Paper

Student Artwork Guide

The Red Mill

Name Class Date

Patrick Millard, The Red Mill (1940). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Patrick Millard artsdot.com/en/artists/patrick-millard/
Artist’s dates
1902 – 1972
Painted
1940
Original size
51 x 61 cm

In context

The Red Mill — Patrick Millard

How big is it?

The original measures 51 × 61 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Painted when the artist was 38. The artist lived to 70. 1 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Patrick Millard (1902–1972) ▲ this work, 1940 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/patrick-millard-the-red-mill-ARD88R-en/

Colours

Measured from the image

    Main colour

    Gray #929d97

    Catalogued palette

    • #929D97
    • #191918
    • #8D4526
    • #455A5C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Patrick Millard

    1. 1 View from Trafalgar Studios, Chelsea 100.0%
    2. — The Red Mill, 1940 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 4 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Patrick Millard

    The Lyrical Vision of Patrick Ferguson Millard

    In the tapestry of twentieth-century British art, few threads weave together the delicate strands of Romanticism and Modernism as gracefully as Patrick Ferguson Millard. Born in 1902 amidst the rugged beauty of Aspatria, Cumberland, Millard’s very origins were steeped in a profound connection to the English landscape and intellectual heritage. The son of Reverend F.L.H. Millard, his upbringing was shaped by an environment where scholarly curiosity and natural splendor coexisted. This duality—a reverence for the historical weight of the land and an openness to new aesthetic frontiers—would become the cornerstone of his artistic identity. His lineage, connected to the esteemed historian Robert S. Ferguson, anchored him to the traditions of Cumbria, yet his spirit was destined to wander far beyond the borders of his birthplace.

    Millard’s formal journey into the heart of the art world began through a series of prestigious institutions, including the Carlisle School of Art and the Liverpool School of Art, eventually leading him to the Royal Academy Schools between 1921 and 1925. It was during this formative period that he encountered the influential mentor Walter Sickert, whose guidance proved transformative. Sickert encouraged Millard to look toward the continent, prompting a journey through Paris, Italy, and Spain. This exposure to the vibrant currents of European art—the dramatic intensity of El Greco and the structural innovations of Cubism and Surrealism—deeply enriched his palette and perspective. While he absorbed these modernistic whispers, Millard remained fundamentally tethered to a more lyrical, emotive approach, seeking to capture the soul of his subjects rather than merely their geometric essence.

    A Legacy of Light and Line

    The artistry of Millard is characterized by an exquisite sensitivity to atmosphere, often described as a visual interpretation of emotion. He was not merely a painter of scenes, but a translator of moods. His work frequently echoes the pastoral legacy of Samuel Palmer, channeling a sense of quiet contemplation and the idealized beauty of the English countryside. Through delicate linework and subtle washes of watercolor, he breathed life into landscapes that felt both ancient and immediate. His mastery extended beyond the horizon of the landscape to include intimate life studies and animal drawings, where his keen understanding of anatomy and form met a soft, poetic touch.

    Beyond his personal practice, Millard’s influence permeated the academic landscape of British art education. As a lecturer and teacher, he held prestigious positions that allowed him to shape the next generation of visionaries, including notable artists such as John Minton and Michael Ayrton. His ability to bridge the gap between the traditional Victorian sensibility and the burgeoning modern era made him a vital figure in art pedagogy. His career was marked by significant accolades, including the Royal Academy Gold Medal and the Traveling Scholarship in 1925, which served as a testament to his rising prominence on the international stage.

    To reflect upon the breadth of his contribution, one might consider these defining elements of his career:

    The Romantic Connection: A profound stylistic debt to the pastoral traditions of Samuel Palmer and the expressive power of El Greco.

    Educational Impact: His role as a mentor and educator at institutions like St John's Wood Art School, influencing mid-century British art.

    Technical Versatility: An ability to move seamlessly between the precision of pen and ink and the ethereal qualities of watercolor and wash.

    Historical Synthesis: The unique ability to harmonize the scholarly, historical weight of his Cumbrian roots with the experimental spirit of European Modernism.

    Ultimately, Patrick Ferguson Millard remains a pivotal figure whose work serves as a bridge between eras. He captured the fleeting light of the English landscape and the enduring strength of tradition, leaving behind a body of work that continues to invite viewers into a world of quiet, luminous beauty.

    Where to read more

    Find this online

    QR code linking to the download page for The Red Mill

    artsdot.com/en/art/download/patrick-millard-the-red-mill-ARD88R-en/

    Cite this artwork

    MLA
    Millard, Patrick. The Red Mill. 1940, https://artsdot.com/en/art/patrick-millard-the-red-mill-ARD88R-en/
    APA
    Millard, Patrick (1940). The Red Mill [Painting]. https://artsdot.com/en/art/patrick-millard-the-red-mill-ARD88R-en/
    Chicago
    Patrick Millard. The Red Mill. 1940. https://artsdot.com/en/art/patrick-millard-the-red-mill-ARD88R-en/
    Harvard
    Millard, Patrick (1940) The Red Mill. Available at: https://artsdot.com/en/art/patrick-millard-the-red-mill-ARD88R-en/

    Look closely

    The Red Mill — Patrick Millard

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Gulls, Lyme Regis (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Patrick Millard was about 38 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What other names is Patrick Millard known by?

    Other names recorded for Patrick Millard, creator of "The Red Mill", include Patrick Ferguson Millard.

    Can I preview "The Red Mill" by Patrick Millard before ordering?

    The Preview page of "The Red Mill" lets you preview the artwork before ordering.

    Is "The Red Mill" by Patrick Millard in the public domain, and why?

    "The Red Mill" by Patrick Millard is still protected by copyright. Copyright terms are measured from the artist's death, and Patrick Millard died in 1972.