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Student Artwork Guide

The soup

Name Class Date

Pablo Picasso, The soup (1903). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Pablo Picasso artsdot.com/en/artists/pablo-picasso/
Artist’s dates
1881 – 1973
Painted
1903
Medium
Oil On Canvas
Original size
37 x 45 cm
Movement
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Period
Modern
Artistic style
Early Expressionist
Influences
Cubism, Surrealism
Notable elements
Bold colors, brushstrokes
Subject or theme
Community, nourishment

In context

The soup — Pablo Picasso

How big is it?

The original measures 37 × 45 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Shaded: the lifetime of Pablo Picasso (1881–1973) ▲ this work, 1903

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/pablo-picasso-the-soup-8XYNST-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #21373e

    Catalogued palette

    • #21373E
    • #539190
    • #396D6A
    • #B9D0AF
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The soup — Pablo Picasso

    A Moment of Shared Humanity: Pablo Picasso’s “The Soup”

    Pablo Picasso's "The Soup," painted in 1903, is more than just a depiction of two women sharing a bowl; it’s a poignant distillation of early 20th-century anxieties and a remarkably prescient glimpse into the artist’s burgeoning Cubist vision. Measuring a modest 37 x 45 centimeters, this oil on canvas radiates an intense emotionality achieved through bold color choices and expressive brushwork – hallmarks of Picasso's Expressionist phase. The painting immediately draws the viewer in with its predominantly blue palette, a signature hue of that period reflecting themes of poverty, loneliness, and social hardship prevalent in Barcelona at the time.

    At first glance, the scene is deceptively simple: two women stand side-by-side, one offering a bowl of soup to a younger child. The woman on the left, distinguished by her cascading, almost theatrical hair, exudes a quiet dignity while simultaneously conveying a sense of vulnerability. Her dress, rendered in muted tones, contrasts subtly with the brighter hues used for the child and the soup itself. The other woman, positioned slightly behind, gazes intently at the offering, her expression a mixture of concern and perhaps even gratitude. The background, a wash of blue punctuated by a cup and a spoon, serves to anchor the scene within a domestic setting, yet it feels simultaneously detached and dreamlike.

    Echoes of Social Concern and Early Symbolism

    Picasso’s inspiration for “The Soup” is deeply rooted in the social realities of his time. The painting directly references a sketch he made while visiting the Saint-Lazare women's prison in Paris, where he observed a starving woman being assisted by a benevolent figure – an image that profoundly impacted him. This encounter underscored the stark contrast between privilege and poverty, a theme that would continue to resonate throughout Picasso’s oeuvre. The act of charity depicted here isn’t merely a gesture; it’s a powerful symbol of human connection and compassion in the face of adversity.

    Interestingly, the ambiguity surrounding the women's roles – is the older woman giving or receiving? – adds another layer of complexity to the work. This deliberate vagueness invites interpretation and encourages viewers to contemplate the dynamics of generosity and need. The soup itself becomes a potent symbol of sustenance, not just for the body but also for the soul.

    A Bridge to Cubism: Foreshadowing Revolutionary Forms

    The Soup” is often considered a crucial stepping stone in Picasso’s artistic evolution, foreshadowing his later embrace of Cubism. The painting's flattened perspective, fragmented forms, and simultaneous representation of multiple viewpoints – subtle yet undeniably present – anticipate the radical geometric abstractions that would characterize his groundbreaking work in the years to come. The use of bold color blocks and simplified shapes, reminiscent of African masks and Iberian sculpture (a significant influence on Picasso at this time), hints at a move away from traditional realism towards a more conceptual approach to representation.

    Notably, “The Soup” shares stylistic similarities with his earlier masterpiece, Les Demoiselles d’Avignon, though it lacks the overt confrontational nature of that work. Both paintings demonstrate Picasso's willingness to challenge conventional artistic norms and explore new ways of depicting human figures – a characteristic that would define his legacy as one of the most revolutionary artists of the 20th century. The painting’s influence extends far beyond its immediate context, paving the way for subsequent movements like Abstract Expressionism and Pop Art.

    A Timeless Reflection on Human Connection

    The Soup” remains a captivating work of art, offering a glimpse into Picasso's early artistic explorations and his profound engagement with social issues. Its emotional intensity, symbolic depth, and foreshadowing of Cubist principles make it a significant addition to the artist’s body of work. Reproductions of this evocative painting capture not only its visual beauty but also the enduring power of its message – a reminder of our shared humanity and the importance of compassion in a world often marked by hardship.

    For those seeking to experience the profound impact of “The Soup,” AllPaintingsStore offers meticulously crafted, hand-painted reproductions that faithfully capture the painting’s original vibrancy and emotional resonance. Explore our collection today and bring this iconic artwork into your home or office – a testament to Picasso's genius and a celebration of human connection.

    Artist and museum

    Artist

    Pablo Picasso

    Born in Malaga, Spain

    The Enduring Legacy of Pablo Picasso

    Pablo Ruiz y Picasso, a name synonymous with artistic revolution, was born in Málaga, Spain, on October 25, 1881. His very existence seemed destined for creative expression; legend has it his first uttered words were “piz, piz,” an attempt to say ‘pencil’. This early inclination was nurtured by his father, José Ruiz y Blasco, a painter and art teacher who provided young Pablo with foundational training. However, the student quickly surpassed the instructor, demonstrating a remarkable aptitude for naturalistic depiction that hinted at the prodigious talent within. The family’s subsequent moves – first to A Coruña, then Barcelona – were punctuated by personal tragedy, notably the loss of Picasso's sister, experiences which would subtly infuse his later work with themes of melancholy and mortality. Even during formal studies at the School of Fine Arts in Barcelona and a brief stint at the Royal Academy of San Fernando in Madrid, Picasso chafed against rigid academic constraints, preferring instead to immerse himself in the works of masters like Velázquez and Goya, forging his own path toward artistic innovation.

