Paper

Student Artwork Guide

Self-portrait

Name Class Date

Pierre Puget, Self-portrait (1668), Granet Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pierre Puget artsdot.com/en/artists/pierre-puget/
Artist’s dates
1620 – 1694
Painted
1668
Medium
Oil On Canvas
Original size
47 x 38 cm
Movement
Baroque Art
Held at
Granet Museum artsdot.com/en/museums/granet-museum-aix-en-provence/

In context

Self-portrait — Pierre Puget

How big is it?

The original measures 47 × 38 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 74 at death.

Painted when the artist was 48. The artist lived to 74. 9 of the 20 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pierre Puget (1620–1694) ▲ this work, 1668 every dated painting, decade by decade

First works: up to 1659 Main working years: 1659–1671 Late works: from 1671

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/pierre-puget-self-portrait-8Y3FZ2-en/

Colours

Measured from the image

    Main colour

    Espresso #302d2d

    Catalogued palette

    • #302D2D
    • #8C6A59
    • #C9A78C
    • #4E3F3F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pierre Puget over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 59.5%
    2. 2 France 10.8%
    3. 3 United States of America 10.8%
    4. 4 Hong Kong 8.1%
    5. 5 Singapore 5.4%
    6. 6 Argentina 2.7%
    7. 7 Peru 2.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Pierre Puget

    1. 1 Self portrait Marble 10.6%
    2. 2 The Education of Achilles by Chiron, 1690 8.5%
    3. 3 Sea view 6.4%
    4. 4 Milo of Croton, 1671 4.3%
    5. 5 Bust of Young August 4.3%
    6. 6 Perseus and Andromeda, 1678 4.3%
    7. 7 Perseus and Andromeda, 1678 4.3%
    8. 8 Two Vessels under Sail, 1674 4.3%
    9. 9 Virgin of the Immaculate Conception 4.3%
    10. 10 The Meeting of Alexander the Great and Diogenes, 1671 2.1%
    11. 11 Hercules at Rest, 1661 2.1%
    12. 12 The Stoning of St Peter, 1654 2.1%
    13. 13 The Holy Family at the Palm-tree, 1662 2.1%
    14. 14 Self-portrait, 1668 this painting 2.1%
    15. 15 Alessandro Sauli, 1666 2.1%
    16. 16 The Meeting of Alexander the Great and Diogenes, 1671 2.1%
    17. 17 Door of the Hôtel de Ville at Toulon 2.1%
    18. 18 Hercules at Rest 2.1%
    19. 19 Navigation before a Promontory, 1680 2.1%
    20. 20 Great Vessel of War, 1670 2.1%

    Together these works take 74.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 75 works by this artist, of which 32 were looked at at least once. This painting ranks 14 of them, with 2.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Pierre Puget

    Born in Marseille, France

    Pierre Puget: A Life in Art and Engineering

    Born: Marseille, France (1620)

    Died: 1694

    Early Life and Italian Influences

    Apprenticeship: Puget began his career at fourteen, carving ornaments for galleys built in Marseille. This early exposure to craftsmanship laid the foundation for his later artistic pursuits.

    Journey to Italy (1640): Seeking opportunities, he traveled to Italy, initially to Livorno and then Florence. He honed his skills as a woodcarver and painter.

    Rome and Pietro da Cortona: A pivotal moment arrived when he was taken under the wing of Pietro da Cortona in Rome. Puget assisted in painting elaborate ceilings at the Palazzo Barberini and Palazzo Pitti, absorbing the dynamism and grandeur of Roman Baroque art.

    Return to Marseille (1643): After three years in Italy, he returned to Marseille, bringing with him a refined artistic sensibility shaped by Italian masters.

    Major Works and Artistic Development

    Early Commissions: Upon his return, Puget received commissions for paintings and altarpieces, demonstrating an evolving style influenced by Annibale Carracci and Rubens.

    Sculptural Breakthroughs: He increasingly focused on sculpture, creating works like the medallions for the stern of French warships, showcasing a growing mastery of form and detail.

    Vaux-le-Vicomte (1660s): Nicolas Fouquet commissioned Puget to sculpt Hercules for his château at Vaux-le-Vicomte, marking a significant moment in his career and demonstrating the patronage of powerful figures.

    Genoa Period: Following Fouquet's downfall, Puget moved to Genoa, where he created notable works such as the “Hercule Gaulois” (Louvre) and sculptures for churches like Santa Maria di Carignano.

    Versailles Commissions: Colbert brought Puget back to France, leading to commissions for Versailles, including the celebrated groups of “Milo of Croton” and “Perseus and Andromeda.” These works are characterized by their dramatic intensity and expressive realism.

    Style and Influences

    Baroque Drama: Puget’s style is firmly rooted in the Baroque tradition, emphasizing movement, emotion, and theatricality.

    Classical Inspiration: While embracing Baroque dynamism, his work also reveals an appreciation for classical forms and ideals.

    Michelangelo and Bernini: His sculptures show influences from Michelangelo's powerful figures and Bernini’s dynamic compositions.

    Unique Expression: Despite these influences, Puget developed a distinctive style marked by its raw energy and expressive intensity, setting him apart from more conventional Baroque artists.

    Legacy and Historical Significance

    Bridging Art and Engineering: Puget’s ability to seamlessly blend artistic talent with engineering skills was unique. His work on naval architecture and fortifications demonstrates a practical ingenuity alongside his artistic achievements.

