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Student Artwork Guide

An angel

Name Class Date

Marc Chagall, An angel (1960). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Marc Chagall artsdot.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1960
Medium
Acrylic
Original size
47 x 32 cm
Movement
Naïve Art (Primitivism) Work by artists without formal training, flat and direct, valued for exactly that freshness.
Artistic style
Primitivism
Notable elements or techniques
Flying figure, Symbolism
Subject or theme
Religious Painting

In context

An angel — Marc Chagall

How big is it?

The original measures 47 × 32 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1960

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/marc-chagall-an-angel-8XYGVV-en/

Colours

Measured from the image

    Main colour

    Gray #75635e

    Catalogued palette

    • #75635E
    • #EDDACF
    • #AE9589
    • #3D3438
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    An angel — Marc Chagall

    Marc Chagall’s “The Angel” – A Flight Through Memory and Myth

    Marc Chagall’s “The Angel,” created in 1960, stands as a quintessential example of Naïve Art (Primitivism), encapsulating the artist's lifelong fascination with folklore, biblical narratives, and the dreamlike landscapes of his childhood in Vitebsk. Printed as part of Fernand Mourlot’s seminal lithograph catalogue raisonné – Volume I – this artwork transcends mere visual representation; it embodies Chagall’s profound engagement with universal themes of spirituality, hope, and transcendence.

    The composition itself is strikingly simple yet powerfully evocative. Dominating the canvas is a bird—a recurring motif throughout Chagall's oeuvre—wings outstretched in an upward trajectory against a backdrop of luminous moonlight. Beneath this celestial figure hover two horses, their forms rendered with characteristic fluidity and expressive distortion – mirroring the turbulent emotions inherent in Chagall’s artistic vision.

    A solitary human form occupies the lower left corner, seemingly grounded amidst the soaring imagery above. This figure is positioned deliberately to create a visual dialogue between earthly existence and divine aspiration—a central preoccupation of Chagall's artistic explorations. The artist skillfully employs hatching and cross-hatching techniques to build up tonal values, capturing the ethereal quality of moonlight and conveying a palpable sense of movement.

    Symbolism Rooted in Vitebsk Folklore

    “The Angel” is deeply embedded within Vitebsk’s cultural heritage. The bird symbolizes freedom and aspiration—a characteristic emblem of Hasidic Jewish tradition—while the horses represent strength, resilience, and the cyclical nature of life. Chagall frequently incorporated elements from Belarusian folklore into his paintings, drawing inspiration from myths and legends that resonate with primal emotions.

    The moon serves as a beacon of illumination, guiding the viewer’s gaze upwards toward the heavens—a deliberate reference to biblical imagery and symbolizing divine grace. The horse on the right side is particularly notable for its expressive gesture, conveying both vulnerability and determination – mirroring Chagall's own artistic journey.

    A Legacy of Dreamlike Impressionism

    Chagall’s stylistic approach defies categorization, blending influences from Cubism, Fauvism, and Symbolism into a uniquely personal idiom. However, at its core lies an unwavering commitment to representation—albeit imbued with dreamlike color palettes and fantastical imagery. As he himself stated, “I wish my mythological floating figures and symbolism to be interpreted freely.”

    "The Angel" exemplifies Chagall’s ability to transform observation into profound artistic expression – capturing not just what is seen but also what is felt—a testament to his enduring legacy as one of the most influential artists of the 20th century.

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for An angel

    artsdot.com/en/art/download/marc-chagall-an-angel-8XYGVV-en/

    Cite this artwork

    MLA
    Chagall, Marc. An angel. 1960, https://artsdot.com/en/art/marc-chagall-an-angel-8XYGVV-en/
    APA
    Chagall, Marc (1960). An angel [Painting]. https://artsdot.com/en/art/marc-chagall-an-angel-8XYGVV-en/
    Chicago
    Marc Chagall. An angel. 1960. https://artsdot.com/en/art/marc-chagall-an-angel-8XYGVV-en/
    Harvard
    Chagall, Marc (1960) An angel. Available at: https://artsdot.com/en/art/marc-chagall-an-angel-8XYGVV-en/

    Look closely

    An angel — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: flying figures, whimsical animals, vibrant hues. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Naïve Art (Primitivism): Work by artists without formal training, flat and direct, valued for exactly that freshness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    An angel — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic style is Marc Chagall’s ‘An angel’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Naïve Art
    2. 2. In the painting 'An angel', what prominent element contributes to its visual impact and symbolizes spiritual aspiration?

      • A A detailed depiction of human anatomy
      • B The use of geometric shapes
      • C A bird with wings spread out
    3. 3. What year was Marc Chagall’s ‘An angel’ created?

      • A 1907
      • B 1928
      • C 1960
    4. 4. The painting incorporates elements of Byzantine and Russian icon painting traditions. What is a key characteristic of these artistic influences?

      • A Emphasis on realistic perspective
      • B Abstraction and fragmentation
      • C Symbolic imagery and flattened planes
    5. 5. What does the image description highlight about Chagall’s approach to art?

      • A He meticulously replicated photographic images.
      • B He prioritized technical precision over expressive content.
      • C He blended mythological figures with folkloric elements.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

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