Paper

Student Artwork Guide

Contemplation

Name Class Date

Paul Klee, Contemplation (1938). Public domain.

The facts

Artist
Paul Klee artsdot.com/en/artists/paul-klee/
Artist’s dates
1879 – 1940
Painted
1938
Medium
Oil On Canvas
Original size
47 x 65 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Influences
Expressionism, Cubism, Surrealism
Style
Abstract
Subject
Fragmented figures

In context

Contemplation — Paul Klee

How big is it?

The original measures 47 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: the lifetime of Paul Klee (1879–1940) ▲ this work, 1938

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/paul-klee-contemplation-8XYQKU-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #dfad6b

    Catalogued palette

    • #DFAD6B
    • #3B230D
    • #F3C78A
    • #967A3C
    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Contemplation — Paul Klee

    A World Within: Decoding Paul Klee’s *Contemplation* (1938)

    Paul Klee's *Contemplation*, painted in 1938, is a captivating example of his mature abstract style – a visual poem rendered in earthy tones and fragmented forms. Measuring 47 x 65 cm, this work invites prolonged viewing, revealing layers of meaning within its seemingly chaotic composition. It’s a piece that speaks to the anxieties of a world on the brink of war, yet retains Klee's characteristic playful sensibility.

    Style and Influences: A Synthesis of Modernism

    Klee was a master synthesist, absorbing influences from Expressionism, Cubism, and Surrealism while forging his own utterly unique artistic language. *Contemplation* leans heavily into the expressive power of distorted forms and emotionally resonant color – hallmarks of Expressionism. However, the flattening of space and fragmented figures also echo Cubist principles. Unlike purely abstract works, Klee’s compositions always retain a hint of figuration, a ghost of recognizable shapes that adds to their enigmatic quality. This work is not about what it depicts literally, but rather how it evokes feeling and thought.

    Technique: The Tactile Language of Paint

    The artwork’s surface appears richly textured, likely achieved through impasto – the thick application of paint. This technique isn't merely aesthetic; it adds a tactile dimension to the work, emphasizing the materiality of the paint itself and the artist’s physical engagement with the canvas. The brushwork is gestural and free-flowing, creating dynamic lines that suggest movement and energy within the confined space. Klee was deeply interested in color theory, documented extensively in his *Paul Klee Notebooks*, and here he employs a palette of warm browns, ochres, and muted reds to create a sense of introspection and perhaps even melancholy.

    Subject & Symbolism: Fragments of Humanity

    *Contemplation* presents a dense arrangement of overlapping, stylized human-like figures. These are not portraits in the traditional sense; rather, they are fragmented representations – faces or bodies partially obscured, suggesting anonymity and perhaps even alienation. The lack of clear perspective further contributes to this feeling of disorientation. The recurring motifs and overall composition can be interpreted as symbolic explorations of humanity, isolation, subconscious thought, or the collective anxieties of the pre-war period. Klee often imbued his work with personal symbolism, drawing from mythology, music, and dreams, leaving room for individual interpretation.

    Historical Context: A Shadow Over Europe

    Painted in 1938, *Contemplation* was created during a turbulent time in European history. Klee, living in Germany at the time, faced increasing persecution as a “degenerate” artist under the Nazi regime. His work was removed from museums and he was eventually forced to flee to Switzerland. While not explicitly political, the sense of unease and fragmentation within Contemplation can be seen as reflecting the broader anxieties of the era – a premonition of the impending conflict and societal breakdown.

    Emotional Impact & Interior Design

    *Contemplation* evokes a complex emotional response. It is not a cheerful or uplifting work, but rather one that invites introspection and contemplation (as its title suggests). The fragmented forms and intense coloration create a sense of unease, while the underlying warmth of the palette prevents it from becoming entirely bleak. In an interior design context, this artwork would serve as a powerful focal point – a conversation starter that adds depth and sophistication to any space. Its earthy tones complement neutral palettes, while its abstract nature allows it to integrate seamlessly into both modern and traditional settings. It’s a piece for those who appreciate art that challenges, provokes thought, and rewards repeated viewing. Its relatively modest size makes it suitable for smaller rooms or as part of a larger gallery wall.

    Artist and museum

    Artist

    Paul Klee

    Born in Münchenbuchsee, Switzerland

    A Life Immersed in Color and Form

    Paul Klee, a name synonymous with playful abstraction and profound emotional depth, occupies a unique position in the landscape of 20th-century art. Born on December 18, 1879, in Münchenbuchsee, Switzerland, his artistic journey was one of constant exploration, defying easy categorization and forging a path that blended influences from Expressionism, Cubism, and Surrealism into a distinctly personal visual language. Klee’s upbringing fostered an early appreciation for the arts; his father, a German music teacher, and his mother, a Swiss singer, instilled in him a sensitivity to both auditory and visual harmony. This foundational connection between music and painting would become a defining characteristic of his oeuvre, shaping not only his compositional approach but also his theoretical understanding of art as a form of abstract expression akin to musical arrangement. Initially drawn to drawing, Klee soon abandoned the pursuit of realistic representation, recognizing its limitations in conveying the inner world of emotions and ideas that he sought to express. He enrolled at the Academy of Fine Arts in Munich between 1898 and 1901, a period marked by experimentation and the development of his unique artistic voice.

