Paper

Student Artwork Guide

Untitled (107)

Name Class Date

Pablo Picasso, Untitled (107) (1937). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Pablo Picasso artsdot.com/en/artists/pablo-picasso/
Artist’s dates
1881 – 1973
Painted
1937
Medium
Oil On Canvas
Original size
92 x 65 cm
Movement
Analytical Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Period
Modern
Artistic style
Analytical Cubism
Influences
Henri Matisse
Notable elements or techniques
Constructed sculpture, Collage
Subject or theme
Woman's contemplation

In context

Untitled (107) — Pablo Picasso

How big is it?

The original measures 92 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Shaded: the lifetime of Pablo Picasso (1881–1973) ▲ this work, 1937

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/pablo-picasso-untitled-107-8XYPEE-en/

Colours

Measured from the image

    Main colour

    Putty #d0ca9f

    Catalogued palette

    • #D0CA9F
    • #321D13
    • #7E5229
    • #9DA178
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Untitled (107) — Pablo Picasso

    A Window into the Soul: The Quietude of Picasso’s Untitled (107)

    In the vast, often turbulent ocean of Pablo Picasso’s legendary career, certain works emerge not with a roar, but with a profound, whispered intensity. Untitled (107), completed in 1937, is one such masterpiece. It is a painting that invites the viewer into a private sanctuary of thought, presenting a woman seated in a state of deep repose. At first glance, the composition appears deceptively simple, yet beneath its surface lies a complex tapestry of human emotion. The subject, captured in a moment of stillness, rests her hand delicately against her face—a gesture that serves as the emotional anchor of the piece. This subtle movement evokes an aura of introspection, suggesting a mind wandering through memories or perhaps grappling with the weight of unspoken sorrows.

    The technical brilliance of this work lies in Picasso’s ability to marry the structural rigor of Analytical Cubism with a deeply emotive palette. While he famously pioneered the fracturing of forms into geometric planes, here we see a more nuanced application of his skill. He utilizes a sophisticated interplay of light and shadow—the mastery of chiaroscuro—to breathe life into the woman's features, creating a sense of three-dimensional presence within a flattened, modern space. The color story is equally captivating; a harmonious yet tension-filled blend of deep blues, vibrant reds, warm yellows, and earthy greens works to communicate both a sense of serene stability and an underlying psychological unrest.

    The Echoes of History and Symbolism

    To truly appreciate the gravity of Untitled (107), one must consider the shadows cast by the era in which it was born. Painted during the height of the Spanish Civil War, the artwork is permeated by the pervasive anxieties of a world on the brink of catastrophe. While it lacks the overt, visceral violence found in his more famous Guernica, the painting carries a similar emotional frequency of disillusionment and resilience. The woman’s hand, shielding part of her face, becomes a powerful symbol of vulnerability and concealment—an attempt to retreat from an overwhelming external reality into the safety of one's own psyche.

    For the discerning collector or interior designer, this piece offers more than just aesthetic beauty; it provides a focal point of intellectual and emotional depth. The intricate composition, featuring subtle elements like a distant chair and a clock, suggests the relentless passage of time and the isolation of the individual within it. Whether displayed in a contemporary gallery setting or as a centerpiece in a sophisticated residential study, a high-quality reproduction of this work brings with it a sense of historical weight and timeless elegance. It is an invitation to pause, to reflect, and to find beauty in the quiet, melancholic moments that define the human condition.

    Artist and museum

    Artist

    Pablo Picasso

    Born in Malaga, Spain

    The Enduring Legacy of Pablo Picasso

    Pablo Ruiz y Picasso, a name synonymous with artistic revolution, was born in Málaga, Spain, on October 25, 1881. His very existence seemed destined for creative expression; legend has it his first uttered words were “piz, piz,” an attempt to say ‘pencil’. This early inclination was nurtured by his father, José Ruiz y Blasco, a painter and art teacher who provided young Pablo with foundational training. However, the student quickly surpassed the instructor, demonstrating a remarkable aptitude for naturalistic depiction that hinted at the prodigious talent within. The family’s subsequent moves – first to A Coruña, then Barcelona – were punctuated by personal tragedy, notably the loss of Picasso's sister, experiences which would subtly infuse his later work with themes of melancholy and mortality. Even during formal studies at the School of Fine Arts in Barcelona and a brief stint at the Royal Academy of San Fernando in Madrid, Picasso chafed against rigid academic constraints, preferring instead to immerse himself in the works of masters like Velázquez and Goya, forging his own path toward artistic innovation.

