Paper

Student Artwork Guide

David

Name Class Date

Rhiannon Fraser, David (2008), Charnwood Borough Council Offices. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Rhiannon Fraser artsdot.com/en/artists/rhiannon-fraser/
Artist’s dates
1986 –
Painted
2008
Original size
60 x 51 cm
Held at
Charnwood Borough Council Offices artsdot.com/en/museums/charnwood-borough-council-offices-loughborough/

In context

David — Rhiannon Fraser

How big is it?

The original measures 60 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1980
  2. 1990
  3. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 22. 0 of the 6 dated works by this artist in our catalogue came earlier.

▲ this work, 2008 every dated painting, decade by decade

Compare with

  • Graham, 2008 artsdot.com/en/art/rhiannon-fraser-graham-ARANYC-en/
  • Jaida, 2008 artsdot.com/en/art/rhiannon-fraser-jaida-ARANY8-en/
  • Ethel, 2008 artsdot.com/en/art/rhiannon-fraser-ethel-ARANY6-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/rhiannon-fraser-david-ARANYE-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aca8a5

    Catalogued palette

    • #ACA8A5
    • #504A41
    • #7B7B78
    • #10191F

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Rhiannon Fraser over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 United States of America 25.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Rhiannon Fraser

    1. 1 Rehearsal, 2008 50.0%
    2. 2 Graham, 2008 25.0%
    3. 3 Jaida, 2008 25.0%
    4. — David, 2008 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Rhiannon Fraser

    Rhiannon Fraser: Weaver of Shadows and Welsh Myth

    Rhiannon Fraser’s work is immediately arresting – a collision of stark realism, haunting beauty, and an undeniable undercurrent of melancholy. Emerging from the artistic landscape of contemporary Wales, her paintings aren't merely depictions of figures and landscapes; they are portals into realms steeped in folklore, memory, and a profound sense of isolation. Fraser’s art speaks to a lineage deeply rooted in Welsh mythology and tradition, yet it simultaneously transcends these origins, forging a distinctly personal and powerfully emotive style.

    Born in 1986, Fraser's artistic journey began organically, nurtured by a childhood steeped in the evocative beauty of her native Wales. The rugged coastline, ancient standing stones, and whispered tales of Celtic deities undoubtedly shaped her early sensibilities. While details about her formal training are scarce, it’s clear that she possesses an intuitive understanding of composition, color, and texture – skills honed through years of dedicated practice. Her work is often described as “dark romantic,” a term that perfectly encapsulates the blend of vulnerability and strength that characterizes her subjects. Fraser isn't interested in simply portraying beauty; she seeks to explore its shadowed edges, revealing the complexities and contradictions inherent within both the human spirit and the natural world.

    The Influence of Welsh Folklore

    A central element of Fraser’s artistic vision is a deep engagement with Welsh folklore. Figures from ancient legends – Maeve, Rhiannon, Branwen – frequently appear in her paintings, not as literal representations but rather as symbolic archetypes embodying themes of loss, resilience, and the cyclical nature of time. The landscapes she depicts are equally imbued with mythological resonance; rolling hills become thresholds to other worlds, and windswept moors evoke a sense of timelessness and mystery. Fraser’s research into Welsh mythology isn't merely academic; it informs her artistic process, providing a framework for interpreting the human condition through the lens of ancient stories.

    The character of Rhiannon herself is particularly significant. Often depicted as a solitary figure shrouded in shadow, she embodies both vulnerability and fierce independence – qualities that resonate deeply with Fraser’s own artistic sensibility. The recurring motif of the raven, a symbol of prophecy and transformation in Welsh lore, further reinforces this connection to ancient traditions. It's through these subtle yet potent references that Fraser invites viewers to engage with the rich tapestry of Welsh mythology and contemplate its relevance to contemporary life.

    Technique and Style

    Fraser’s technique is characterized by a meticulous attention to detail combined with a loose, expressive brushstroke. She primarily works in oil paint, layering colors to create depth and atmosphere. Her use of shadow is particularly masterful – not merely as a means of creating contrast but as a vehicle for conveying emotion and suggesting hidden narratives. Faces are rendered with an unnerving realism, capturing both the physical beauty and the underlying sadness of her subjects. The textures she achieves—the rough bark of ancient trees, the dampness of a misty moor, the delicate folds of fabric—are incredibly tactile, inviting viewers to reach out and touch the canvas.

    Her compositions are often deliberately unbalanced, creating a sense of unease or disorientation. Figures are frequently positioned off-center, drawing attention to their isolation and vulnerability. Fraser’s color palette is predominantly muted – shades of gray, brown, and blue dominate her paintings—but she occasionally introduces bursts of vibrant color to punctuate the darkness, symbolizing moments of hope or revelation. This careful orchestration of light and shadow contributes significantly to the overall mood and impact of her work.

