Paper

Student Artwork Guide

The Lamb

Name Class Date

Paul Klee, The Lamb (1920), Städel Museum. Public domain.

The facts

Artist
Paul Klee artsdot.com/en/artists/paul-klee/
Artist’s dates
1879 – 1940
Painted
1920
Medium
Oil
Original size
40 x 31 cm
Movement
Expressionist Abstraction
Period
Modern
Held at
Städel Museum artsdot.com/en/museums/stadel-museum-frankfurt/
Artistic style
Abstract Expressionism
Influences
Cubism, Surrealism
Notable elements or techniques
Mosaic-like effect; Thick black lines
Subject or theme
Religious Symbolism

In context

The Lamb — Paul Klee

How big is it?

The original measures 40 × 31 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: the lifetime of Paul Klee (1879–1940) ▲ this work, 1920

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/paul-klee-the-lamb-D42EMJ-en/

Colours

Measured from the image

    Main colour

    Espresso #4e5d51

    Catalogued palette

    • #4E5D51
    • #A38742
    • #C0BE96
    • #749282
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Lamb — Paul Klee

    A Vision of Sacred Abstraction

    In the quiet, transformative landscape of early twentieth-century modernism, few works capture the intersection of spiritual devotion and geometric innovation as poignantly as Paul Klee’s “The Lamb,” completed in 1920. This mesmerizing piece transcends the boundaries of mere representation, inviting the viewer into a meditative space where the boundaries between the earthly and the divine begin to blur. At first glance, the eye is drawn to the vibrant, almost mosaic-like arrangement of colors that dance across the canvas. Klee does not simply paint a subject; he constructs a cosmos. The composition centers around a simplified silhouette of a lamb, cradled within the protective embrace of two large, stylized hands. Above this tender scene, a subtle cross motif emerges, anchoring the work in a profound religious symbolism that speaks to the Agnus Dei—the Lamb of God—and the themes of sacrifice and innocence.

    The brilliance of Klee’s vision lies in his ability to marry the raw emotion of Expressionism with the rigorous, structural precision of Cubism. The artwork is a masterclass in controlled fragmentation. Rather than utilizing smooth transitions or traditional shading, Klee employs a technique reminiscent of stained glass, where distinct segments of color—ranging from deep blues and purel greens to warm yellows and soft pinks—are delineated by bold, black lines. This grid-like structure creates a rhythmic, pulsating energy that guides the viewer’s gaze through a labyrinth of shapes. The rectangular and triangular forms do not merely decorate the surface; they mirror the fractured nature of human experience, suggesting that even within a broken world, there is an underlying, divine order waiting to be perceived.

    Symbolism and the Soul of the Canvas

    To behold “The Lamb” is to engage in a silent dialogue with the artist’s inner mysticism. While Klee’s approach to religious imagery was often personal rather than dogmatic, his work here vibrates with a deep-seated spirituality. The lamb, with its closed eyes and the delicate presence of a cross, serves as a powerful emblem of purity and the transformative power of suffering. There is a palpable sense of reverence in the way the hands cradle the figure, evoking feelings of divine care, protection, and compassion. For the collector or the admirer of fine art, this piece offers more than visual beauty; it provides an emotional sanctuary, a moment of stillness in an increasingly chaotic world.

    For interior designers and curators of sophisticated spaces, "The Lamb" represents a versatile masterpiece of intellectual and aesthetic depth. Its vibrant yet balanced palette allows it to serve as a profound focal point in a contemporary setting, adding both color and contemplative weight to a room. Whether displayed as a high-quality reproduction in a minimalist gallery or as a soulful addition to a curated private collection, the painting’s ability to evoke wonder remains undiminished. It is an invitation to look beyond the surface, to find beauty in the fragmented, and to rediscover the sacred within the abstract.

