Student Artwork Guide
Copyright This work is in the public domain. Peter De Wint died in 1849; copyright lasts 70 years after the artist’s death, so it ended in 1919.
In context
The Wagon — Peter De Wint
Shaded: the lifetime of Peter De Wint (1784–1849)
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Measured from the image
Main colour
Espresso #4a4337
Catalogued palette
Artist and museum
Born in Stone, United Kingdom
Birth and Family: Peter de Wint was born on January 21, 1784, in Stone, Staffordshire, England. His father was a physician of Dutch descent who had emigrated from New York.
Initial Career Path: Initially destined for the medical profession like his father, De Wint's artistic inclinations led him to London in 1802.
Apprenticeship with John Raphael Smith: He became an apprentice to John Raphael Smith, a mezzotint engraver and portrait painter. This provided foundational skills in drawing and engraving techniques.
Formal Training under John Varley: In 1806, De Wint secured his freedom from the apprenticeship by producing eighteen oil paintings. Subsequently, he studied under John Varley, a prominent watercolorist, who introduced him to Dr. Monro’s informal academy for young artists. This environment fostered exposure to influential figures like Turner and Girtin.
Early Exhibitions: De Wint began exhibiting at the Royal Academy in 1807, quickly gaining recognition for his landscapes.
Membership in Artistic Societies: He became an Associate of the Old Watercolour Society in 1810 and a full member the following year, solidifying his position within the British art scene.
Watercolor Mastery: De Wint is widely regarded as one of the foremost English watercolorists. His ability to capture subtle nuances of light and atmosphere with a limited palette—typically consisting of just ten pigments—is particularly noteworthy. He favored ivory-tinted Creswick paper, contributing to the delicate quality of his works.
Oil Painting: While primarily known for watercolors, De Wint also worked in oils, demonstrating versatility.
Lincolnshire Landscapes: A significant portion of De Wint’s oeuvre features landscapes inspired by his frequent visits to Lincolnshire. These paintings often depict idyllic scenes of haymaking, rural cottages, and expansive views of the countryside, reflecting a deep appreciation for the English landscape.
Genre and Subject Matter: His subjects often reflected a Romantic sensibility, emphasizing emotion, atmosphere, and the beauty of nature. He also produced portraits, including a notable oil painting of John Keats.
Critical Acclaim: Alfred William Rich famously asserted that De Wint “ever came nearer painting a perfect picture than did Peter de Wint,” highlighting his exceptional skill and artistic vision.
Influence on Later Artists: De Wint’s delicate watercolor technique and atmospheric landscapes influenced subsequent generations of British artists, contributing to the development of English landscape painting.
Museum Holdings: His works are held in prestigious collections worldwide, including Tate Britain, the Victoria and Albert Museum, and The Collection (Lincoln), attesting to their enduring artistic merit and historical significance.
Death: He died on January 30, 1849, in London.
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Look closely
The Wagon — Peter De Wint
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