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Student Artwork Guide

The procession

Name Class Date

Marc Chagall, The procession (1923). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall artsdot.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1923
Original size
27 x 21 cm
Movement
Minimalism Stripping a work back to the fewest possible elements, so nothing is there for decoration.
Period
Modern
Notable_elements
Expressive character, playful lines, lively interaction
Style
Minimalist line drawing
Subject
Social scene with figures

In context

The procession — Marc Chagall

How big is it?

The original measures 27 × 21 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 36. The artist lived to 98. 140 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1923 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/marc-chagall-the-procession-8XYGR8-en/

Colours

Measured from the image

    Main colour

    White #f8f6f5

    Catalogued palette

    • #F8F6F5
    • #1A181A
    • #8B888E
    • #C8C6C8

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 9.5%
    2. 2 The Birthday, 1915 9.2%
    3. 3 Over the town, 1918 4.6%
    4. 4 The Green Violinist, 1924 3.5%
    5. 5 The Concert, 1957 1.6%
    6. 6 Adam and Eve expelled from Paradise, 1961 1.3%
    7. 7 The Fall of Icarus, 1975 1.1%
    8. 8 Midsummer Night's Dream, 1939 1.1%
    9. 9 Liberation, 1952 0.9%
    10. 10 The Lovers, 1929 0.9%
    11. 11 The return of the prodigal son, 1975 0.8%
    12. 12 Abraham and three Angels, 1966 0.8%
    13. 13 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    14. 14 Dans mon pays 0.8%
    15. 15 Red Roofs, 1954 0.7%
    16. 16 The Betrothed and Eiffel Tower, 1913 0.7%
    17. 17 Easter, 1968 0.6%
    18. 18 The blue fiddler, 1947 0.6%
    19. 19 Compositional Study for ‘To Russia, to the Asses and Others’, 1912 0.6%
    20. — The procession, 1923 this painting 0.0%

    Together these works take 40.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 539 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    The procession — Marc Chagall

    Subject and Composition

    This captivating artwork captures a lively social gathering through a delicate and expressive line drawing. The scene depicts a small group of elegantly dressed figures engaged in conversation and interaction, set against a backdrop that hints at an art gallery or fashionable salon. The central figure, a woman with an elaborate hairstyle and flowing dress, commands attention, embodying grace and poise. Surrounding her are men and women whose gestures and expressions evoke a sense of conviviality, humor, and charm. The composition’s informal arrangement invites viewers into an intimate moment of social connection, emphasizing character and gesture over intricate detail.

    Style and Technique

    Created in 1923, this piece exemplifies the minimalist yet dynamic style characteristic of Marc Chagall’s quick, spontaneous sketches. Using confident, flowing black ink lines on white paper, the artist masterfully balances economy of strokes with expressive depth. Variations in line thickness and sparse shading techniques such as cross-hatching and stippling lend subtle texture and depth, while maintaining an overall sense of lightness and immediacy. The simplicity of the monochromatic palette enhances the artwork’s elegance, allowing the viewer to focus on the lively interaction and character of each figure.

    Historical Context and Artistic Significance

    Produced during the early 20th century, this work reflects Chagall’s exploration of modernist themes infused with humor and whimsy. The 1920s was a period of artistic experimentation, and Chagall’s approach combined elements of cubism, symbolism, and expressionism. His ability to distill complex social scenes into minimal yet expressive lines demonstrates his mastery of capturing mood and personality with economy and spontaneity. This piece offers a glimpse into the vibrant cultural life of the era, emphasizing the importance of social interaction and artistic freedom.

    Symbolism and Emotional Impact

    Despite its simplicity, the artwork resonates with warmth, humor, and a touch of satire. The exaggerated features and playful lines suggest a lighthearted commentary on social manners and human character. The scene’s convivial atmosphere evokes feelings of joy, nostalgia, and the timeless human desire for connection. Its understated elegance makes it a versatile piece that can inspire conversation and add a sophisticated yet approachable touch to any interior space.

    Perfect for Collection and Interior Design

    This high-quality reproduction is ideal for art lovers, collectors, and interior designers seeking a distinctive statement piece. Its minimalist style complements modern, contemporary, or eclectic decor, while its rich artistic heritage adds depth and personality to any collection. Whether displayed in a living room, gallery wall, or office, this artwork invites viewers to appreciate the spontaneity and humor of early 20th-century social life through the eyes of one of modern art’s most beloved masters.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for The procession

    artsdot.com/en/art/download/marc-chagall-the-procession-8XYGR8-en/

    Cite this artwork

    MLA
    Chagall, Marc. The procession. 1923, https://artsdot.com/en/art/marc-chagall-the-procession-8XYGR8-en/
    APA
    Chagall, Marc (1923). The procession [Painting]. https://artsdot.com/en/art/marc-chagall-the-procession-8XYGR8-en/
    Chicago
    Marc Chagall. The procession. 1923. https://artsdot.com/en/art/marc-chagall-the-procession-8XYGR8-en/
    Harvard
    Chagall, Marc (1923) The procession. Available at: https://artsdot.com/en/art/marc-chagall-the-procession-8XYGR8-en/

    Look closely

    The procession — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: social scene, line drawing, humor. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Minimalism: Stripping a work back to the fewest possible elements, so nothing is there for decoration. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The procession — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Who is the artist of 'The procession'?

      • A Pablo Picasso
      • B Marc Chagall
      • C Henri Matisse
    2. 2. In what year was 'The procession' created?

      • A 1923
      • B 1918
      • C 1930
    3. 3. What technique is primarily used in 'The procession'?

      • A Oil painting
      • B Minimalist line drawing
      • C Digital art
    4. 4. What is the main subject depicted in 'The procession'?

      • A A landscape
      • B A social scene with figures
      • C Abstract shapes
    5. 5. Which artistic style best describes 'The procession'?

      • A Cubism
      • B Minimalist line drawing
      • C Impressionism

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2A · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What atmosphere would a reproduction of "The procession" by Marc Chagall bring to a room?

    The elegant atmosphere of "The procession" by Marc Chagall matches its recommended space: a living room.

    What stage of Marc Chagall's career does "The procession" (1923) belong to?

    The 1923 date places "The procession" in the Nothing of Marc Chagall's development.

    Can I preview "The procession" by Marc Chagall before ordering?

    The Preview page of "The procession" lets you preview the artwork before ordering.