    A Tormented Genius: Théophile Gautier famously described him as the "melancholy emperor of convicts," reflecting the intensity and perhaps struggles inherent in his creative process.

    Lasting Impact: Puget’s sculptures, particularly “Milo of Croton” and “Perseus and Andromeda,” remain iconic examples of French Baroque sculpture, admired for their expressive power and technical virtuosity.

    Recognition Today: His work is celebrated in museums worldwide, including the Louvre and Musée des Beaux-Arts de Marseille, solidifying his place as a significant figure in art history.

    Museum

    Granet Museum

    On show in Aix-en-Provence, France

    A Provençal Sanctuary of Art: Exploring the Musée Granet

    Nestled in the sun-drenched heart of

    Aix-en-Provence

    , a city where history breathes through every cobblestone, lies the

    Musée Granet

    —a profound sanctuary for those who seek the eternal dialogue between light and shadow. The museum is far more than a mere repository of artifacts; it is an immersive journey through the very evolution of human creativity. Established within the historic, hallowed walls of what was once the priory of Saint-Jean-de-Malte, the institution shares a tranquil, verdant garden with an adjacent church, creating an atmosphere of serene contemplation that prepares the soul for the masterpieces within. Following a significant restoration in 2011, these halls have been revitalified, offering a sophisticated stage where antiquity and modernity converge in a seamless, breathtaking dance.

    The collection itself serves as a monumental bridge between eras, anchored by works that define the absolute pinnacle of artistic achievement. Visitors are often first captivated by the sheer, neoclassical grandeur of

    Jean-Dominique Ingres'

    Jupiter and Thetis

    . This monumental masterpiece, with its meticulous attention to form and breathtaking scale, exemplifies a mastery of line that draws the viewer into a mythic realm of divine elegance. Yet, just as one finds themselves lost in classical perfection, the museum offers an intimate, psychological counterpoint through the haunting presence of

    Rembrandt

    . An authentic self-portrait by the Dutch master invites a quiet, personal encounter, where his legendary use of chiaroscuro reveals not just a physical likeness, but the profound, flickering depths of the human spirit.

    A Legacy of Light and Modernity

    For those with a passion for the textures of the landscape, the museum offers a deeply moving connection to

    Paul Cézanne

    . As the native son of Aix-en-Provence, Cézanne’s presence here feels like a homecoming; his innovative Post-Impressionist approach to light and the rugged beauty of the Provençal terrain resonate with a particular poignancy within these walls. This legacy of innovation is further expanded by the magnificent

    Planque Collection

    , housed in the stunning architectural splendor of the

    Chapelle des Pénitents Blancs

    . This specialized annex acts as a vibrant explosion of 20th-century energy, presenting a dazzling panorama of modernism.

    Within these curated spaces, the air is thick with the revolutionary spirit of artists who redefined the visual language of our time. The museum provides an unparalleled opportunity to witness the evolution of style through:

    The Impressionist and Post-Impressionist masters

    , including the delicate touch of

    Degas

    and

    Renoir

    , alongside the vibrant landscapes of

    Monet

    and

    Van Gogh

    .

    The pioneers of modern color and form

    , such as

    Gauguin

    .

    The avant-garde giants

    , where the transformative power of

    Picasso

    ,

    Giacometti

    ,

    Dubuffet

    , and

    Klee

    challenges and inspires the contemporary eye.

    For art lovers, collectors, and interior designers alike, the

    Musée Granet

    offers a unique aesthetic inspiration that transcends time. The juxtaposition of classical elegance with the raw, transformative power of modernism provides an invaluable insight into the stylistic shifts that have shaped our visual world. Whether one is wandering through the peaceful, sun-dappled gardens or standing before the avant-garde textures of the 20th century, the museum remains a vital center for scholarship and a sanctuary for beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Self-portrait

    artsdot.com/en/art/download/pierre-puget-self-portrait-8Y3FZ2-en/

    Cite this artwork

    MLA
    Puget, Pierre. Self-portrait. 1668, Granet Museum. https://artsdot.com/en/art/pierre-puget-self-portrait-8Y3FZ2-en/
    APA
    Puget, Pierre (1668). Self-portrait [Painting]. Granet Museum. https://artsdot.com/en/art/pierre-puget-self-portrait-8Y3FZ2-en/
    Chicago
    Pierre Puget. Self-portrait. 1668. Granet Museum. https://artsdot.com/en/art/pierre-puget-self-portrait-8Y3FZ2-en/
    Harvard
    Puget, Pierre (1668) Self-portrait. Granet Museum. Available at: https://artsdot.com/en/art/pierre-puget-self-portrait-8Y3FZ2-en/

    Look closely

    Self-portrait — Pierre Puget

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraiture, baroque sculpture, self-reflection. Do you agree? What would you add, or take away?
    4. Look back at Milo of Croton (1671), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Pierre Puget was about 48 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What subjects appear in "Self-portrait" by Pierre Puget?

    The subjects of "Self-portrait" are portraiture, baroque sculpture, self-reflection, emotion, light shadow, marseille artist, renaissance influence.

    What color intensity does "Self-portrait" by Pierre Puget have?

    The colors in "Self-portrait" by Pierre Puget have a monochromatic intensity.

    What is the perceived brightness of "Self-portrait" by Pierre Puget?

    The perceived brightness of "Self-portrait" by Pierre Puget is deep_shadow. It can be matched to the light of the intended space.