Paper

Student Artwork Guide

iHome

Name Class Date

ramell ross, iHome (2012), Ogden Museum of Southern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
ramell ross artsdot.com/en/artists/ramell-ross/
Artist’s dates
1982 – ?
Painted
2012
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
Ogden Museum of Southern Art artsdot.com/en/museums/ogden-museum-of-southern-art-new-orleans/

In context

iHome — ramell ross

When was this painted?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Shaded: the lifetime of ramell ross (1982–?) ▲ this work, 2012

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/ramell-ross-ihome-D9V6JX-en/

Colours

Measured from the image

    Main colour

    Sap Green #5e624e

    Catalogued palette

    • #5E624E
    • #291B17
    • #9BA0A2
    • #E5E8EE
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    ramell ross

    Born in Frankfurt, Germany

    A Journey Through Lens and Landscape

    Born in the heart of Frankfurt, Germany, but shaped by the landscapes of Fairfax, Virginia, Ramell Ross embodies a unique intersection of global perspective and deep-rooted American identity. His path to becoming a profound voice in contemporary visual storytelling was paved with academic rigor and athletic discipline. A graduate of Georgetown University, where he balanced the demands of sociology and English studies with his role on the Hoyas men's basketball team, Ross eventually found his true calling within the frame of a camera. This transition from the court to the studio culminated at the Rhode Island School of Design, where an MFA in photography allowed him to refine a gaze that is as much about feeling as it is about seeing.

    The Poetics of the Southern Experience

    Ross’s work is far more than mere documentation; it is an evocative, sensory exploration of life in the American South. His most celebrated achievement, the 2018 documentary Hale County This Morning, This Evening, serves as a masterclass in poetic realism. Through his lens, the mundane becomes monumental, and the quiet moments of community are elevated to the level of epic poetry. He does not merely observe; he immerses himself in the textures of existence—the light through the trees, the rhythm of conversation, and the profound weight of history. His approach challenges traditional documentary structures, opting instead for a fluid, impressionistic style that captures the ephemeral nature of identity and memory.

    Legacy and Visual Language

    The significance of Ramell Ross lies in his ability to reshape the visual language of Black Southern life. By moving away from purely clinical or journalistic perspectives, he invites the viewer into a space of intimacy and empathy. His work stands as a vital contribution to contemporary photography and film, offering a nuanced look at community portraiture that avoids stereotypes in favor of deep, human complexity.

    Themes of Identity: Exploring the multifaceted layers of being Black in America.

    Community Portraiture: Capturing the shared pulse of Southern landscapes.

    Cinematic Innovation: Blending documentary truth with a lyrical, dreamlike aesthetic.

    Museum

    Ogden Museum of Southern Art

    On show in New Orleans, United States of America

    A Singular Vision of Southern Artistic Expression

    In the heart of New Orleans’ vibrant Warehouse Arts District, where the echoes of history meet the pulse of contemporary creativity, stands the Ogden Museum of Southern Art. This is not merely a repository for objects, but a profound exploration of the artistic landscape spanning fifteen states and Washington D.C. Founded in 1999 by the visionary Roger H. Ogden, the museum began its journey with a deeply personal foundation—a collection of over six hundred artworks that served as the cornerstone for what would become America’s sole dedicated institution for Southern art. To walk through its doors is to embark on a journey through time, tracing the evolution of a region's soul from the late nineteenth century to the present day.

    The museum’s physical presence is a masterclass in architectural juxtaposition, mirroring the complex layers of Southern identity itself. The core of the institution resides within the magnificent Patrick F. Taylor Library, an 1889 masterpiece designed by Henry Hobson Richardson. This structure, a quintessential example of Richardsonian Romanesque style, commands attention with its massive stone blocks and heavy arched windows, evoking the grandeur and permanence of New Orleans’ storied past. In a striking dialogue with this historic edifice stands Stephen Goldring Hall. Completed in 2003, this soaring five-story structure of glass and stone symbolizes innovation and transparency, embracing contemporary aesthetics while allowing light to flood the galleries, much like the way new perspectives illuminate old traditions.

    A Tapestry of Mediums and Memories

    The Ogden’s collection is a breathtaking panorama of human creativity, boasting over 4,000 pieces that defy simple categorization. The holdings encompass an extraordinary diversity of mediums, where the delicate touch of watercolors and drawings meets the tactile strength of sculptures, wood carvings, and intricate crafts. Within these walls, one encounters the works of true luminaries such as John Alexander, Walter Anderson, Benny Andrews, and Clementine Hunter. The museum also celebrates the iconic presence of George Rodrigue, whose vibrant palettes continue to resonate with modern audiences. Each piece serves as a thread in a larger narrative, weaving together themes of place, memory, and identity that reflect the lived experiences of generations.

    What truly distinguishes the Ogden Museum is its deliberate refusal to confine Southern art within rigid or easily digestible stylistic boundaries. Instead, the curators champion a multifaceted perspective that acknowledges the region’s complex history and celebrates its rich cultural tapestry. This approach is evident in their notable exhibitions, which have ranged from the soft, light-drenched explorations of Louisiana Impressionism to the bold, tactile explorations of Contemporary Craftsmanship. As a Smithsonian Affiliate, the museum also plays a vital role in national art preservation, ensuring that the stories told within these walls contribute to the broader American artistic canon.

    An Inspiration for the Modern Eye

    For the discerning art lover, the collector, or the interior designer, the Ogden Museum serves as an inexhaustible wellspring of inspiration. The museum’s ability to present art that is both culturally resonant and aesthetically profound makes it a sanctuary for those seeking to infuse spaces with warmth, color, and narrative depth. Whether one is drawn to the rugged textures of Southern sculpture or the evocative landscapes of regional painters, the museum offers insights into traditions that can elevate any design project with a sense of place and history.

    Beyond its galleries, the museum fosters a deep connection with the community through initiatives like the Teen Docent Program. This program empowers young New Orleanians with the skills of art appreciation and museum stewardship, ensuring that the legacy of Southern art is not just preserved, but actively lived and interpreted by future generations. Visiting the Ogden is more than an afternoon of viewing; it is an immersive experience into the very heart of Southern heritage, leaving every visitor with a renewed sense of wonder for the enduring power of artistic expression.

    Where to read more

    Find this online

    QR code linking to the download page for iHome

    artsdot.com/en/art/download/ramell-ross-ihome-D9V6JX-en/

    Cite this artwork

    MLA
    ross, ramell. iHome. 2012, Ogden Museum of Southern Art. https://artsdot.com/en/art/ramell-ross-ihome-D9V6JX-en/
    APA
    ross, ramell (2012). iHome [Painting]. Ogden Museum of Southern Art. https://artsdot.com/en/art/ramell-ross-ihome-D9V6JX-en/
    Chicago
    ramell ross. iHome. 2012. Ogden Museum of Southern Art. https://artsdot.com/en/art/ramell-ross-ihome-D9V6JX-en/
    Harvard
    ross, ramell (2012) iHome. Ogden Museum of Southern Art. Available at: https://artsdot.com/en/art/ramell-ross-ihome-D9V6JX-en/

    Look closely

    iHome — ramell ross

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: smartphone imagery, historic architecture, digital capture”. Do you agree? What would you add, or take away?
    4. Look back at Sleepy Church (2014), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.