    From Melancholy Blues to Rose-Tinted Hues

    The early years of the 20th century witnessed the emergence of two distinct periods in Picasso’s oeuvre: the Blue Period (roughly 1901-1904) and the Rose Period (1904-1906). The Blue Period, born from personal hardship and a keen awareness of social suffering, is characterized by paintings steeped in somber shades of blue and blue-green. These works are populated by marginalized figures – beggars, the blind, prostitutes – rendered with a haunting empathy that speaks to themes of isolation and despair. La Vie (1903) and The Old Guitarist (1903-1904) stand as poignant examples of this emotionally charged phase. A shift in Picasso’s personal life, coupled with a move to Paris, heralded the arrival of the Rose Period. The palette warmed considerably, embracing pinks, oranges, and reds, reflecting a more optimistic outlook. This period saw a fascination with circus performers – harlequins, acrobats, and family troupes – figures who embodied both fragility and resilience. Family of Saltimbanques (1905) beautifully encapsulates this transition, hinting at the stylistic explorations that lay ahead.

    The Shattering of Perspective: Cubism and Beyond

    The year 1907 marked a pivotal moment in art history with the creation of Les Demoiselles d'Avignon. Influenced by Iberian sculpture and African masks, this groundbreaking painting shattered traditional notions of perspective and representation. It was a radical departure, a deliberate rejection of centuries-old conventions that paved the way for Cubism. Working in close collaboration with Georges Braque, Picasso co-founded this revolutionary movement, fundamentally altering how artists perceived and depicted reality. Analytical Cubism (1909-1912) involved the fragmentation of objects into geometric shapes, rendered in muted colors, as if dissecting form itself. This evolved into Synthetic Cubism (1912-1919), which incorporated collage elements – newspaper clippings, fabric scraps – adding texture and new layers of visual complexity. Picasso wasn’t content to simply represent the world; he sought to deconstruct it and reconstruct it on his own terms.

    A Restless Experimenter: Neoclassicism, Surrealism, and War

    The 1920s saw Picasso briefly explore Neoclassical styles, creating monumental figures that echoed classical forms while retaining a distinctly modern sensibility. Simultaneously, he engaged with the burgeoning Surrealist movement, though never fully aligning himself with its principles. His work during this period blended earlier stylistic influences with surreal imagery and distorted perspectives, demonstrating his relentless experimentation. The horrors of the Spanish Civil War profoundly impacted Picasso, culminating in the creation of Guernica (1937), a visceral and emotionally devastating response to the bombing of Guernica. This monumental work became an enduring symbol of the atrocities of war, solidifying Picasso’s role as not just an artist but also a powerful voice for peace and social justice. Throughout the 1950s and 60s, he continued to push boundaries, exploring ceramics, sculpture, and printmaking with unwavering curiosity and skill. His marriage to Jacqueline Roque in 1961 brought a new dimension to his personal life and artistic expression.

    An Immeasurable Impact

    Pablo Picasso died on April 8, 1973, in Mougins, France, leaving behind an astonishing body of work – estimated at over 50,000 pieces – that continues to captivate and inspire. His artistic development was shaped by a diverse range of influences, from Spanish masters like Velázquez and Goya to Iberian sculpture, African art, and the vibrant color palettes of Henri Matisse. His impact on 20th-century art is immeasurable. He co-founded Cubism, pioneered collage and constructed sculpture, and consistently challenged artistic conventions. Picasso’s relentless experimentation redefined modern art, leaving an indelible mark on generations of artists and solidifying his position as one of the most important and influential figures in history. His legacy extends beyond the canvas, resonating in countless aspects of contemporary culture and reminding us of the transformative power of artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled (107)

    artsdot.com/en/art/download/pablo-picasso-untitled-107-8XYPEE-en/

    Cite this artwork

    MLA
    Picasso, Pablo. Untitled (107). 1937, https://artsdot.com/en/art/pablo-picasso-untitled-107-8XYPEE-en/
    APA
    Picasso, Pablo (1937). Untitled (107) [Painting]. https://artsdot.com/en/art/pablo-picasso-untitled-107-8XYPEE-en/
    Chicago
    Pablo Picasso. Untitled (107). 1937. https://artsdot.com/en/art/pablo-picasso-untitled-107-8XYPEE-en/
    Harvard
    Picasso, Pablo (1937) Untitled (107). Available at: https://artsdot.com/en/art/pablo-picasso-untitled-107-8XYPEE-en/

    Look closely

    Untitled (107) — Pablo Picasso

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: woman, contemplation, emotion. Do you agree? What would you add, or take away?
    4. Look back at Guernica (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Analytical Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Untitled (107) — Pablo Picasso

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Pablo Picasso most famously associated with?

      • A Impressionism
      • B Cubism
      • C Renaissance
    2. 2. The image description mentions a clock positioned near the top left corner. What does this element likely symbolize in relation to the artwork's theme?

      • A Time passing
      • B A symbol of wealth
      • C Religious devotion
    3. 3. What is Picasso known for exploring in his artistic style?

      • A Realistic portraiture
      • B Abstract expressionism
      • C Stylistic experimentation
    4. 4. The painting depicts a woman with her hand on her face. What emotion is most prominently conveyed by this gesture?

      • A Joyful happiness
      • B Deep contemplation
      • C Angry frustration
    5. 5. In what historical period was Pablo Picasso active during the creation of Untitled (107)?

      • A Medieval Era
      • B Victorian Age
      • C Early 20th Century

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2A · 3C · 4B · 5C