North Easter Gale" show a soft shadow luminance.