Paper

Student Artwork Guide

The storm

Name Class Date

Peter Fendi, The storm (1837), Austrian Gallery Belvedere. Public domain.

The facts

Artist
Peter Fendi artsdot.com/en/artists/peter-fendi/
Artist’s dates
1796 – 1842
Painted
1837
Medium
Acrylic On Canvas
Original size
50 x 67 cm
Movement
Biedermeier
Held at
Austrian Gallery Belvedere artsdot.com/en/museums/austrian-gallery-belvedere-vienna/
Artistic style
Genre painting
Influences
Dutch Masters
Notable elements
Family scene, window
Subject or theme
Domesticity, family

In context

The storm — Peter Fendi

How big is it?

The original measures 50 × 67 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840

Shaded: the lifetime of Peter Fendi (1796–1842) ▲ this work, 1837

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/peter-fendi-the-storm-D2HCY3-en/

Colours

Measured from the image

    Main colour

    Clay #8c6a3a

    Catalogued palette

    • #8C6A3A
    • #BCA67E
    • #261C20
    • #5C412A
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The storm — Peter Fendi

    A Window to a Turbulent Soul: Exploring Peter Fendi’s “The Storm”

    Peter Fendi's "The Storm," painted in 1837, isn’t merely a depiction of a tempestuous sky; it’s a profound meditation on domesticity, vulnerability, and the quiet drama unfolding within a family’s sanctuary. This intimate scene, rendered with the characteristic warmth and realism of Biedermeier painting, immediately draws the viewer into a tableau of contained chaos – a woman cradling her child before a window that frames both the fury of nature and the steadfastness of home. The composition is deceptively simple: a mother and child, bathed in soft light, facing an exterior world rendered with dramatic brushstrokes and swirling clouds. Yet, within this apparent tranquility lies a palpable tension, a suggestion of unease that speaks volumes about the anxieties inherent in family life.

    Fendi’s masterful use of color is crucial to conveying this emotional complexity. The palette leans heavily on muted browns, grays, and blues – colors associated with storm clouds and introspection. However, these somber tones are punctuated by flashes of warm light emanating from the interior, highlighting the figures and creating a subtle contrast between safety and the unknown. The woman’s posture is particularly telling; she isn't actively shielding her child, nor does she appear panicked. Instead, she gazes out with a thoughtful expression, suggesting an acceptance of the storm both outside and within. The inclusion of other family members – two children playing near the window and another figure on the right – subtly expands the narrative, hinting at a larger household grappling with shared experiences.

    The Biedermeier Aesthetic: Intimacy and Observation

    The Storm” is a quintessential example of the Biedermeier style, which flourished in Austria during the early 19th century. This artistic movement prioritized realism and domestic scenes, often depicting everyday life with an emphasis on intimacy and observation. Unlike the grand historical or mythological subjects favored by earlier periods, Biedermeier artists sought to capture the beauty and simplicity of the ordinary – a shift reflecting the growing middle class’s desire for comfort and connection within their own homes. Fendi's work embodies this ethos perfectly; he doesn’t attempt to glorify the storm itself but rather focuses on how it affects those closest to him, creating a deeply personal and relatable image.

    Fendi’s technical skill is evident in his meticulous attention to detail – from the texture of the fabrics to the subtle nuances of expression on the figures' faces. He employed a technique known as “pointillé,” using small, closely spaced brushstrokes to create an illusion of depth and texture, particularly noticeable in the depiction of the clouds. This method allowed him to capture the dynamic movement of the storm while maintaining a sense of realism and warmth. Furthermore, his use of light is masterful, creating a soft, diffused glow that illuminates the figures and imbues the scene with a feeling of quiet dignity.

    Symbolism and Emotional Resonance

    The window itself serves as a powerful symbol in “The Storm.” It represents not only a physical barrier between the interior and exterior but also a metaphorical one – separating the family from the uncertainties of the world. The storm raging outside can be interpreted as a representation of life’s challenges, anxieties, and hardships. However, within the confines of the home, the family finds solace and strength in their connection to one another. The child, nestled securely in his mother's arms, embodies innocence and hope, suggesting that even amidst turmoil, new beginnings are possible.

