Paper

Student Artwork Guide

Pensive Rabbit

Name Class Date

Michael Teffo, Pensive Rabbit (2020), University of Pretoria Museums. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Michael Teffo artsdot.com/en/artists/michael-teffo/
Artist’s dates
1975 –
Painted
2020
Original size
8 x 70 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Held at
University of Pretoria Museums artsdot.com/en/museums/university-of-pretoria-museums-tshwane/

In context

Pensive Rabbit — Michael Teffo

How big is it?

The original measures 8 × 70 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010
  6. 2020

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 45. 1 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2020 every dated painting, decade by decade

Compare with

  • Bull, 2000 artsdot.com/en/art/michael-teffo-bull-D736YP-en/
  • Protestor, 2020 artsdot.com/en/art/michael-teffo-protestor-D9D96K-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/michael-teffo-pensive-rabbit-D9D97N-en/

Colours

Measured from the image

    Main colour

    White #f6f7f8

    Catalogued palette

    • #F6F7F8
    • #2B1F22
    • #594546
    • #9C8C8B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Michael Teffo over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Michael Teffo

    1. 1 Bull, 2000 100.0%
    2. — Pensive Rabbit, 2020 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Pensive Rabbit — Michael Teffo

    A carved wooden work titled, Pensive Rabbit (2020) by the South African artist Michael Madimetja Teffo (b.1957). Playing on the Moral story of the “Tortoise and the Hare” Teffo sculpted this rabbit as part of a small series of five works that also included a tortoise and a boxing rabbit. Short biography: Michael Madimetja Teffo was born in 1957 in the Pretoria township of Lady Selborne. He went to school in Hammanskraal, but abandoned school early to focus on his artwork. Teffo has received no formal institutional art training, but he was interested in art from a young age, sculpting in Marula wood with a pen knife as a child. His first solo exhibition was held at the South African Association of Arts in May 1978. From 1977, Teffo participated in group and solo exhibitions in Johannesburg, Pretoria and Potchefstroom in South Africa and in 1980, he exhibited pen and ink drawings at the Nassau County Black History Museum in New York. Teffo has served on several judging art panels for the Pretoria’s State Theatre Art Gallery and for the Sasol New Signatures competition in Pretoria. He has held several major exhibitions including at the Oliewenhuis Art Museum in Bloemfontein and Pretoria’s Brooklyn Theatre in Menlo Park.

    Artist and museum

    Artist

    Michael Teffo

    Born in Pretoria, South Africa

    The Soul of the Wood: The Journey of Michael Teffo

    Born in the Pretoria township of Lady Selborne, Michael Madimetja Teffo’s artistic journey is one defined by an innate connection to the natural world and a profound, self-taught mastery of form. His story began not in the halls of formal academies, but in the quiet landscapes of his youth, where he spent his childhood sculpting Marula wood with nothing more than a simple pen knife. This early intimacy with organic materials laid the foundation for a career characterized by a deep respect for the medium. Without formal institutional training, Teffo developed a unique methodology, often working with random chunks of wood and allowing the natural knots, grains, and inherent shapes of the timber to dictate the eventual form of his sculptures. To witness his work is to see a dialogue between the artist's vision and the living history held within the wood itself.

    A Legacy of Expression and Resistance

    Teffo’s evolution as an artist has seen him move from early pencil drawings and pen and ink works to the powerful, tactile sculptures that have garnered international attention. His early career was marked by significant milestones, including his first solo exhibition at the South African Association of May 1978, which featured a striking collection of sixty-three works. This period saw his talent recognized far beyond the borders of South Africa, with diplomats from America and Australia acquiring his pieces, and in 1980, his expressive drawings were showcased at the Nassau County Black History Museum in New York. His work has always been deeply rooted in the human experience, exploring themes of bonding, affection, and the more turbulent currents of social reality.

    Symbolism and the Weight of History

    The power of Teffo’s sculpture lies in its ability to capture a global zeitgeist through the medium of earth and grain. His pieces often serve as visceral embodiments of struggle and resilience. In works such as Protestor, created during an era marked by the Black Lives Matter movement and global crises, the artist uses the silhouette of a female figure to articulate a plea for justice and a defiant declaration of existence. Through his hands, the wood becomes a vessel for political and social resonance, bridging the gap between personal identity and collective human struggle. Whether depicting the quiet contemplation of a Pensive Rabbit or the grounded strength of a Bull, Teffo’s oeuvre remains a testament to the enduring power of art to speak truth to the shadows of history.

    Early Beginnings: Sculpting Marula wood with a pen knife in his childhood.

    Artistic Method: Utilizing the natural features and knots of wood to guide sculptural form.

    Notable Exhibitions: The South African Association of Arts, Nassau County Black History Museum, and Oliewenhuis Art Museum.

    Themes: Human bonding, social resistance, and the intersection of nature and politics.

    Museum

    University of Pretoria Museums

    On show in Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the

    University of Pretoria Museums

    stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable

    Old Arts Building

    and the

    Merensky Building

    . The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by

    Jean Prouvé

    . The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    Treasures of Gold and Global Dialogue

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the

    Golden Rhinoceros of Mapungubwe

    , a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa.

    Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators. What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Where to read more

    Find this online

    QR code linking to the download page for Pensive Rabbit

    artsdot.com/en/art/download/michael-teffo-pensive-rabbit-D9D97N-en/

    Cite this artwork

    MLA
    Teffo, Michael. Pensive Rabbit. 2020, University of Pretoria Museums. https://artsdot.com/en/art/michael-teffo-pensive-rabbit-D9D97N-en/
    APA
    Teffo, Michael (2020). Pensive Rabbit [Painting]. University of Pretoria Museums. https://artsdot.com/en/art/michael-teffo-pensive-rabbit-D9D97N-en/
    Chicago
    Michael Teffo. Pensive Rabbit. 2020. University of Pretoria Museums. https://artsdot.com/en/art/michael-teffo-pensive-rabbit-D9D97N-en/
    Harvard
    Teffo, Michael (2020) Pensive Rabbit. University of Pretoria Museums. Available at: https://artsdot.com/en/art/michael-teffo-pensive-rabbit-D9D97N-en/

    Look closely

    Pensive Rabbit — Michael Teffo

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: rabbit, sculpture, reflection. Do you agree? What would you add, or take away?
    5. Look back at Bull (2000), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What aliases or alternate names does Michael Teffo have?

    Other names recorded for Michael Teffo, creator of "Pensive Rabbit", include Drive Like I Do, Truman Black.

    Is "Pensive Rabbit" by Michael Teffo kept in the artist's home country?

    Yes - the artwork is kept in the artist's home country. The birth country of Michael Teffo is South Africa, and the museum holding the original of "Pensive Rabbit" is in South Africa.

    Is a download available for "Pensive Rabbit"?

    The image of "Pensive Rabbit" by Michael Teffo can be downloaded from the artwork's Download page: a high-resolution digital image download.