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Student Artwork Guide

Nude Lying Down

Name Class Date

Marc Chagall, Nude Lying Down (1914). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall artsdot.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1914
Medium
Oil
Original size
37 x 50 cm
Movement
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
Modern
Artistic style
Surrealist; Dreamlike
Influences
Folklore
Notable elements or techniques
Fluid lines; Impasto; Stylized foliage
Subject or theme
Sensuality; Vulnerability

In context

Nude Lying Down — Marc Chagall

How big is it?

The original measures 37 × 50 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 27. The artist lived to 98. 55 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1914 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/marc-chagall-nude-lying-down-D2VUQL-en/

Colours

Measured from the image

    Main colour

    Espresso #4a4f3b

    Catalogued palette

    • #4A4F3B
    • #101411
    • #D4CEBE
    • #9D9976

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 64 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.4%
    2. 2 Germany 5.1%
    3. 3 United States of America 5.1%
    4. 4 France 4.5%
    5. 5 Netherlands 3.3%
    6. 6 Spain 3.0%
    7. 7 Poland 2.8%
    8. 8 Australia 2.3%
    9. 9 South Korea 2.2%
    10. 10 Italy 2.1%
    11. · 54 other countries 31.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 9.8%
    2. 2 The Birthday, 1915 9.3%
    3. 3 Over the town, 1918 4.6%
    4. 4 The Green Violinist, 1924 3.5%
    5. 5 The Concert, 1957 1.7%
    6. 6 Adam and Eve expelled from Paradise, 1961 1.3%
    7. 7 The Fall of Icarus, 1975 1.2%
    8. 8 Midsummer Night's Dream, 1939 1.2%
    9. 9 Liberation, 1952 0.9%
    10. 10 The Lovers, 1929 0.9%
    11. 11 The return of the prodigal son, 1975 0.9%
    12. 12 Dans mon pays 0.8%
    13. 13 The Praying Jew (Rabbi of Vitebsk), 1914 0.8%
    14. 14 Red Roofs, 1954 0.8%
    15. 15 Abraham and three Angels, 1966 0.7%
    16. 16 The Betrothed and Eiffel Tower, 1913 0.7%
    17. 17 Easter, 1968 0.7%
    18. 18 The blue fiddler, 1947 0.6%
    19. 19 Compositional Study for ‘To Russia, to the Asses and Others’, 1912 0.6%
    20. 482 Nude Lying Down, 1914 this painting 0.1%

    Together these works take 41.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 527 were looked at at least once. This painting ranks 482 of them, with 0.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Nude Lying Down — Marc Chagall

    A Dreamscape of Expressionism

    In his 1914 masterpiece, Nude Lying Down, Marc Chagall invites the viewer into a realm where the boundaries between reality and the subconscious dissolve. This striking black and white canvas transcends mere representation, embodying the very essence of Expressionist art through a courageous leap into subjective emotion and psychological exploration. The artwork captures a moment of profound stillness amidst an agitated artistic landscape, reflecting the artist's formative years as he grappled with the vibrant cultural tapestry of Vitebsk and his own deeply rooted Jewish heritage. The composition is defined by a dynamic diagonal placement of the nude figure, which deliberately disrupts traditional perspective to prioritize movement and convey an atmosphere of dreamlike disorientation.

    The subject, a female figure reclining on her stomach, serves as the emotional anchor of the piece. Her pose suggests a surrender to stillness, inviting viewers to contemplate themes of solitude, vulnerability, and introspection. As she rests against a dark background, she becomes a vessel for the artist's quest for inner peace. The surrounding space is not empty but filled with swirling, amorphous patterns reminiscent of foliage or stylized ornamentation. These elements are more than mere decoration; they symbolize a profound connection to nature and perhaps represent the fluid, often turbulent, movements of the human mind.

    Technique and Tactile Resonance

    Chagall’s technical execution in Nude Lying Down is a testament to his mastery of the Expressionist style. The painting utilizes a monochromatic palette consisting of shades of black, white, and grey, where subtle tonal variations create depth without relying on conventional spatial techniques. The artist employs visible brushstrokes that create a textured surface, inviting a tactile contemplation of the work. Particularly around the torso of the woman, the application of paint demonstrates impasto—the building up of thick layers of pigment to achieve a palpable physicality that engages the viewer's senses.

    The lines within the piece are fluid and expressive rather than precise or realistic. They do not merely delineate forms but actively shape the visual experience, mirroring the fluidity of thought and emotion. While the lines defining the curves of the woman's body provide an anatomical rendering, the background patterns are more decorative and flowing, creating a captivating contrast. This interplay of light and shadow, with soft and diffused lighting emphasizing the contours of the figure against the darkness, creates a dramatic tension that is both haunting and beautiful. For collectors and interior designers, this piece offers a sophisticated presence, bringing a sense of historical depth and an evocative, ethereal atmosphere to any curated space.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Nude Lying Down

    artsdot.com/en/art/download/marc-chagall-nude-lying-down-D2VUQL-en/

    Cite this artwork

    MLA
    Chagall, Marc. Nude Lying Down. 1914, https://artsdot.com/en/art/marc-chagall-nude-lying-down-D2VUQL-en/
    APA
    Chagall, Marc (1914). Nude Lying Down [Painting]. https://artsdot.com/en/art/marc-chagall-nude-lying-down-D2VUQL-en/
    Chicago
    Marc Chagall. Nude Lying Down. 1914. https://artsdot.com/en/art/marc-chagall-nude-lying-down-D2VUQL-en/
    Harvard
    Chagall, Marc (1914) Nude Lying Down. Available at: https://artsdot.com/en/art/marc-chagall-nude-lying-down-D2VUQL-en/

    Look closely

    Nude Lying Down — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: nude figure, dreamlike, floral patterns. Do you agree? What would you add, or take away?
    5. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Nude Lying Down — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In which year was the painting 'Nude Lying Down' created?

      • A 1914
      • B 1923
      • C 1887
    2. 2. What is the primary color palette used in this artwork?

      • A Vibrant and non-naturalistic colors
      • B Black, white, and grey
      • C Primary colors like red and blue
    3. 3. Which artistic movement is 'Nude Lying Down' a part of?

      • A Cubism
      • B Expressionism
      • C Fauvism
    4. 4. What technique involving thick layers of pigment is mentioned in the text?

      • A Sfumato
      • B Impasto
      • C Glazing
    5. 5. Where was Marc Chagall born?

      • A Paris, France
      • B St. Petersburg, Russia
      • C Liozna, Belarus

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How do I download the image of "Nude Lying Down" by Marc Chagall?

    A download is available for "Nude Lying Down": the artwork's Download page offers a high-resolution digital image download.

    How strong are the colors of "Nude Lying Down"?

    "Nude Lying Down" by Marc Chagall is recorded with a muted saturation and a monochromatic intensity.

    Who sells hand-painted copies of "Nude Lying Down" by Marc Chagall?

    You can order a hand-painted reproduction of "Nude Lying Down" by Marc Chagall directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.