    Artist and museum

    Artist

    Paul Klee

    Born in Münchenbuchsee, Switzerland

    A Life Immersed in Color and Form

    Paul Klee, a name synonymous with playful abstraction and profound emotional depth, occupies a unique position in the landscape of 20th-century art. Born on December 18, 1879, in Münchenbuchsee, Switzerland, his artistic journey was one of constant exploration, defying easy categorization and forging a path that blended influences from Expressionism, Cubism, and Surrealism into a distinctly personal visual language. Klee’s upbringing fostered an early appreciation for the arts; his father, a German music teacher, and his mother, a Swiss singer, instilled in him a sensitivity to both auditory and visual harmony. This foundational connection between music and painting would become a defining characteristic of his oeuvre, shaping not only his compositional approach but also his theoretical understanding of art as a form of abstract expression akin to musical arrangement. Initially drawn to drawing, Klee soon abandoned the pursuit of realistic representation, recognizing its limitations in conveying the inner world of emotions and ideas that he sought to express. He enrolled at the Academy of Fine Arts in Munich between 1898 and 1901, a period marked by experimentation and the development of his unique artistic voice.

    The Shaping of an Artistic Vision

    Klee’s early work reveals the influence of Art Nouveau and Symbolism, yet even within these frameworks, hints of his future style began to emerge. A pivotal moment in his artistic development was a journey to Tunisia in 1914. The intense light and vibrant atmosphere of North Africa profoundly impacted his use of color, inspiring him to move beyond muted tones towards bolder, more expressive palettes. This experience marked a turning point, solidifying his commitment to abstraction as a means of capturing the essence of perception rather than merely replicating its surface appearance. He wasn’t simply seeing Tunisia; he was translating its emotional resonance into visual form. Throughout this period, Klee engaged with various artistic movements, absorbing their principles while simultaneously resisting complete adherence to any single ideology. His interest in music remained paramount, and he often spoke of painting as a process analogous to composing musical pieces – a careful arrangement of elements to create a harmonious whole. This synesthetic approach is evident in the rhythmic quality of his lines, the delicate balance of colors, and the overall sense of movement that permeates many of his works.

    Bauhaus and Beyond: A Period of Flourishing

    From 1931 to 1933, Klee accepted a teaching position at the influential Bauhaus school of art, design, and architecture, alongside Wassily Kandinsky. This period proved remarkably fruitful for his artistic development. Surrounded by innovative thinkers and fellow artists, he flourished in an environment that encouraged experimentation and theoretical inquiry. His work during these years delved deeper into color theory and formal relationships, exploring the interplay between abstract forms and emotional expression. However, this creative haven was shattered with the rise of Nazism in Germany. In 1933, Klee was dismissed from the Bauhaus due to his art being deemed “degenerate” by the Nazi regime – a chilling testament to the dangers of political ideology suppressing artistic freedom. Forced to return to Switzerland, he continued painting, but his health deteriorated under the shadow of increasing political turmoil and personal hardship. Despite these challenges, Klee remained committed to his artistic vision, producing works that reflected both the anxieties of the era and his enduring belief in the power of art to transcend adversity.

    Themes, Style, and Lasting Legacy

    Paul Klee’s work is characterized by a captivating blend of playfulness and profound contemplation. He often employed childlike imagery and whimsical compositions, imbuing them with layers of symbolic meaning. Recurring themes in his art include gardens, landscapes, portraits, and abstract arrangements – each serving as a vehicle for exploring the complexities of human experience. His “Paul Klee Notebooks,” published posthumously, offer invaluable insight into his extensive theoretical investigations into color and design, revealing a meticulous and intellectual approach to artistic creation. He wasn’t merely painting; he was constructing a visual language based on principles of harmony, balance, and emotional resonance. Hamamet, Siblings, and En la corriente seis umbrales are just a few examples showcasing his mastery of color and form. Paul Klee died on June 29, 1940, in Muralto, Switzerland, leaving behind a legacy that continues to inspire artists and captivate audiences worldwide. He is rightfully regarded as one of the most important figures of 20th-century art, bridging the gap between figurative and abstract expression and solidifying his place as an iconic innovator whose work remains eternally relevant.

    Museums & Further Exploration

    Zentrum Paul Klee (Bern): Home to the world’s largest collection of Klee's works, offering a comprehensive overview of his artistic journey.