    Fendi’s painting resonates with a timeless emotional truth. It speaks to the universal experience of navigating difficult times while cherishing the bonds of family. “The Storm” is more than just a beautiful artwork; it's a poignant reminder of the resilience of the human spirit and the enduring power of love in the face of adversity. Reproductions of this evocative piece offer a captivating glimpse into a bygone era, inviting viewers to contemplate their own relationships and find beauty amidst life’s inevitable storms.

    Artist and museum

    Artist

    Peter Fendi

    Born in Vienna, Austria

    Peter Fendi: A Pioneer of Viennese Biedermeier

    Peter Fendi, born in Vienna’s heart on September 4th, 1796, was more than just a painter; he was a pivotal figure in the development of Austrian art during the Biedermeier period. His life, marked by an early physical challenge – a fall from a changing table as an infant that left him with lasting spinal issues – ironically fueled a remarkable talent for drawing and ultimately shaped his artistic vision. His father, a schoolmaster, recognized this innate ability, enrolling young Peter at the prestigious St. Anna’s Academy of Fine Art in 1810. There, under the tutelage of esteemed artists like Johann Martin Fischer, Hubert Maurer, and Johann Baptist von Lampi the Elder, Fendi honed his skills, laying the foundation for a prolific career spanning oil paintings, watercolors, prints, etchings, lithographs, and even wood carving.

    Fendi’s early professional life began at the Imperial Gallery of Coins and Antiquities in 1818, where he served as a draughtsman and engraver under Joseph Barth, an influential art collector and the personal ophthalmologist to Emperor Joseph II. This position provided invaluable access to artistic circles and exposed him to the meticulous detail demanded by imperial commissions. A significant milestone arrived in 1821 when Fendi received a gold medal for his oil painting Vilenica, solidifying his reputation within the Viennese art scene. This recognition led to election as a member of the Academy of Fine Arts Vienna in 1836, further cementing his standing amongst his peers.

    A Dutch Influence and Venetian Inspiration

    Fendi’s artistic style was deeply influenced by two distinct yet complementary sources: the Dutch masters and the Italian Renaissance. The realism and genre scenes prevalent in the works of artists like Adriaen Brouwer, Adriaen van Ostade, and Rembrandt resonated profoundly with Fendi, shaping his depictions of everyday life – bustling marketplaces, tavern scenes, and intimate domestic moments. These paintings are characterized by a keen observation of human behavior, often imbued with a subtle sense of humor or social commentary. Simultaneously, Fendi’s journey to Venice in 1821 proved transformative. Immersed in the opulent art collections of Giovanni Bellini, Tintoretto, Titian, and Paolo Veronese, he absorbed their dramatic compositions, rich colors, and masterful use of light – elements that would later infuse his own work with a sense of grandeur and theatricality.

    Lithographic Innovation and Portraiture

    Beyond traditional painting techniques, Fendi was a true innovator in the field of lithography. His multicolored prints, particularly those produced in the 1830s and 40s, were groundbreaking for their time, demonstrating remarkable technical skill and artistic sensitivity. These prints weren’t merely reproductions; they were independent works of art, often depicting scenes from Viennese life with a vibrant palette and dynamic composition. Furthermore, Fendi was a highly sought-after portraitist, capturing the likenesses of both nobles and commoners alike. His portraits are notable for their psychological depth and ability to convey the personality of his subjects – a testament to his keen eye and understanding of human character. Notably, he engraved a series of five Austrian banknotes issued in 1841, showcasing his versatility as an engraver.

    Legacy and Artistic Significance

    Peter Fendi’s legacy extends far beyond the individual artworks that bear his signature. He played a crucial role in shaping the Biedermeier aesthetic – characterized by its intimate scale, realistic depiction of everyday life, and subtle social commentary. His influence can be seen in the works of subsequent generations of Austrian artists. His meticulous attention to detail, combined with his innovative approach to lithography, cemented his place as one of the most important figures of the Biedermeier period. Today, Fendi’s paintings are preserved in prestigious collections such as the Albertina Museum, the Belvedere Gallery, and the Prince of Liechtenstein's collection in Vaduz, ensuring that his artistic contributions continue to be appreciated and studied for generations to come. His work offers a valuable glimpse into 19th-century Austrian society, capturing both its beauty and its complexities with remarkable skill and sensitivity.