    Major Achievements and Recognition

    While Rhiannon Fraser’s career is still relatively young, she has already garnered significant recognition for her distinctive artistic vision. Her paintings have been exhibited in galleries across Wales and beyond, attracting critical acclaim for their emotional depth and technical skill. She has also received several awards and commissions, solidifying her position as one of the most promising contemporary artists emerging from Wales. Fraser’s work is currently represented by AllPaintingsStore, a platform dedicated to showcasing exceptional fine art talent.

    Her ability to seamlessly blend traditional influences with a distinctly modern sensibility has earned her both critical praise and a growing following among collectors who appreciate her unique approach to figurative painting. As she continues to develop her artistic practice, Rhiannon Fraser is undoubtedly poised to make an even greater impact on the contemporary art world.

    Museum

    Charnwood Borough Council Offices

    On show in Loughborough, United Kingdom

    A Tapestry of Time and Stone

    In the heart of Loughborough, where the pulse of Leicestershire’s heritage beats most vibrantly, lies the Charnwood Museum—a sanctuary dedicated to the profound narrative of a landscape shaped by eons. To step into this space is to embark on a journey through the very foundations of our world, beginning with the primordial majesty of the

    Charnwood Forest

    . This geological marvel serves as more than just a backdrop; it is the protagonist of the museum’s story, offering a window into millions of years of Earth's history. Through carefully curated displays, visitors encounter the rugged beauty of ancient rock formations that whisper tales of a time long before the dawn of man, inviting art lovers and seekers of natural wonder to contemplate the raw, sculptural elegance of our planet's geological evolution.

    The Resonance of Human Artistry

    Beyond the silent stones, the museum breathes life into the human saga through an exquisite collection of archaeology and local lore. There is a rhythmic, almost musical quality to the history presented here, most notably in the celebration of

    Loughborough’s

    legendary tradition of bell manufacturing. The museum pays homage to the master craftsmen whose hands shaped the metallic voices of cathedrals across the globe, from

    St Paul's

    in London to the far reaches of

    Sydney’s St Andrew’s Cathedral

    . This intersection of metallurgy and artistry provides a fascinating study for those captivated by the marriage of industrial strength and delicate acoustic design. As one wanders through the exhibits, the artifacts of ancient settlements emerge, bridging the gap between the prehistoric landscape and the sophisticated social structures that eventually flourished in this fertile region.

    A Modern Gateway to Local Legacy

    Housed within the

    Charnwood Borough Council Offices

    , the museum offers a contemporary and accessible environment that belies the antiquity of its subject matter. While the architecture itself reflects a modern civic pride rather than a historical monument, it provides a clean, sophisticated canvas upon which the rich textures of Leicestershire’s past are painted. For the interior designer or the cultural enthusiast, the museum serves as an inspiring repository of local identity, where the ruggedness of geology meets the refined elegance of industrial heritage. It is a place where history is not merely stored but actively celebrated, making it an essential destination for anyone looking to understand the deep-rooted soul of the English Midlands.

    Where to read more

    Find this online

    QR code linking to the download page for David

    artsdot.com/en/art/download/rhiannon-fraser-david-ARANYE-en/

    Cite this artwork

    MLA
    Fraser, Rhiannon. David. 2008, Charnwood Borough Council Offices. https://artsdot.com/en/art/rhiannon-fraser-david-ARANYE-en/
    APA
    Fraser, Rhiannon (2008). David [Painting]. Charnwood Borough Council Offices. https://artsdot.com/en/art/rhiannon-fraser-david-ARANYE-en/
    Chicago
    Rhiannon Fraser. David. 2008. Charnwood Borough Council Offices. https://artsdot.com/en/art/rhiannon-fraser-david-ARANYE-en/
    Harvard
    Fraser, Rhiannon (2008) David. Charnwood Borough Council Offices. Available at: https://artsdot.com/en/art/rhiannon-fraser-david-ARANYE-en/

    Look closely

    David — Rhiannon Fraser

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Graham (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Rhiannon Fraser was about 22 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "David" by Rhiannon Fraser saturated or muted?

    "David" by Rhiannon Fraser is recorded with a muted saturation.

    What is the perceived brightness of "David" by Rhiannon Fraser?

    Overall, "David" is recorded as deep_shadow. Perceived brightness describes how light or dark the work appears.

    How can I view "David" by Rhiannon Fraser as a slideshow?

    A slideshow is available: the Diaporama page of "David" by Rhiannon Fraser.