    Museum of Fine Arts Bern: Features significant pieces by Klee alongside masterpieces by Picasso and Hodler.

    Kunstmuseum Bern: Switzerland’s oldest art museum, showcasing a diverse collection including works by Klee and other modern masters.

    His influence extends beyond the realm of painting, impacting fields such as design, architecture, and music. The enduring appeal of Paul Klee's work lies in its ability to evoke a sense of wonder and invite viewers to engage with art on an emotional and intellectual level – a testament to his genius and lasting contribution to the world of visual culture.

    Museum

    Städel Museum

    On show in Frankfurt, Germany

    A Chronicle of Visions: The Städel Museum’s Enduring Legacy

    Nestled along Frankfurt’s picturesque Museumsufer, the Städel Museum stands as more than just a repository of art; it's a living testament to seven centuries of artistic evolution. Founded in 1817 by Johann Friedrich Städel, a man driven by an ardent passion for beauty and craftsmanship, the museum began not as a grand public institution but as his meticulously curated private collection – a seed that blossomed into one of Germany’s most revered cultural treasures. Stepping through its doors is akin to embarking on a chronological odyssey, beginning with the luminous renderings of Cranach and Dürer, capturing the spiritual and earthly concerns of their respective eras, and culminating in the emotionally charged expressions of Expressionism and Surrealism, reflecting the turbulent spirit of a world undergoing profound transformation. The Städel’s true magic lies not merely in displaying masterpieces but in presenting a vibrant conversation across generations – a dialogue between artistic visions that continues to resonate powerfully today.

    A Foundation Built on Passion:

    The museum's origins are inextricably linked to Johann Friedrich Städel, a wealthy banker whose personal collection formed the nucleus of what would become the Städel. His vision extended beyond mere accumulation; he sought to establish an institution dedicated to preserving and sharing artistic knowledge for posterity.

    A Renaissance in Frankfurt:

    The museum’s early years witnessed a flourishing of artistic activity, attracting renowned artists and fostering a vibrant cultural scene within Frankfurt.

    Architectural Harmony: A Dialogue Between Eras

    The Städel's physical structure is a captivating reflection of its artistic narrative – a compelling dialogue between past grandeur and present innovation. The original Neo-Renaissance building, conceived by Oskar Sommer in 1878, exudes classical ideals, a stately edifice designed to inspire reverence for art. Its façade speaks of stability and tradition, while the interiors offer spaces conducive to quiet contemplation. However, the museum’s story doesn't end with its initial construction. Subsequent expansions, masterfully executed by Gustav Peichl in 1990 and Schneider+Schumacher in 2012, seamlessly integrated these foundational elements with contemporary architectural designs. These additions weren’t merely about increasing space; they were about creating a harmonious fusion—a testament to the museum's commitment to both preserving its heritage and embracing the future. The crowning jewel of this evolution is undoubtedly the rooftop terrace, offering breathtaking panoramic vistas of Frankfurt’s skyline – a captivating backdrop that elevates the experience of viewing these artistic treasures. It’s a space where art and urban life converge, inviting visitors to reflect on the enduring power of creativity within the context of a dynamic city.

    A History Forged in Resilience

    The Städel Museum's history is not simply one of aesthetic accumulation; it’s a story marked by both triumph and adversity. Initially conceived as a private residence showcasing Städel’s personal collection, its transformation into a public institution in 1879 was a deliberate act—a commitment to ensuring the preservation and dissemination of artistic knowledge for generations to come. The museum's resilience was truly tested during World War II when, facing imminent destruction from Allied bombings, curators undertook extraordinary measures to safeguard their holdings. Works were relocated to Schloss Rossbach under the protection of the American Monuments, Fine Arts and Archives program—a testament to the dedication of those who understood art’s irreplaceable value. The subsequent reconstruction in 1966, a monumental undertaking, stands as a powerful symbol of Frankfurt’s determination to revive its cultural vitality after devastation. Further additions in 1990 and the major extension in 2012 solidified the Städel’s enduring legacy, not just as a repository of art but as a cornerstone of German art scholarship and public engagement. This history is woven into the very fabric of the museum, reminding visitors that art endures even amidst chaos and destruction.

