Paper

Student Artwork Guide

Untitled

Name Class Date

Peter Upward, Untitled (1960), Penrith Regional Gallery - Home of the Lewers Bequest. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Peter Upward artsdot.com/en/artists/peter-upward/
Artist’s dates
1932 – 1983
Painted
1960
Original size
60 x 45 cm
Held at
Penrith Regional Gallery - Home of the Lewers Bequest artsdot.com/en/museums/penrith-regional-gallery-home-of-the-lewers-bequest-emu-plains/

In context

Untitled — Peter Upward

How big is it?

The original measures 60 × 45 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 28. The artist lived to 51. 0 of the 1 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Peter Upward (1932–1983) ▲ this work, 1960 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    White #f5efe6

    Catalogued palette

    • #F5EFE6
    • #E74D21
    • #C4A995
    • #3C383B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Peter Upward

    Born in Melbourne, Australia

    Peter Upward: A Visionary of Australian Abstraction

    Peter Upward (1932 – 1984) remains a figure shrouded in artistic mystique, celebrated primarily within Australia’s lyrical abstraction movement. Despite his considerable output and recognition by prominent institutions like the Art Gallery of New South Wales, Upward's oeuvre has stubbornly resisted widespread acclaim—a fact that underscores its profound beauty and intellectual depth. Born in Melbourne, Australia, he embarked on a journey to forge an artistic identity distinct from the prevailing stylistic trends of his time, prioritizing a deeply philosophical exploration of form and color over representational concerns.

    Early Influences & Education: Upward’s formative years were marked by exposure to European avant-garde movements, particularly Abstract Expressionism. This pivotal influence propelled him toward a style characterized by gestural minimalism—a technique that sought to distill emotion into pure visual language. Studying at RMIT instilled in him a foundational understanding of artistic principles while simultaneously fostering an independent spirit.

    Sydney & The Pursuit of Minimalism: Moving to Sydney in 1951, Upward deliberately distanced himself from Melbourne’s figurative landscape, aiming for a space conducive to experimentation and innovation. He envisioned escaping the constraints of social realism, embracing instead the liberating potential of pure abstraction.

    The Style of Gestural Minimalism

    Upward's artistic signature is undeniably defined by ‘gestural minimalism.’ This distinctive approach eschewed detailed depiction, prioritizing dynamic brushstrokes and tonal variations to convey profound emotional resonance. Critics have likened it to American Abstract Expressionism—a movement that revolutionized postwar art with its emphasis on spontaneity and psychological depth—though Upward’s work possesses a uniquely Australian sensibility. He sought to capture the essence of experience through simplified forms and colors, resulting in canvases imbued with an arresting energy and contemplative stillness simultaneously. The artist's meticulous attention to texture and surface quality further enhanced this expressive power.

    Notable Works & Collections: Upward’s paintings reside in collections across the globe, testament to their enduring appeal. Among his most celebrated pieces is “Shared Time,” a monumental canvas that exemplifies the core tenets of his style—bold color palettes juxtaposed with sweeping gestural marks.

    Influence Beyond Expressionism: While undeniably indebted to Abstract Expressionism, Upward’s artistic vision extended beyond stylistic imitation. He drew inspiration from Zen Buddhism and Western philosophers like Heidegger, incorporating these intellectual currents into his visual vocabulary.

    Legacy & Recognition

    Peter Upward's contribution to Australian art history is undeniable. His unwavering commitment to abstraction—coupled with his profound engagement with philosophical ideas—established him as a pivotal figure in lyrical abstraction. The Art Gallery of New South Wales proudly houses numerous examples of his work, ensuring that his artistic legacy continues to inspire future generations. Despite the relative obscurity surrounding his life and career outside Australia, Upward’s paintings remain powerfully evocative, demonstrating the enduring capacity of art to communicate complex emotions and ideas—a testament to his singular vision.