    From Melancholy Blues to Rose-Tinted Hues

    The early years of the 20th century witnessed the emergence of two distinct periods in Picasso’s oeuvre: the Blue Period (roughly 1901-1904) and the Rose Period (1904-1906). The Blue Period, born from personal hardship and a keen awareness of social suffering, is characterized by paintings steeped in somber shades of blue and blue-green. These works are populated by marginalized figures – beggars, the blind, prostitutes – rendered with a haunting empathy that speaks to themes of isolation and despair. La Vie (1903) and The Old Guitarist (1903-1904) stand as poignant examples of this emotionally charged phase. A shift in Picasso’s personal life, coupled with a move to Paris, heralded the arrival of the Rose Period. The palette warmed considerably, embracing pinks, oranges, and reds, reflecting a more optimistic outlook. This period saw a fascination with circus performers – harlequins, acrobats, and family troupes – figures who embodied both fragility and resilience. Family of Saltimbanques (1905) beautifully encapsulates this transition, hinting at the stylistic explorations that lay ahead.

    The Shattering of Perspective: Cubism and Beyond

    The year 1907 marked a pivotal moment in art history with the creation of Les Demoiselles d'Avignon. Influenced by Iberian sculpture and African masks, this groundbreaking painting shattered traditional notions of perspective and representation. It was a radical departure, a deliberate rejection of centuries-old conventions that paved the way for Cubism. Working in close collaboration with Georges Braque, Picasso co-founded this revolutionary movement, fundamentally altering how artists perceived and depicted reality. Analytical Cubism (1909-1912) involved the fragmentation of objects into geometric shapes, rendered in muted colors, as if dissecting form itself. This evolved into Synthetic Cubism (1912-1919), which incorporated collage elements – newspaper clippings, fabric scraps – adding texture and new layers of visual complexity. Picasso wasn’t content to simply represent the world; he sought to deconstruct it and reconstruct it on his own terms.

    A Restless Experimenter: Neoclassicism, Surrealism, and War

    The 1920s saw Picasso briefly explore Neoclassical styles, creating monumental figures that echoed classical forms while retaining a distinctly modern sensibility. Simultaneously, he engaged with the burgeoning Surrealist movement, though never fully aligning himself with its principles. His work during this period blended earlier stylistic influences with surreal imagery and distorted perspectives, demonstrating his relentless experimentation. The horrors of the Spanish Civil War profoundly impacted Picasso, culminating in the creation of Guernica (1937), a visceral and emotionally devastating response to the bombing of Guernica. This monumental work became an enduring symbol of the atrocities of war, solidifying Picasso’s role as not just an artist but also a powerful voice for peace and social justice. Throughout the 1950s and 60s, he continued to push boundaries, exploring ceramics, sculpture, and printmaking with unwavering curiosity and skill. His marriage to Jacqueline Roque in 1961 brought a new dimension to his personal life and artistic expression.

    An Immeasurable Impact

    Pablo Picasso died on April 8, 1973, in Mougins, France, leaving behind an astonishing body of work – estimated at over 50,000 pieces – that continues to captivate and inspire. His artistic development was shaped by a diverse range of influences, from Spanish masters like Velázquez and Goya to Iberian sculpture, African art, and the vibrant color palettes of Henri Matisse. His impact on 20th-century art is immeasurable. He co-founded Cubism, pioneered collage and constructed sculpture, and consistently challenged artistic conventions. Picasso’s relentless experimentation redefined modern art, leaving an indelible mark on generations of artists and solidifying his position as one of the most important and influential figures in history. His legacy extends beyond the canvas, resonating in countless aspects of contemporary culture and reminding us of the transformative power of artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for The soup

    artsdot.com/en/art/download/pablo-picasso-the-soup-8XYNST-en/

    Cite this artwork

    MLA
    Picasso, Pablo. The soup. 1903, https://artsdot.com/en/art/pablo-picasso-the-soup-8XYNST-en/
    APA
    Picasso, Pablo (1903). The soup [Painting]. https://artsdot.com/en/art/pablo-picasso-the-soup-8XYNST-en/
    Chicago
    Pablo Picasso. The soup. 1903. https://artsdot.com/en/art/pablo-picasso-the-soup-8XYNST-en/
    Harvard
    Picasso, Pablo (1903) The soup. Available at: https://artsdot.com/en/art/pablo-picasso-the-soup-8XYNST-en/

    Look closely

    The soup — Pablo Picasso

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: picasso, soup, women. Do you agree? What would you add, or take away?
    4. Look back at Guernica (1937), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The soup — Pablo Picasso

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is ‘The Soup’ primarily associated with?

      • A Fauvism
      • B Cubism
      • C Surrealism
    2. 2. In the painting, what is the primary focus of the two women’s interaction?

      • A A political debate
      • B The sharing of a bowl of soup
      • C A religious ceremony
    3. 3. What color dominates the background of ‘The Soup’?

      • A Red
      • B Blue
      • C Green
    4. 4. Which artist is most closely associated with the style demonstrated in ‘The Soup’?

      • A Henri Matisse
      • B Pablo Picasso
      • C Georges Braque
    5. 5. ‘The Soup’ is considered a precursor to which of Picasso's later works?

      • A Les Demoiselles d’Avignon
      • B Guernica
      • C The Old Guitarist

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3A · 4B ·