    Museum

    Austrian Gallery Belvedere

    On show in Vienna, Austria

    A Symphony of Habsburg Grandeur and Klimt’s Golden Embrace: The Belvedere Palace

    Rising from meticulously sculpted gardens in the heart of Vienna, the Belvedere Palace isn't merely a repository of Austrian art; it is an embodiment of its spirit – a testament to Prince Eugene of Savoy’s ambition, refined taste, and profound understanding of how art could shape a nation’s identity. More than just a palace, the Belvedere is a layered experience, a journey through five centuries of artistic evolution, beginning with medieval treasures and culminating in the dazzling modernism of Gustav Klimt and his contemporaries. The complex itself, comprising the Upper and Lower Belvedere connected by sweeping vistas, is a masterpiece of Baroque design, a harmonious blend of grandeur and elegance that continues to inspire awe and delight. It’s a place where history breathes through opulent staterooms, whispers from ancient panel paintings, and explodes in the shimmering gold of Klimt's most celebrated works.

    The story begins, unsurprisingly, with Prince Eugene, a brilliant military strategist who, through shrewd political maneuvering and decisive victories, amassed both wealth and land. Recognizing the power of visual representation, he commissioned Johann Lucas von Hildebrandt to create not merely a residence, but a statement – a palace that would rival European monarchs and reflect his cultivated sensibilities. The result is a structure of breathtaking scale and meticulous detail, where every fresco, stucco ornament, and sculpted element speaks to the Prince’s desire for both power and refinement. The Upper Belvedere's Staterooms, adorned with opulent frescoes depicting scenes from classical mythology and Habsburg history, transport visitors back to the height of imperial life, offering a glimpse into the lavish entertainments and diplomatic intrigues that unfolded within these very walls. The sheer scale of the rooms, the intricate detail of the ceilings, and the vibrant colors of the paintings create an immersive experience, allowing one to almost feel the presence of past emperors and empresses.

    However, to reduce the Belvedere’s legacy solely to its Habsburg grandeur would be a profound disservice. The Lower Belvedere, originally designed as a hunting lodge, retains a more intimate atmosphere, showcasing a collection of early Austrian art – including remarkable examples of medieval panel paintings and Renaissance sculptures – providing a crucial foundation for understanding the artistic lineage that would flourish at the palace. Here, one encounters works by masters like Hans von der Fust, whose intricate depictions of biblical scenes reveal the burgeoning artistic talent within Austria during the 15th century. The collection here is not merely decorative; it’s a tangible link to the country's early cultural development, demonstrating the evolution of artistic techniques and styles over time.

    The Klimt Revelation: A Masterclass in Gold

    While the entire Belvedere collection is undeniably impressive, it’s arguably the museum’s devotion to Gustav Klimt that draws the largest crowds and secures its place as a global icon. The Upper Belvedere houses an unparalleled collection of Klimt’s paintings, centered around “The Kiss,” perhaps the most recognizable image in modern art. This shimmering masterpiece, with its intricate gold leaf patterns and evocative depiction of lovers entwined, dominates Gallery VII, captivating viewers with its mesmerizing beauty and masterful technique. But to reduce Klimt's legacy solely to "The Kiss" is a profound disservice. The museum thoughtfully presents his artistic evolution, showcasing his early academic works alongside portraits like “Judith I,” demonstrating a remarkable progression toward expressive abstraction – a journey culminating in the bold, symbolic language of his later masterpieces. Beyond Klimt’s individual brilliance, the collection reveals a broader Viennese Modernist movement, featuring significant works by Egon Schiele and Oskar Kokoschka—artists who pushed the boundaries of artistic expression with their raw emotional intensity and innovative approaches to form and color.

    The juxtaposition of Klimt's shimmering surfaces with the more grounded realism of earlier Austrian artists creates a fascinating dialogue. One can trace the influence of Byzantine mosaics on Klimt’s early work, while observing how he gradually moved away from strict academic conventions toward a more subjective and emotionally charged style. The museum doesn’t simply display these paintings; it illuminates the context in which they were created, revealing the social and intellectual currents that shaped Viennese art at the turn of the 20th century.