    Museum

    Penrith Regional Gallery - Home of the Lewers Bequest

    On show in Emu Plains, Australia

    A Sanctuary of Modernist Vision

    Nestled along the tranquil western banks of the Nepean River in Emu Plains,

    Penrith Regional Gallery - Home of the Lewers Bequest

    serves as a profound testament to the enduring spirit of Australian modernism. More than a mere repository for art, this institution is an immersive journey into the creative soul of two pioneers, Gerald and Margo Lewers. To walk through its doors is to step into a living legacy, where the echoes of mid-century intellectual fervor still resonate within beautifully preserved heritage gardens and thoughtfully adapted structures. The gallery occupies the very site that once functioned as a vibrant crucible for artistic experimentation, where the boundaries between life, landscape, and studio were perpetually blurred.

    The heart of the gallery beats through the extraordinary

    Lewers Bequest

    , a collection that offers an intimate window into the genesis of Australian abstraction. Visitors are invited to explore a vast assemblage of paintings, sculptures, and drawings that reveal Gerald Lewers’ mastery of geometric form and Margo Lewers’ evocative transitions from formal abstraction to fluid expressionism. The collection is not merely a display of objects but a study in how color palettes can be distilled from the rugged beauty of the Australian landscape, creating a dialogue between the canvas and the earth itself. For the discerning collector or art lover, these works represent a pivotal moment in art history, capturing the precise instant when local identity met international modernist movements.

    Architectural Harmony and Living History

    The architectural experience of the gallery is as much a part of the exhibition as the artworks themselves. The transformation of the Lewers' original homes into sophisticated exhibition spaces—including

    Ancher House

    and the

    Loungeroom Gallery

    —has been achieved with a masterful touch that respects the structural integrity of the past while embracing contemporary needs. Sunlight streams through expansive windows, casting shifting shadows across the galleries and drawing the eye toward the serene Nepean River gardens outside. This deliberate harmony between art and nature creates an atmosphere of contemplative stillness, making it an ideal destination for interior designers seeking inspiration in the seamless integration of built environments and organic beauty.

    Beyond its historical anchors, Penrith Regional Gallery remains a dynamic force in the contemporary art scene, consistently championing new voices and diverse narratives. The gallery’s program is a vibrant tapestry of seasonal exhibitions that bridge the gap between established legends and emerging talents such as

    Brook Andrew

    ,

    Leonora Howlett

    , and

    Craig Walsh

    . By hosting multidisciplinary installations ranging from video art to immersive sculpture, the institution ensures that its mission of provocation and conversation remains vital. It stands today as a beacon of cultural enrichment in Western Sydney, offering a holistic encounter where history, community, and innovation converge under the shade of ancient trees.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    artsdot.com/en/art/download/peter-upward-untitled-D76T5T-en/

    Cite this artwork

    MLA
    Upward, Peter. Untitled. 1960, Penrith Regional Gallery - Home of the Lewers Bequest. https://artsdot.com/en/art/peter-upward-untitled-D76T5T-en/
    APA
    Upward, Peter (1960). Untitled [Painting]. Penrith Regional Gallery - Home of the Lewers Bequest. https://artsdot.com/en/art/peter-upward-untitled-D76T5T-en/
    Chicago
    Peter Upward. Untitled. 1960. Penrith Regional Gallery - Home of the Lewers Bequest. https://artsdot.com/en/art/peter-upward-untitled-D76T5T-en/
    Harvard
    Upward, Peter (1960) Untitled. Penrith Regional Gallery - Home of the Lewers Bequest. Available at: https://artsdot.com/en/art/peter-upward-untitled-D76T5T-en/

    Look closely

    Untitled — Peter Upward

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Peter Upward was about 28 when this was made. What in it looks like the work of an artist at that stage?
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Untitled" balance light and dark?

    The recorded values for "Untitled" by Peter Upward are: brilliant brightness, luminous luminance.

    Who created "Untitled" and in what year?

    The author of "Untitled" is Peter Upward, and the work is dated 1960.

    How much light do the colors of "Untitled" appear to reflect?

    The luminance recorded for "Untitled" by Peter Upward is luminous.