Paper

Student Artwork Guide

Ada Leboeuf

Name Class Date

Robert Priseman, Ada Leboeuf, Museum of Fine Arts. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Robert Priseman artsdot.com/en/artists/robert-priseman/
Artist’s dates
1965 – ?
Original size
15 x 18 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Museum of Fine Arts artsdot.com/en/museums/museum-of-fine-arts-tallahassee/

In context

Ada Leboeuf — Robert Priseman

How big is it?

The original measures 15 × 18 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1960

Shaded: the lifetime of Robert Priseman (1965–?)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Helen Fowler artsdot.com/en/art/robert-priseman-helen-fowler-D5GLSM-en/
  • Marie Porter artsdot.com/en/art/robert-priseman-marie-porter-D5GLRQ-en/
  • Marilyn Plantz artsdot.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/robert-priseman-ada-leboeuf-D5GLN9-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #261c21

    Catalogued palette

    • #261C21
    • #A19798
    • #D5D5D5
    • #6F6566
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Ada Leboeuf — Robert Priseman

    A 38 year old middle-class Louisiana housewife and mother of four children, Ada Leboeuf was having an affair with the family doctor T. E. Dreher.Together, Ada and her lover hired a trapper, James Beadle, to shoot dead her husband Jim Leboeuf, a power plant superintendent in Morgan City. Beadle was sentenced to life, whilst Ada Leboeuf and Dreher were both sentenced to death by hanging. While awaiting her execution Ada had a rocking chair brought into her cell, unlimited visitation rights and freshly ironed summer dresses. On the day of her execution, Ada stepped on the gallows trap door, clasped her hands in prayer and in a high pitched, trembling voice said “Don’t let me hang there too long. Don’t make me suffer any more than I have to. Oh God. Isn’t this a terrible thing? Oh God, who can do this thing? It is worse than murder itself”. Ada Leboeuf was executed on the 1st February 1929.

    Artist and museum

    Artist

    Robert Priseman

    Robert Priseman: A Life in Provocative Art

    Robert Priseman (born 1965) is a British artist, collector, writer, curator and publisher who lives and works in Essex, England. His career spans diverse artistic pursuits, marked by a consistent engagement with challenging socio-political themes and a dedication to fostering dialogue within the contemporary art landscape.

    Early Life and Artistic Beginnings

    Priseman’s academic foundation was laid at the University of Essex, where he studied Aesthetics and Art Theory under the influential Professor Michael Podro. This theoretical grounding profoundly shaped his artistic approach. He began his professional life as a book designer for Longman Publishers (1989-1992), concurrently developing his skills as a portrait painter in oils. During this period, he created portraits of notable figures including the Dalai Lama, Phil Collins, Jeremy Paxman and Cardinal Basil Hume. These early works are held in prestigious collections such as the Royal Collection at Windsor Castle and Corpus Christi College Cambridge.

    A Shift Towards Thematic Exploration

    In 2004, Priseman underwent a significant artistic shift, abandoning portraiture to embark on thematic series designed to provoke thought and engage viewers in critical discussions. This marked the beginning of his most recognized work, characterized by its unflinching exploration of difficult subjects.

    Major Series and Artistic Themes

    The Hospital Paintings: Early explorations into institutional spaces and their psychological impact.

    Subterraneans: Investigations into hidden worlds and marginalized communities.

    The Francis Bacon Interiors: A deeply personal series depicting the Paris hotel room where George Dyer, Bacon’s lover, committed suicide, the hospital room where Bacon died, and his studios – a poignant exploration of grief, loss, and artistic creation.

    No Human Way to Kill: Perhaps Priseman's most impactful work, this series presents the five methods of execution used in the USA (hanging, firing squad, gassing, lethal injection, and electrocution), alongside etchings detailing other global practices. It argues that execution is a socially constructed act.

    The Troubles: A powerful reflection on the conflict in Northern Ireland.

    Nazi Gas Chambers: An unflinching confrontation with the horrors of the Holocaust.

    Championing Contemporary British Painting

    Priseman’s commitment extends beyond his own artistic practice. In 2013, he co-founded Contemporary British Painting with artist Simon Carter – a platform dedicated to promoting and contextualizing current painting practices in the UK through exhibitions, talks, publications, and an art prize. He also established ‘east contemporary art’ at University Campus Suffolk.

    Collecting and Philanthropy

    Priseman is an avid collector of British paintings, owning the “Priseman Seabrook Collection of 21st Century British Painting,” which debuted at Huddersfield Art Gallery in 2014. In 2013, he generously donated ‘The Robert Priseman Gift’ – a collection of twenty paintings by contemporary British artists – to Falmouth Art Gallery.