    A Collection That Speaks Across Time

    The Städel’s collection spans seven centuries of European painting, beginning with the early 14th century and culminating in contemporary works. Highlights include masterpieces by Lucas Cranach the Elder, Albrecht Dürer, Sandro Botticelli, Rembrandt van Rijn, Jan Vermeer, Claude Monet, Pablo Picasso, and Gerhard Richter. The museum's impressive collection of prints and drawings—over 100,000 artworks—provides invaluable insights into artistic techniques and historical contexts, offering scholars and enthusiasts alike a treasure trove of knowledge. Notably, the museum’s exhibition “Making Van Gogh” in 2019/2020 drew an astounding 505,750 visitors, demonstrating the enduring appeal of its collection. The Städel also hosts regularly changing temporary exhibitions that explore specific themes or artists, ensuring a constantly evolving and engaging experience for all.

    Beyond the Walls: A Commitment to Accessibility

    Recognizing that art should be accessible to all, the Städel Museum has embraced digital innovation with remarkable enthusiasm. An online exhibition platform allows audiences worldwide to explore its collection from the comfort of their homes, while interactive apps enhance the on-site experience. Free WiFi access and collaborations with educational institutions further demonstrate a commitment to democratizing art appreciation. The museum’s impressive collection of prints and drawings—over 100,000 artworks—provides invaluable insights into artistic techniques and historical contexts, offering scholars and enthusiasts alike a treasure trove of knowledge. This dedication extends beyond the physical realm, fostering a vibrant online community and ensuring that the Städel's treasures inspire curiosity and understanding on a global scale. The museum isn’t merely a container for art; it is an active participant in a broader cultural conversation, constantly seeking new ways to engage with its audience and expand the reach of artistic expression. It is a place where history comes alive, where creativity flourishes, and where the power of art to inspire and transform is palpable in every brushstroke and sculpted form.

    Where to read more

    Find this online

    QR code linking to the download page for The Lamb

    artsdot.com/en/art/download/paul-klee-the-lamb-D42EMJ-en/

    Cite this artwork

    MLA
    Klee, Paul. The Lamb. 1920, Städel Museum. https://artsdot.com/en/art/paul-klee-the-lamb-D42EMJ-en/
    APA
    Klee, Paul (1920). The Lamb [Painting]. Städel Museum. https://artsdot.com/en/art/paul-klee-the-lamb-D42EMJ-en/
    Chicago
    Paul Klee. The Lamb. 1920. Städel Museum. https://artsdot.com/en/art/paul-klee-the-lamb-D42EMJ-en/
    Harvard
    Klee, Paul (1920) The Lamb. Städel Museum. Available at: https://artsdot.com/en/art/paul-klee-the-lamb-D42EMJ-en/

    Look closely

    The Lamb — Paul Klee

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: religious symbolism, hand gestures, geometric abstraction. Do you agree? What would you add, or take away?
    5. Look back at Twittering machine 1, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Lamb — Paul Klee

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Paul Klee’s ‘The Lamb’ most strongly associated with?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. The image description highlights a distinctive visual element – what technique is employed to achieve the vibrant colors and mosaic-like effect?

      • A Blending
      • B Glazing
      • C Layering
    3. 3. What geometric shapes dominate the composition of ‘The Lamb’, contributing to its stylized aesthetic?

      • A Circles and Spirals
      • B Squares and Cubes
      • C Rectangles and Triangles
    4. 4. The artist’s biography mentions a significant influence on his artistic sensibilities – what was his father's profession?

      • A Sculptor
      • B Painter
      • C Music Teacher
    5. 5. What symbolic meaning is conveyed by the presence of the cross above the hands in ‘The Lamb’?

      • A Emphasis on Human Anatomy
      • B Representation of Religious Faith
      • C Celebration of Natural Landscapes

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5B