Paper
Name Class Date

Robert Polack, Robert Polack for Batschari Cigarettes (1925), The Fan Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Robert Polack artsdot.com/en/artists/robert-polack/
Artist’s dates
1880 – 1958
Painted
1925
Held at
The Fan Museum artsdot.com/en/museums/the-fan-museum-greenwich/

In context

Robert Polack for Batschari Cigarettes — Robert Polack

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 78 at death.

Painted when the artist was 45. The artist lived to 78. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert Polack (1880–1958) ▲ this work, 1925 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Khaki #ddca8d

    Catalogued palette

    • #DDCA8D
    • #9C694D
    • #393636
    • #BBA075

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 1 most looked-at works by Robert Polack

    1. 1 Robert Polack for Batschari Cigarettes, 1925 this painting 100.0%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 1 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Robert Polack for Batschari Cigarettes — Robert Polack

    Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises upwards to form the words ‘Cigarettes Batschari’.Signed Robert Polack.The verso is stamped in monochrome with illustrations of cigarettes and promotional inscriptions.

    Artist and museum

    Artist

    Robert Polack

    Born in Paris, France

    The lines of Paris

    Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

    In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

    Ink and stencil

    Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

    Some of his known works include:

    Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.

    Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.

    Watercolor works that utilized the layering of color to create depth on paper.

    A quiet presence in print

    The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.

    Museum

    The Fan Museum

    On show in Greenwich, United Kingdom

    A Glimpse into a Forgotten Art Form

    Nestled within the historic Georgian townhouses of Greenwich, a world away from the bustling streets of London, lies The Fan Museum – an unexpectedly captivating institution dedicated to the exquisite art and surprising history of hand fans. More than just cooling devices, these delicate objects have served as symbols of status, tools for communication, and miniature works of art across cultures and centuries. Founded in 1991 by a passionate collector, this unique museum offers visitors an intimate journey through the evolution of the fan, revealing its multifaceted role in society and showcasing the remarkable craftsmanship involved in its creation.

    The Museum’s story is intrinsically linked to Greenwich itself. Situated within two Grade II* listed buildings constructed in 1721, the setting immediately evokes a sense of timeless elegance and historical significance. These buildings, originally designed for naval officers, have been lovingly preserved, creating a serene and atmospheric space that perfectly complements the delicate beauty of the collection. Adding to this charm is an orangery adorned with intricate murals depicting scenes from fan history – a testament to the museum’s dedication to both preservation and artistic presentation. Beyond the main buildings, a Japanese-style garden provides a tranquil escape, featuring a meticulously crafted fan-shaped parterre, a soothing pond, and a gentle stream—a deliberate nod to the cultural roots of this fascinating art form.

    A Collection Spanning Millennia

    The Fan Museum’s collection is truly extraordinary, boasting over 6,000 fans and related materials – a testament to its founder's dedication and the enduring appeal of these objects. Spanning an impressive timeline from the 11th century to the present day, visitors can trace the evolution of fan design, construction techniques, and social significance. While the museum’s core strength lies in European fans, particularly those from the 18th and 19th centuries, the collection extends far beyond, encompassing examples from Asia, Africa, and Europe. The sheer variety is breathtaking – from simple, utilitarian folding fans to elaborately decorated brise-fans (open fans) adorned with precious metals, jewels, and intricate paintings.

    Notable highlights include a remarkably preserved 18th-century French fan featuring a miniature portrait of Marie Antoinette, a testament to the royal patronage that fueled much of the art’s development; an exceptionally rare brise-fan from the early 19th century incorporating a built-in ear trumpet – a clever and innovative adaptation reflecting the era's technological advancements; and a fascinating collection of repair kits, demonstrating the meticulous care taken in maintaining these delicate objects. The museum also houses a comprehensive reference library, providing researchers and enthusiasts with invaluable resources for further exploration.

    Beyond the Display: Hands-on Engagement

    The Fan Museum isn’t simply a repository of historical artifacts; it's an active center for learning and appreciation. The museum actively promotes engagement through a variety of programs, including regular fan-making classes where visitors can learn the fundamental techniques of crafting these beautiful objects firsthand. These workshops offer a tangible connection to the past, allowing participants to experience the skill and artistry involved in creating a fan from start to finish. Furthermore, the museum hosts lectures, demonstrations, and exhibitions that delve deeper into the history, symbolism, and cultural significance of fans.

    A Unique Legacy: The World’s First Dedicated Museum

    What truly sets The Fan Museum apart is its unique status as the world's first museum dedicated solely to hand fans. Established without public funding, relying instead on the generosity of visitors and private donations, it stands as a remarkable example of passion-driven preservation. This independent institution continues to champion the art of the fan, ensuring that this often overlooked form of artistry is celebrated and understood for generations to come. A visit to The Fan Museum is not just a museum experience; it’s an immersion into a hidden world of craftsmanship, history, and cultural significance – a truly unforgettable journey.

    Where to read more

    • The artist Robert Polack artsdot.com/en/artists/robert-polack/
    • The museum The Fan Museum artsdot.com/en/museums/the-fan-museum-greenwich/
    • Similar works More works to compare artsdot.com/en/art/similar/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Find this online

    QR code linking to the download page for Robert Polack for Batschari Cigarettes

    artsdot.com/en/art/download/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Cite this artwork

    MLA
    Polack, Robert. Robert Polack for Batschari Cigarettes. 1925, The Fan Museum. https://artsdot.com/en/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    APA
    Polack, Robert (1925). Robert Polack for Batschari Cigarettes [Painting]. The Fan Museum. https://artsdot.com/en/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Chicago
    Robert Polack. Robert Polack for Batschari Cigarettes. 1925. The Fan Museum. https://artsdot.com/en/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Harvard
    Polack, Robert (1925) Robert Polack for Batschari Cigarettes. The Fan Museum. Available at: https://artsdot.com/en/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Look closely

    Robert Polack for Batschari Cigarettes — Robert Polack

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Robert Polack was about 45 when this was made. What in it looks like the work of an artist at that stage?
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color saturation does "Robert Polack for Batschari Cigarettes" by Robert Polack have?

    The colors of "Robert Polack for Batschari Cigarettes" by Robert Polack have a balanced soft saturation. Saturation describes how vivid or muted the colors are.

    What is the dominant color of "Robert Polack for Batschari Cigarettes" by Robert Polack?

    The color that stands out most in "Robert Polack for Batschari Cigarettes" is khaki (#ddca8d). The dominant color is useful when matching an artwork to an interior.

    Where can I find artworks similar to "Robert Polack for Batschari Cigarettes" by Robert Polack?

    Works similar to "Robert Polack for Batschari Cigarettes" are listed on the artwork's Similars page.