Paper

Student Artwork Guide

View from the Studio Window

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Name Class Date
Lovis Corinth, View from the Studio Window (1891). Public domain.

The facts

Artist
Lovis Corinth artsdot.com/en/artists/lovis-corinth/
Artist’s dates
1858 – 1925
Painted
1891
Medium
Oil
Period
19th Century

In context

View from the Studio Window — Lovis Corinth

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Shaded: the lifetime of Lovis Corinth (1858–1925) ▲ this work, 1891

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/lovis-corinth-view-from-the-studio-window-8LJABY-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2a2b1b

    Catalogued palette

    • #2A2B1B
    • #CCCFC4
    • #AFA061
    • #625830
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    View from the Studio Window — Lovis Corinth

    Artist

    Lovis Corinth

    Born in Tauwade, Netherlands

    A Life Forged in Paint: The World of Lovis Corinth

    Lovis Corinth, born Franz Heinrich Louis on July 21, 1858, in the Prussian province of East Prussia, was a figure who embodied the tumultuous transition from the 19th to the early 20th-century art world. His journey wasn’t one of immediate acclaim but rather a gradual evolution fueled by relentless study, diverse influences, and ultimately, personal tragedy. Corinth's beginnings were rooted in the rural landscapes of his birthplace, Tapiau, where his father worked as a tanner. This early exposure to the physicality of labor and the raw beauty of nature would subtly permeate his later work, even amidst more sophisticated stylistic explorations. He initially pursued studies at the Academy of Königsberg in 1876, but quickly realized that academic tradition alone wouldn’t satisfy his artistic ambitions. A period of travel followed, taking him to Munich, Antwerp, and finally Paris – each city serving as a crucial stepping stone in his development. In Munich, he absorbed the meticulous realism championed by Ludwig von Löfftz, honing his observational skills and mastering technique. Antwerp introduced him to the dramatic Baroque intensity of Rubens, while Paris exposed him to the burgeoning Impressionist movement, though his initial response was one of cautious observation rather than immediate embrace.

    Where to read more

    Find this online

    QR code linking to the download page for View from the Studio Window

    artsdot.com/en/art/download/lovis-corinth-view-from-the-studio-window-8LJABY-en/

    Cite this artwork

    MLA
    Corinth, Lovis. View from the Studio Window. 1891, https://artsdot.com/en/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    APA
    Corinth, Lovis (1891). View from the Studio Window [Painting]. https://artsdot.com/en/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    Chicago
    Lovis Corinth. View from the Studio Window. 1891. https://artsdot.com/en/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/
    Harvard
    Corinth, Lovis (1891) View from the Studio Window. Available at: https://artsdot.com/en/art/lovis-corinth-view-from-the-studio-window-8LJABY-en/

    Look closely

    View from the Studio Window — Lovis Corinth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scenes, buildings. Do you agree? What would you add, or take away?
    4. Look back at In the Slaughter House (1893), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Lovis Corinth was about 33 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.