Paper

Student Artwork Guide

Saint christopher

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Name Class Date
Pieter van Lint, Saint christopher. Public domain.

The facts

Artist
Pieter van Lint artsdot.com/en/artists/pieter-van-lint/
Artist’s dates
1609 – 1690

In context

Saint christopher — Pieter van Lint

When might this have been painted?

  1. 1600
  2. 1610
  3. 1620
  4. 1630
  5. 1640
  6. 1650
  7. 1660
  8. 1670
  9. 1680
  10. 1690

Shaded: the lifetime of Pieter van Lint (1609–1690)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/pieter-van-lint-saint-christopher-A2ABLR-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #ceb390

    Catalogued palette

    • #CEB390
    • #86531C
    • #452306
    • #988360
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Saint christopher — Pieter van Lint

    Artist

    Pieter van Lint

    Born in Antwerp, Belgium

    Pieter van Lint: A Flemish Master Bridging Antiquity and Baroque

    Pieter van Lint (1609-1690), a name perhaps less familiar than his contemporaries Rubens or Van Dyck, nevertheless stands as a significant figure in the vibrant artistic landscape of 17th-century Antwerp. Born into a family deeply rooted in the art world – his father, Hendrik Frans van Lint, was a celebrated vedute painter in Rome – Pieter inherited not only a legacy but also a profound understanding of artistic technique and a restless spirit for exploration. His career spanned decades, encompassing diverse styles and commissions, reflecting a remarkable adaptability and a constant engagement with the prevailing trends of his time.

    Van Lint’s early training under Artus Wolffort in Antwerp laid the foundation for his skill in historical painting and portraiture. Crucially, however, his formative years were spent immersed in the artistic traditions of the Flemish Baroque, particularly through frequent visits to the city's churches. These pilgrimages weren’t merely acts of devotion; they served as invaluable apprenticeships, allowing him to meticulously copy the works of masters like Peter Paul Rubens, Marten de Vos, and the Francken brothers – absorbing their compositional strategies, color palettes, and masterful rendering of texture.

    Where to read more

    Find this online

    QR code linking to the download page for Saint christopher

    artsdot.com/en/art/download/pieter-van-lint-saint-christopher-A2ABLR-en/

    Cite this artwork

    MLA
    Lint, Pieter van. Saint christopher. n.d., https://artsdot.com/en/art/pieter-van-lint-saint-christopher-A2ABLR-en/
    APA
    Lint, Pieter van (n.d.). Saint christopher [Painting]. https://artsdot.com/en/art/pieter-van-lint-saint-christopher-A2ABLR-en/
    Chicago
    Pieter van Lint. Saint christopher. n.d. https://artsdot.com/en/art/pieter-van-lint-saint-christopher-A2ABLR-en/
    Harvard
    Lint, Pieter van (n.d.) Saint christopher. Available at: https://artsdot.com/en/art/pieter-van-lint-saint-christopher-A2ABLR-en/

    Look closely

    Saint christopher — Pieter van Lint

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: saints. Do you agree? What would you add, or take away?
    4. Look back at Jephthae's Daughter (1640), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.