    Academic and Professional Recognition

    Priseman's contributions have been recognized through several academic appointments: Fellow at the Human Rights Centre, University of Essex (2010); Visiting Professor in Fine Art at the Department of Art and Humanities, University Campus Suffolk (2015); and a Visiting Research Fellow at the University of Leeds (2017).

    Legacy and Historical Significance

    With over 200 works held in major international collections – including the V&A, Museum der Moderne Salzburg, Art Gallery of New South Wales, Musée de Louvain la Neuve, and the National Galleries of Scotland – Robert Priseman has established himself as a significant voice in contemporary British art. His willingness to confront difficult subjects, combined with his dedication to supporting other artists and fostering critical dialogue, ensures his lasting impact on the artistic landscape.

    Museum

    Museum of Fine Arts

    On show in Tallahassee, United States of America

    A Cultural Gem in Tallahassee: The Museum of Fine Arts

    Tallahassee’s Museum of Fine Arts (MoFA) stands as a testament to Florida State University's commitment to artistic excellence and community engagement. Situated on campus, this institution isn’t merely a repository of artworks; it’s a dynamic space where art history intertwines with contemporary creativity, fostering intellectual curiosity and enriching the lives of visitors.

    Collection Highlights:

    MoFA's holdings boast an impressive array of artistic expressions spanning centuries. Notably, you’ll find captivating pieces from the Contemporary Art wing—bold explorations of current social dialogues rendered in innovative mediums. Alongside this, American Art showcases a rich tapestry of stylistic developments reflecting the nation’s cultural heritage. And don’t miss the rotating exhibitions; these curated selections consistently introduce fresh perspectives and challenge conventional understandings.

    Architecture & Setting:

    The museum building itself embodies modern elegance, thoughtfully designed to complement the artworks housed within. Its airy interiors and natural light create an inviting atmosphere for contemplation and discovery—a space deliberately conceived to inspire artistic appreciation.

    History:

    Established decades ago, MoFA has evolved alongside FSU’s growth, adapting its programming and collections to resonate with evolving tastes and scholarly pursuits. This ongoing process ensures that MoFA remains relevant and responsive to the needs of its audience.

    Dynamic Programming & Student Involvement

    What truly distinguishes MoFA is its dedication to fostering student engagement—a cornerstone of its operational philosophy. Students gain invaluable hands-on experience in museum administration, exhibition planning, educational outreach, and scholarly research. This collaborative spirit fuels innovation and ensures that MoFA remains at the forefront of artistic discourse.

    Notable Exhibitions:

    MoFA’s curators prioritize showcasing both established masters and emerging talents. Recent exhibitions have explored themes ranging from Surrealism to Impressionism, prompting visitors to consider art's role in shaping cultural narratives.

    Community Engagement & Artistic Dialogue

    Beyond its academic mission, MoFA actively cultivates connections with Tallahassee’s broader community. Educational programs cater to audiences of all ages, sparking conversations about art and its impact on society. Furthermore, collaborative projects with local artists enrich the museum's offerings and solidify its position as a vital cultural resource.

    Further Exploration:

    For those eager to delve deeper into artistic inspiration, consider visiting related artworks like Kazimir Malevich’s Suprematism Fine Arts Museum, Krasnodar – a revolutionary 1917 abstract masterpiece. Or immerse yourself in Vasily Ivanovich Surikov's Square in front of the Museum of Fine Arts in Moscow—a stunning 1913 Impressionist winter scene capturing Russian life.

    A Destination for Art Enthusiasts

    Whether you’re a seasoned collector, an aspiring artist, or simply seeking beauty and intellectual stimulation, Tallahassee's Museum of Fine Arts offers an unforgettable journey into the world of art.

    Where to read more

    Find this online

    QR code linking to the download page for Ada Leboeuf

    artsdot.com/en/art/download/robert-priseman-ada-leboeuf-D5GLN9-en/

    Cite this artwork

    MLA
    Priseman, Robert. Ada Leboeuf. n.d., Museum of Fine Arts. https://artsdot.com/en/art/robert-priseman-ada-leboeuf-D5GLN9-en/
    APA
    Priseman, Robert (n.d.). Ada Leboeuf [Painting]. Museum of Fine Arts. https://artsdot.com/en/art/robert-priseman-ada-leboeuf-D5GLN9-en/
    Chicago
    Robert Priseman. Ada Leboeuf. n.d. Museum of Fine Arts. https://artsdot.com/en/art/robert-priseman-ada-leboeuf-D5GLN9-en/
    Harvard
    Priseman, Robert (n.d.) Ada Leboeuf. Museum of Fine Arts. Available at: https://artsdot.com/en/art/robert-priseman-ada-leboeuf-D5GLN9-en/

    Look closely

    Ada Leboeuf — Robert Priseman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: southern gothic, execution story, louisiana crime. Do you agree? What would you add, or take away?
    5. Look back at Helen Fowler, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.