    The Shaping of an Artistic Vision

    Klee’s early work reveals the influence of Art Nouveau and Symbolism, yet even within these frameworks, hints of his future style began to emerge. A pivotal moment in his artistic development was a journey to Tunisia in 1914. The intense light and vibrant atmosphere of North Africa profoundly impacted his use of color, inspiring him to move beyond muted tones towards bolder, more expressive palettes. This experience marked a turning point, solidifying his commitment to abstraction as a means of capturing the essence of perception rather than merely replicating its surface appearance. He wasn’t simply seeing Tunisia; he was translating its emotional resonance into visual form. Throughout this period, Klee engaged with various artistic movements, absorbing their principles while simultaneously resisting complete adherence to any single ideology. His interest in music remained paramount, and he often spoke of painting as a process analogous to composing musical pieces – a careful arrangement of elements to create a harmonious whole. This synesthetic approach is evident in the rhythmic quality of his lines, the delicate balance of colors, and the overall sense of movement that permeates many of his works.

    Bauhaus and Beyond: A Period of Flourishing

    From 1931 to 1933, Klee accepted a teaching position at the influential Bauhaus school of art, design, and architecture, alongside Wassily Kandinsky. This period proved remarkably fruitful for his artistic development. Surrounded by innovative thinkers and fellow artists, he flourished in an environment that encouraged experimentation and theoretical inquiry. His work during these years delved deeper into color theory and formal relationships, exploring the interplay between abstract forms and emotional expression. However, this creative haven was shattered with the rise of Nazism in Germany. In 1933, Klee was dismissed from the Bauhaus due to his art being deemed “degenerate” by the Nazi regime – a chilling testament to the dangers of political ideology suppressing artistic freedom. Forced to return to Switzerland, he continued painting, but his health deteriorated under the shadow of increasing political turmoil and personal hardship. Despite these challenges, Klee remained committed to his artistic vision, producing works that reflected both the anxieties of the era and his enduring belief in the power of art to transcend adversity.

    Themes, Style, and Lasting Legacy

    Paul Klee’s work is characterized by a captivating blend of playfulness and profound contemplation. He often employed childlike imagery and whimsical compositions, imbuing them with layers of symbolic meaning. Recurring themes in his art include gardens, landscapes, portraits, and abstract arrangements – each serving as a vehicle for exploring the complexities of human experience. His “Paul Klee Notebooks,” published posthumously, offer invaluable insight into his extensive theoretical investigations into color and design, revealing a meticulous and intellectual approach to artistic creation. He wasn’t merely painting; he was constructing a visual language based on principles of harmony, balance, and emotional resonance. Hamamet, Siblings, and En la corriente seis umbrales are just a few examples showcasing his mastery of color and form. Paul Klee died on June 29, 1940, in Muralto, Switzerland, leaving behind a legacy that continues to inspire artists and captivate audiences worldwide. He is rightfully regarded as one of the most important figures of 20th-century art, bridging the gap between figurative and abstract expression and solidifying his place as an iconic innovator whose work remains eternally relevant.

    Museums & Further Exploration

    Zentrum Paul Klee (Bern): Home to the world’s largest collection of Klee's works, offering a comprehensive overview of his artistic journey.

    Museum of Fine Arts Bern: Features significant pieces by Klee alongside masterpieces by Picasso and Hodler.

    Kunstmuseum Bern: Switzerland’s oldest art museum, showcasing a diverse collection including works by Klee and other modern masters.

    His influence extends beyond the realm of painting, impacting fields such as design, architecture, and music. The enduring appeal of Paul Klee's work lies in its ability to evoke a sense of wonder and invite viewers to engage with art on an emotional and intellectual level – a testament to his genius and lasting contribution to the world of visual culture.

    Where to read more

    Find this online

    QR code linking to the download page for Contemplation

    artsdot.com/en/art/download/paul-klee-contemplation-8XYQKU-en/

    Cite this artwork

    MLA
    Klee, Paul. Contemplation. 1938, https://artsdot.com/en/art/paul-klee-contemplation-8XYQKU-en/
    APA
    Klee, Paul (1938). Contemplation [Painting]. https://artsdot.com/en/art/paul-klee-contemplation-8XYQKU-en/
    Chicago
    Paul Klee. Contemplation. 1938. https://artsdot.com/en/art/paul-klee-contemplation-8XYQKU-en/
    Harvard
    Klee, Paul (1938) Contemplation. Available at: https://artsdot.com/en/art/paul-klee-contemplation-8XYQKU-en/

    Look closely

    Contemplation — Paul Klee

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 6 — do you agree?)
    4. Our catalogue files this work under: abstract figures, human formality, fragmented shapes. Do you agree? What would you add, or take away?
    5. Look back at Twittering machine 1, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Contemplation — Paul Klee

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. To which artistic movement is Paul Klee's 'Contemplation' most closely associated?

      • A Impressionism
      • B Expressionism
      • C Renaissance
    2. 2. What is a prominent characteristic of the figures depicted in 'Contemplation'?

      • A Realistically rendered portraits
      • B Fragmented and abstract forms
      • C Detailed anatomical studies
    3. 3. In what year was 'Contemplation' created?

      • A 1928
      • B 1938
      • C 1948
    4. 4. Based on the description, how would you characterize the texture of 'Contemplation'?

      • A Smooth and polished
      • B Rough and uneven
      • C Flat and uniform
    5. 5. Paul Klee was known for his writings on what key artistic element, alongside his painting?

      • A Perspective
      • B Color Theory
      • C Sculptural Form

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B