    Architectural Splendor & Historical Context

    The Belvedere’s architectural splendor is inextricably linked to its historical narrative. Hildebrandt's design seamlessly blends Baroque grandeur with a distinctly Austrian sensibility, incorporating elements from Italian Renaissance palaces while retaining a sense of local identity. The vast scale of the palace reflects Prince Eugene’s ambition and his desire to project an image of power and sophistication. Crucially, the Belvedere wasn’t simply built as a private retreat; it was conceived as Vienna's first public museum in 1781 – a pivotal moment in the democratization of art and a testament to Empress Maria Theresa’s vision for making artistic treasures accessible to all citizens. This early commitment to public engagement shaped the museum’s ethos, fostering an environment where creativity flourished and cultural understanding deepened.

    The surrounding gardens, meticulously landscaped according to Baroque principles, further enhance the palace's allure, providing tranquil spaces for reflection and contemplation – a vital counterpoint to the opulent interiors. The interplay of light and shadow, the carefully placed sculptures, and the formal hedges create a harmonious landscape that complements the grandeur of the palace itself. The gardens were designed not just as an aesthetic delight but also as a space for social gatherings and diplomatic negotiations, reflecting the Prince’s desire to establish Vienna as a center of European culture.

    A Living Legacy: Belvedere 21 & Future Horizons

    The Belvedere’s story doesn’t end in the 18th century. In 2001, the museum expanded dramatically with the addition of Belvedere 21, a state-of-the-art contemporary art space housed within a former tobacco factory. This innovative extension provides a vital platform for showcasing cutting-edge artistic practices and engaging with new audiences. Today, the Belvedere continues to evolve as a vibrant cultural institution, forging connections between Vienna and the global community through exhibitions, educational programs, and ongoing research initiatives. It remains a beacon of Austrian cultural heritage, inviting visitors to immerse themselves in beauty, contemplate the enduring legacy of art, and experience the spirit of a city that has long been at the forefront of artistic innovation.

    Useful Links:

    Vienna

    Austrian Gallery Belvedere

    Österreichische Galerie Belvedere

    Museum mittelalterlicher österreichischer Kunst

    Belvedere, Vienna

    Where to read more

    Find this online

    QR code linking to the download page for The storm

    artsdot.com/en/art/download/peter-fendi-the-storm-D2HCY3-en/

    Cite this artwork

    MLA
    Fendi, Peter. The storm. 1837, Austrian Gallery Belvedere. https://artsdot.com/en/art/peter-fendi-the-storm-D2HCY3-en/
    APA
    Fendi, Peter (1837). The storm [Painting]. Austrian Gallery Belvedere. https://artsdot.com/en/art/peter-fendi-the-storm-D2HCY3-en/
    Chicago
    Peter Fendi. The storm. 1837. Austrian Gallery Belvedere. https://artsdot.com/en/art/peter-fendi-the-storm-D2HCY3-en/
    Harvard
    Fendi, Peter (1837) The storm. Austrian Gallery Belvedere. Available at: https://artsdot.com/en/art/peter-fendi-the-storm-D2HCY3-en/

    Look closely

    The storm — Peter Fendi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: family, domesticity, window. Do you agree? What would you add, or take away?
    4. Look back at The rise (1829), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Peter Fendi was about 41 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The storm — Peter Fendi

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject depicted in ‘The Storm’?

      • A A bustling city street scene
      • B A family gathered indoors by a window
      • C A dramatic seascape with turbulent waves
    2. 2. In what artistic period does ‘The Storm’ primarily belong?

      • A Rococo
      • B Romanticism
      • C Biedermeier
    3. 3. What is Peter Fendi known for in his artistic practice, besides painting?

      • A Sculpting marble statues
      • B Creating intricate stained-glass windows
      • C Pioneering lithography and printmaking
    4. 4. The year 1837 is significant in the context of ‘The Storm’ because it marks:

      • A The beginning of Fendi's career
      • B The painting's creation date
      • C The height of the Biedermeier movement's popularity
    5. 5. Based on the image description, what is the overall atmosphere conveyed by ‘The Storm’?

      • A A sense of chaos and impending doom
      • B A warm and nurturing environment of family connection
      • C A cold and desolate landscape

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4B · 5B