Paper

Student Artwork Guide

The Buddha

Name Class Date

Odilon Redon, The Buddha (1905). Public domain.

The facts

Artist
Odilon Redon artsdot.com/en/artists/odilon-redon/
Artist’s dates
1840 – 1916
Painted
1905
Medium
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Original size
73 x 90 cm
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.
Period
19th Century
Artistic style
Symbolism
Subject or theme
Buddha, oranges, apples

In context

The Buddha — Odilon Redon

How big is it?

The original measures 73 × 90 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: the lifetime of Odilon Redon (1840–1916) ▲ this work, 1905

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/odilon-redon-the-buddha-8XYN5Y-en/

Colours

Measured from the image

    Main colour

    Driftwood #86764c

    Catalogued palette

    • #86764C
    • #BC8711
    • #A3A499
    • #B09A59
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Buddha — Odilon Redon

    The Enigmatic Stillness of Odilon Redon's "The Buddha"

    To gaze upon Odilon Redon’s pastel masterpiece, "The Buddha," is to step through a veil into a dreamscape painted with the delicate touch of twilight. Created in 1905, this work transcends mere portraiture or still life; it is an immersion into the subconscious, a quiet meditation rendered visible. The central figure, seated serenely against a luminous yellow expanse, exudes an almost palpable sense of profound calm. Redon, forever drawn to the unseen realms of imagination, has captured a moment where spiritual contemplation meets the tangible beauty of everyday objects.

    A Symphony in Pastel and Symbolism

    The technique itself is breathtaking. Executed in pastel, the medium allows for an ethereal softness, giving the entire composition a luminous quality that seems to glow from within. This choice of material perfectly complements Redon’s symbolic inclinations. Scattered around the central figure are vibrant oranges, their round forms echoing universal symbols of abundance and life's cycle. Complementing this natural bounty are two apples nestled in the lower left corner—objects imbued with layers of meaning, perhaps hinting at knowledge or temptation. The interplay between the spiritual stillness of the Buddha and the earthly vibrancy of the fruit creates a rich visual dialogue, inviting the viewer to ponder what these disparate elements signify together.

    Historical Echoes and Artistic Vision

    Odilon Redon’s career was marked by a persistent desire to articulate the inner life rather than merely replicate external reality. While many artists of his time were engaged with academic realism, Redon found his voice in the ambiguous, the mysterious, and the deeply personal. "The Buddha" stands as a testament to this lifelong quest. The symbolism here is not didactic; it whispers. It suggests that enlightenment—the state represented by the figure—is not separate from the sensory richness of life itself, but rather interwoven with it, much like the oranges and apples are woven into the composition.

    Bringing Dreamlike Serenity Home

    For the collector or designer seeking to infuse a space with intellectual depth and quiet grace, this piece offers unparalleled emotional resonance. A reproduction of "The Buddha" does more than decorate; it transforms an environment into a sanctuary for thought. The soft luminosity of the pastel work catches the light beautifully, adding an immediate layer of sophisticated mystery to any room. It is a focal point that encourages pause, contemplation, and a gentle reconnection with the poetry found in everyday existence.

    Artist and museum

    Artist

    Odilon Redon

    Born in Bordeaux, France

    A World Beyond the Visible: The Enigmatic Art of Odilon Redon

    Odilon Redon, born Bertrand-Jean Redon in 1840 in Bordeaux, France, was an artist perpetually drawn to translate the unseen realms of imagination and dream into tangible form. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

    The Birth of Symbolism: ‘Noirs’ and Early Visions

    Redon's early career was marked by a deliberate withdrawal from prevailing artistic trends. He didn’t seek to replicate the visible world, but rather to evoke its hidden currents—the anxieties, desires, and spiritual longings that lay beneath the surface of everyday life. This led to his famed series of “noirs,” monochromatic works executed in charcoal and lithography. These weren't merely studies in darkness; they were explorations of the subconscious, populated by strange creatures, disembodied eyes, and haunting figures emerging from swirling mists. The influence of writers like Edgar Allan Poe and Charles Baudelaire is palpable here—a shared fascination with the macabre, the mysterious, and the power of suggestion. These works weren't immediately embraced; Redon remained largely unknown for years. However, a pivotal moment arrived in 1884 with Joris-Karl Huysmans’ novel À rebours (Against Nature), where the decadent aristocrat Des Esseintes championed Redon’s drawings, instantly elevating his status within avant-garde circles. This recognition opened doors and allowed Redon to further develop his unique artistic language. He described his work as ambiguous and undefinable, stating they should “place us, as does music, in the ambiguous realm of the undetermined.”

