Paper

Student Artwork Guide

Red Thorns

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Name Class Date
Odilon Redon, Red Thorns. Public domain.

The facts

Artist
Odilon Redon artsdot.com/en/artists/odilon-redon/
Artist’s dates
1840 – 1916
Original size
51 x 37 cm
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.

In context

Red Thorns — Odilon Redon

How big is it?

The original measures 51 × 37 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Shaded: the lifetime of Odilon Redon (1840–1916)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/odilon-redon-red-thorns-8EWMP3-en/

Colours

Measured from the image

    Main colour

    Gray #687667

    Catalogued palette

    • #687667
    • #261F28
    • #DCCFC1
    • #1C3084
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Red Thorns — Odilon Redon

    Artist

    Odilon Redon

    Born in Bordeaux, France

    A World Beyond the Visible: The Enigmatic Art of Odilon Redon

    Odilon Redon, born Bertrand-Jean Redon in 1840 in Bordeaux, France, was an artist perpetually drawn to translate the unseen realms of imagination and dream into tangible form. His artistic journey began not with grand ambition but with quiet observation; at just ten years old he won a drawing prize—a foreshadowing of the visual sensitivity that would define his life’s work. Though initially steered towards architecture by familial expectations, Redon's true calling lay elsewhere, illuminated by instruction from Jean-Léon Gérôme and, crucially, Rodolphe Bresdin, who guided him in the intricate arts of etching and lithography. These techniques became foundational to his early explorations, allowing him to delve into a world of shadowy figures and ambiguous forms that would soon captivate those seeking an alternative to academic realism. The interruption of the Franco-Prussian War saw Redon briefly serving in the military, but it was upon his return to Paris that his artistic vision truly began to coalesce.

    The Birth of Symbolism: ‘Noirs’ and Early Visions

    Redon's early career was marked by a deliberate withdrawal from prevailing artistic trends.

    Where to read more

    Find this online

    QR code linking to the download page for Red Thorns

    artsdot.com/en/art/download/odilon-redon-red-thorns-8EWMP3-en/

    Cite this artwork

    MLA
    Redon, Odilon. Red Thorns. n.d., https://artsdot.com/en/art/odilon-redon-red-thorns-8EWMP3-en/
    APA
    Redon, Odilon (n.d.). Red Thorns [Painting]. https://artsdot.com/en/art/odilon-redon-red-thorns-8EWMP3-en/
    Chicago
    Odilon Redon. Red Thorns. n.d. https://artsdot.com/en/art/odilon-redon-red-thorns-8EWMP3-en/
    Harvard
    Redon, Odilon (n.d.) Red Thorns. Available at: https://artsdot.com/en/art/odilon-redon-red-thorns-8EWMP3-en/

    Look closely

    Red Thorns — Odilon Redon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: symbols, women, colour. Do you agree? What would you add, or take away?
    4. Look back at Young Girl in a Blue Bonnet, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.