Paper

Student Artwork Guide

Andy Warhol

Name Class Date

Robert Mapplethorpe, Andy Warhol (1990). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Robert Mapplethorpe artsdot.com/en/artists/robert-mapplethorpe/
Artist’s dates
1946 – 1989
Painted
1990

In context

Andy Warhol — Robert Mapplethorpe

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Shaded: the lifetime of Robert Mapplethorpe (1946–1989) ▲ this work, 1990

Compare with

  • Tulip, 1984 artsdot.com/en/art/robert-mapplethorpe-tulip-D92T5U-en/
  • Orchids, 1985 artsdot.com/en/art/robert-mapplethorpe-orchids-D92T7T-en/
  • Lily, 1984 artsdot.com/en/art/robert-mapplethorpe-lily-D4DBPZ-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/robert-mapplethorpe-andy-warhol-AQRLE4-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #181715

    Catalogued palette

    • #181715
    • #C7C7C9
    • #9E9EA0
    • #646464
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Robert Mapplethorpe

    Born in Floral Park, United States of America

    A Life Forged in Form: The World of Robert Mapplethorpe

    Robert Mapplethorpe, a name synonymous with both breathtaking beauty and profound controversy, remains one of the most influential photographers of the 20th century. Born in Floral Park, New York, in 1946, his journey was not one of immediate artistic recognition but rather a gradual evolution fueled by experimentation, mentorship, and an unwavering commitment to exploring the boundaries of form and desire. Initially drawn to graphic arts at Pratt Institute, Mapplethorpe quickly found himself chafing against traditional academic constraints, ultimately leaving before completing his degree. This departure wasn’t a rejection of art itself, but a search for a medium that could more directly translate his burgeoning vision – a vision deeply influenced by artists like Joseph Cornell and Marcel Duchamp, whose embrace of the found object and conceptual play resonated with his own developing aesthetic sensibilities. These early years were marked by mixed-media collages, intricate assemblages born from salvaged materials and cut images, hinting at the formal precision and thematic concerns that would later define his photographic work.

    The Polaroid Genesis and a Creative Partnership

    The pivotal moment arrived with the acquisition of a Polaroid camera in 1970. This wasn’t merely a change in tools; it was a revelation. The immediacy of the Polaroid process allowed Mapplethorpe to bypass traditional darkroom techniques, focusing instead on composition, light, and shadow – elements that would become hallmarks of his style. Initially, these Polaroids were integrated into his collages, but they soon began to assert their independence, revealing a unique power in their stark black and white tonality. Simultaneously, a deeply significant relationship blossomed with poet and musician Patti Smith. Their connection, spanning from 1967 to 1972, was one of mutual artistic support and inspiration. Smith became a frequent subject for Mapplethorpe’s lens, her raw energy and bohemian spirit captured in images that possess an intimate vulnerability. This period wasn't just about romantic partnership; it was a crucible where both artists honed their craft, challenging each other to push creative boundaries.

    Mastering the Form: Style, Subjects, and Controversy

    Mapplethorpe’s photographic style is characterized by a rigorous formalism – an emphasis on composition, symmetry, and the interplay of light and shadow reminiscent of classical sculpture. He wasn't simply documenting his subjects; he was constructing them, elevating everyday objects and human forms to iconic status through meticulous technique. His subject matter was remarkably diverse: celebrity portraits featuring figures like Andy Warhol and Deborah Harry, exquisitely rendered floral still lifes – particularly orchids and calla lilies – and strikingly intimate self-portraits. However, it was his exploration of the BDSM subculture in 1970s and 80s New York City that ignited significant controversy. These images, unflinching in their depiction of sexuality and power dynamics, challenged conventional notions of taste and morality, sparking debates about censorship and artistic freedom. Mapplethorpe didn’t shy away from these controversies; he embraced them as an inherent part of his artistic practice, believing that art should provoke thought and challenge societal norms. He frequently referenced religious or classical imagery within his work, creating a compelling dialogue between contemporary subjects and historical art forms, further complicating interpretations and adding layers of meaning.

    Legacy and Lasting Impact

    The mentorship of art curator Sam Wagstaff proved instrumental in Mapplethorpe’s career trajectory, providing crucial financial support and guidance during his formative years. Throughout the 1980s, Mapplethorpe exhibited extensively, gaining increasing recognition within the art world culminating in a major retrospective at the Whitney Museum of American Art in 1988 – a landmark achievement that solidified his position as a significant contemporary artist. However, this success was shadowed by controversy surrounding *Robert Mapplethorpe: The Perfect Moment* exhibition, which ignited fierce debates about public funding for art deemed obscene. Tragically, Mapplethorpe succumbed to AIDS in 1989, leaving behind a vast and complex body of work that continues to resonate today. Following his death, the Robert Mapplethorpe Foundation was established to preserve his artistic legacy, support medical research related to HIV/AIDS, and promote photography as an art form. His influence extends far beyond the realm of photography, impacting generations of artists with his bold exploration of sexuality, formalist approach, and unwavering commitment to pushing creative boundaries. Robert Mapplethorpe’s work remains a subject of ongoing discussion and analysis, cementing his place as one of the most important – and often challenging – American artists of the 20th century. He elevated photography to a respected art form, proving that it could be more than just documentation; it could be sculpture, poetry, and provocation all rolled into one striking image.

    Where to read more

    Find this online

    QR code linking to the download page for Andy Warhol

    artsdot.com/en/art/download/robert-mapplethorpe-andy-warhol-AQRLE4-en/

    Cite this artwork

    MLA
    Mapplethorpe, Robert. Andy Warhol. 1990, https://artsdot.com/en/art/robert-mapplethorpe-andy-warhol-AQRLE4-en/
    APA
    Mapplethorpe, Robert (1990). Andy Warhol [Painting]. https://artsdot.com/en/art/robert-mapplethorpe-andy-warhol-AQRLE4-en/
    Chicago
    Robert Mapplethorpe. Andy Warhol. 1990. https://artsdot.com/en/art/robert-mapplethorpe-andy-warhol-AQRLE4-en/
    Harvard
    Mapplethorpe, Robert (1990) Andy Warhol. Available at: https://artsdot.com/en/art/robert-mapplethorpe-andy-warhol-AQRLE4-en/

    Look closely

    Andy Warhol — Robert Mapplethorpe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Tulip (1984), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.