Paper
Name Class Date

Maurice William Greiffenhagen, The Message. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Maurice William Greiffenhagen artsdot.com/en/artists/maurice-william-greiffenhagen/
Artist’s dates
1862 – 1931
Movement
Symbolism Pictures where objects stand for ideas — a flower or a door meaning something beyond itself.

In context

The Message — Maurice William Greiffenhagen

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Shaded: the lifetime of Maurice William Greiffenhagen (1862–1931) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/maurice-william-greiffenhagen-the-message-9CWEMT-en/

Colours

Measured from the image

    Main colour

    Celadon #bcb4ae

    Catalogued palette

    • #BCB4AE
    • #0F1A3C
    • #7A2011
    • #8C786C

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Celadon
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Maurice William Greiffenhagen over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 76.9%
    2. 2 Hong Kong 15.4%
    3. 3 United States of America 7.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Maurice William Greiffenhagen

    1. 1 Artemis 23.1%
    2. 2 Sir John Struthers 15.4%
    3. 3 Sir John Harvard Biles 15.4%
    4. 4 A Cornish Ferry 7.7%
    5. 5 Carlisle 7.7%
    6. 6 Rodney Greiffenhagen 7.7%
    7. 7 Standing Nude 7.7%
    8. 8 Fra Newbery 7.7%
    9. 9 Huguenots Spinning, Weaving And Dyeing 7.7%
    10. — The Message this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 66 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Maurice William Greiffenhagen

    Born in London, United Kingdom

    Gustav Klimt: A Rebel of Beauty

    Born in Vienna in 1862, Gustav Klimt emerged from a family steeped in artistic tradition yet shadowed by financial hardship. His father, Ernst, was a skilled gold engraver, and his mother, Anna, possessed a musical talent that sadly remained unrealized. Despite the modest circumstances of his upbringing on the outskirts of the city, Klimt’s early aptitude for art was undeniable, leading him to abandon formal schooling at just fourteen years old to pursue studies at the Vienna School of Arts and Crafts – a remarkable achievement considering his youth and family's limited resources.

    Initially drawn to architectural painting, Klimt quickly recognized the limitations of this path. He sought a more expressive outlet, joining the “Company of Artists” alongside his brother Ernst and Franz Masch. This collective embraced mural commissions for public spaces – including notable works at the Vienna Burgtheater and the Kunsthistorisches Museum – providing them with financial stability while allowing Klimt to explore his burgeoning artistic vision. However, this period of relative success was punctuated by profound personal tragedy: the untimely deaths of both his father and brother Ernst in 1891. These losses profoundly impacted Klimt, fueling a shift away from academic realism towards a deeply symbolic and intensely personal style.

    The Secession and a New Aesthetic

    The year 1897 marked a pivotal moment in Klimt’s career – the formation of the Vienna Secession. Dissatisfied with the conservative constraints of the established art world, Klimt, along with other like-minded artists, broke away to form their own artistic society. The Secession aimed to challenge traditional artistic conventions and embrace a more modern, decorative aesthetic. This movement was intrinsically linked to Klimt’s burgeoning relationship with Emilie Flöge, sister of his brother's wife, Helene. Their connection provided both emotional support and served as a catalyst for the development of his distinctive style – characterized by rich patterns, gold leaf, and an exploration of themes related to sexuality, love, and death.

    Klimt’s artistic language evolved dramatically during this period. He began experimenting with flattened perspectives, geometric shapes, and vibrant colors, rejecting the illusionistic techniques favored by earlier generations. His paintings became increasingly laden with symbolism, drawing inspiration from Byzantine mosaics, Japanese art, and ancient mythology. The influence of these diverse sources is evident in works such as The Kiss, a masterpiece that encapsulates Klimt’s signature style – a mesmerizing blend of sensuality, spirituality, and decorative splendor.

    Major Works and Lasting Influence

    Gustav Klimt's oeuvre encompasses a remarkable range of subjects, from intimate portraits to grand allegorical compositions. Portrait of Adele Bloch-Bauer (1907) stands as perhaps his most iconic work, a stunning depiction of the wealthy Viennese socialite that showcases his mastery of pattern and color. Similarly, Death and Life (1918), created in the final year of his life, is a powerful meditation on mortality and the cyclical nature of existence. His murals for the University of Vienna’s Great Hall auditorium are also significant examples of his decorative prowess.

    Beyond his individual achievements, Klimt profoundly influenced subsequent generations of artists. His innovative use of color, pattern, and symbolism paved the way for the development of Art Nouveau and Expressionism. His exploration of psychological themes and his rejection of academic conventions established a new standard for artistic expression, solidifying his place as one of the most important figures in modern art.

    A Tragic End

    Gustav Klimt’s life was tragically cut short in 1918 at the age of 56, during the final days of World War I. He succumbed to illness shortly after the armistice, leaving behind a legacy of breathtaking beauty and enduring artistic innovation. Despite his untimely death, Klimt's work continues to captivate audiences worldwide, serving as a testament to his genius and his profound impact on the history of art.

    His paintings are now housed in major museums around the world, including the Belvedere Museum in Vienna, where The Kiss resides. Studying Klimt’s life and work offers a fascinating glimpse into the vibrant artistic landscape of fin-de-siècle Vienna – a period marked by both unprecedented creativity and profound social upheaval.

    Where to read more

    Find this online

    QR code linking to the download page for The Message

    artsdot.com/en/art/download/maurice-william-greiffenhagen-the-message-9CWEMT-en/

    Cite this artwork

    MLA
    Greiffenhagen, Maurice William. The Message. n.d., https://artsdot.com/en/art/maurice-william-greiffenhagen-the-message-9CWEMT-en/
    APA
    Greiffenhagen, Maurice William (n.d.). The Message [Painting]. https://artsdot.com/en/art/maurice-william-greiffenhagen-the-message-9CWEMT-en/
    Chicago
    Maurice William Greiffenhagen. The Message. n.d. https://artsdot.com/en/art/maurice-william-greiffenhagen-the-message-9CWEMT-en/
    Harvard
    Greiffenhagen, Maurice William (n.d.) The Message. Available at: https://artsdot.com/en/art/maurice-william-greiffenhagen-the-message-9CWEMT-en/

    Look closely

    The Message — Maurice William Greiffenhagen

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: symbolism, figures, flowers. Do you agree? What would you add, or take away?
    4. Look back at The Sons Of William Parkinson, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Symbolism: Pictures where objects stand for ideas — a flower or a door meaning something beyond itself. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who sells hand-painted copies of "The Message" by Maurice William Greiffenhagen?

    Hand-painted copies of "The Message" by Maurice William Greiffenhagen are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    Where can I download "The Message" by Maurice William Greiffenhagen?

    The image of "The Message" by Maurice William Greiffenhagen can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Who created "The Message" and what style is it in?

    "The Message" was created by Maurice William Greiffenhagen in the Symbolism style. Artist and movement identify the work's tradition.