Paper

Student Artwork Guide

Brigitte Bardot

Name Class Date

Richard Avedon, Brigitte Bardot (1959). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Richard Avedon artsdot.com/en/artists/richard-avedon/
Artist’s dates
1923 – 2004
Painted
1959
Original size
59 x 56 cm

In context

Brigitte Bardot — Richard Avedon

How big is it?

The original measures 59 × 56 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Shaded: the lifetime of Richard Avedon (1923–2004) ▲ this work, 1959

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/richard-avedon-brigitte-bardot-AS7UUH-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #afafae

    Catalogued palette

    • #AFAFAE
    • #E7E7E7
    • #21211F
    • #72726F
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Richard Avedon

    Born in New York, United States of America

    A Life Illuminated: The World of Richard Avedon

    Richard Avedon, born in New York City in 1923, wasn’t merely a photographer; he was a visual poet who redefined the boundaries of fashion, portraiture, and documentary work. His journey began steeped in the complexities of family life – a successful father in the garment industry, and a mother who nurtured his artistic inclinations. Yet, it was the shadow cast by his younger sister Louise’s struggle with mental illness that profoundly shaped Avedon's empathetic gaze, imbuing his work with an enduring sensitivity to human vulnerability. Early exposure at DeWitt Clinton High School, collaborating with a young James Baldwin on the school literary magazine, hinted at the narrative power he would later wield through the lens. These formative years, coupled with initial explorations in photography via a YMHA Camera Club, laid the groundwork for a career that would challenge conventions and capture the essence of an evolving American identity. A brief stint studying philosophy and poetry at Columbia University ultimately gave way to his true calling – a dedication to visual storytelling.

    From Fashion Plates to Social Commentary

    Avedon’s ascent in the world of photography was remarkably swift. He began working for department stores, quickly gaining recognition under the mentorship of Alexey Brodovitch, a visionary art director at Harper's Bazaar. It was here that Avedon truly revolutionized fashion photography. Departing from static poses, he injected movement and emotion into his images, capturing not just clothing but the spirit of an era. His work for Harper’s Bazaar wasn’t about showcasing garments; it was about telling stories through them. This innovative approach led him to Vogue in the 1960s, where a collaboration with Diana Vreeland proved pivotal. As lead photographer, Avedon produced iconic covers and spreads that defined American style for decades, immortalizing models like Brooke Shields and solidifying his place as a cultural force. However, Avedon’s artistic vision extended far beyond the glamorous world of fashion. He increasingly turned his lens towards social issues, creating powerful portraits of civil rights activists, politicians, and everyday Americans. This shift wasn't a departure but an expansion – a desire to use photography not just to reflect beauty, but to confront reality. In the American West, commissioned by the Amon Carter Museum in 1985, stands as a monumental achievement, a stark and poignant series that captured the lives of individuals against the vast backdrop of the Western landscape.

    The Avedon Aesthetic: Simplicity and Revelation

    What distinguished Avedon’s work was his unwavering commitment to simplicity. He eschewed elaborate sets and dramatic lighting, preferring instead the directness of a minimalist studio environment – often a stark white background. This deliberate choice wasn't about stripping away artistry; it was about focusing attention on the subject itself, revealing their inner world through subtle gestures, expressions, and body language. His portraits weren’t merely likenesses; they were psychological studies, capturing fleeting moments of truth and vulnerability. “My photographs don’t go below the surface,” he famously stated, "I have great faith in surfaces. A good one is full of clues.” This philosophy permeated his work, allowing him to extract profound meaning from seemingly simple compositions. Iconic images like “Dovima with Elephants” (1955) – a breathtaking juxtaposition of high fashion and raw nature – exemplify this approach. The image isn’t just about the dress; it's about power, elegance, and the delicate balance between humanity and the natural world. Similarly, his controversial Calvin Klein jeans campaign featuring Brooke Shields challenged societal norms and sparked dialogue about sexuality and adolescence, demonstrating Avedon’s willingness to push boundaries and provoke thought.

    A Lasting Legacy: Redefining Photographic Art

    Richard Avedon's impact on photography is immeasurable. He fundamentally altered the landscape of the medium, blurring the lines between artistic expression and commercial application. His emphasis on capturing authentic emotion resonated deeply with subsequent generations of photographers, inspiring them to look beyond technical perfection and seek genuine connection with their subjects.

    His minimalist aesthetic continues to influence contemporary portraiture.

    His direct approach to composition remains a cornerstone of photographic education.

    He elevated photography to the status of fine art, demonstrating its power as a tool for social commentary and self-expression.

    Avedon’s work is not simply a record of his time; it's a reflection of the human condition – our hopes, fears, vulnerabilities, and aspirations. He left behind a body of work that continues to challenge, inspire, and move us, ensuring his place as one of the most important photographers of the 20th century and beyond. His legacy isn’t just about the images he created; it's about the way he taught us to see – with honesty, empathy, and a profound appreciation for the beauty that lies beneath the surface.

    Where to read more

    Find this online

    QR code linking to the download page for Brigitte Bardot

    artsdot.com/en/art/download/richard-avedon-brigitte-bardot-AS7UUH-en/

    Cite this artwork

    MLA
    Avedon, Richard. Brigitte Bardot. 1959, https://artsdot.com/en/art/richard-avedon-brigitte-bardot-AS7UUH-en/
    APA
    Avedon, Richard (1959). Brigitte Bardot [Painting]. https://artsdot.com/en/art/richard-avedon-brigitte-bardot-AS7UUH-en/
    Chicago
    Richard Avedon. Brigitte Bardot. 1959. https://artsdot.com/en/art/richard-avedon-brigitte-bardot-AS7UUH-en/
    Harvard
    Avedon, Richard (1959) Brigitte Bardot. Available at: https://artsdot.com/en/art/richard-avedon-brigitte-bardot-AS7UUH-en/

    Look closely

    Brigitte Bardot — Richard Avedon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Suzy Parker, Evening Dress by Dior, Paris Studio (1956), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Richard Avedon was about 36 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.