    A Palette Awakens: From Monochrome to Vibrant Expression

    While the “noirs” established Redon as a significant force in Symbolism, his art underwent a remarkable transformation in the 1890s. He began to embrace color—first pastels, then oils—infusing his compositions with a newfound vibrancy and luminosity. This shift wasn’t merely technical; it reflected an evolving emotional landscape within the artist himself. The earlier works often carried a sense of melancholy and isolation, but the later paintings reveal a growing interest in mythology, Buddhism, and Japanese art – Japonism was a significant influence. Works like *The Death of the Buddha* (1899) demonstrate this fascination with Eastern spirituality, while pieces commissioned by Baron Robert de Domecy for his château showcase Redon’s ability to blend decorative elements with symbolic imagery. The portraits of Baroness de Domecy and her daughter Jeanne are particularly striking examples of this period, capturing not just physical likeness but also a sense of inner life and psychological depth. Redon explored his internal feelings and psyche through his art, aiming to “place the visible at the service of the invisible.”

    Legacy and Influence: A Precursor to Surrealism

    Odilon Redon’s impact on the art world extends far beyond his own lifetime. He was awarded the Legion of Honor in 1903, and his work gained wider recognition with exhibitions at the New York Armory Show in 1913. However, it wasn't until after his death in 1916 that his true significance became fully apparent. Redon’s exploration of dreams, the subconscious, and irrationality paved the way for Surrealism, inspiring artists like Marcel Duchamp and Max Ernst to delve into similar territories. His emphasis on subjective experience and emotional expression also resonated with Expressionist painters. He wasn't simply depicting what he saw; he was visualizing what he felt, a principle that continues to inspire artists today. Redon’s legacy is one of artistic courage, a willingness to embrace the ambiguous, and a profound belief in the power of art to reveal the hidden dimensions of human experience. His drawings defied classification, ushering in a unique type of fantastic imagery born of sickness and delirium, yet always imbued with a haunting beauty.

    Key Characteristics & Themes

    Symbolism: Redon is considered a central figure in the Symbolist movement, prioritizing emotional and spiritual expression over realistic representation.

    Dreamlike Imagery: His works are often characterized by fantastical creatures, ambiguous landscapes, and scenes that evoke the atmosphere of dreams.

    Exploration of the Subconscious: Redon delved into themes of anxiety, desire, and the hidden depths of the human psyche.

    Influence of Literature & Mythology: He drew inspiration from writers like Poe and Baudelaire, as well as Eastern religions and mythology.

    Technical Innovation: Redon’s mastery of lithography and his innovative use of color in pastels and oils were crucial to his artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for The Buddha

    artsdot.com/en/art/download/odilon-redon-the-buddha-8XYN5Y-en/

    Cite this artwork

    MLA
    Redon, Odilon. The Buddha. 1905, https://artsdot.com/en/art/odilon-redon-the-buddha-8XYN5Y-en/
    APA
    Redon, Odilon (1905). The Buddha [Painting]. https://artsdot.com/en/art/odilon-redon-the-buddha-8XYN5Y-en/
    Chicago
    Odilon Redon. The Buddha. 1905. https://artsdot.com/en/art/odilon-redon-the-buddha-8XYN5Y-en/
    Harvard
    Redon, Odilon (1905) The Buddha. Available at: https://artsdot.com/en/art/odilon-redon-the-buddha-8XYN5Y-en/

    Look closely

    The Buddha — Odilon Redon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: buddha, pastel painting, oranges. Do you agree? What would you add, or take away?
    4. Look back at Young Girl in a Blue Bonnet, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Buddha — Odilon Redon

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the title of the artwork?

      • A Oranges and Apples
      • B The Buddha
      • C A Dreamscape
    2. 2. In what year was Odilon Redon's painting 'The Buddha' created?

      • A 1895
      • B 1905
      • C 1916
    3. 3. Which artistic style is best associated with Odilon Redon's work, as seen in 'The Buddha'?

      • A Impressionism
      • B Surrealism
      • C Symbolism
    4. 4. What medium was used for the creation of this pastel work?

      • A Oil paint on canvas
      • B Pastel
      • C Watercolor and ink
    5. 5. Besides the central figure, what other objects are prominently featured in the painting?

      • A Flowers and books
      • B Oranges and apples
      • C Birds and fruit baskets

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4A · 5A