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Student Artwork Guide

Embrace

Name Class Date

Lee Krasner, Embrace (1974). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lee Krasner artsdot.com/en/artists/lee-krasner/
Artist’s dates
1908 – 1984
Painted
1974
Original size
101 x 63 cm
Movement
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Embrace — Lee Krasner

How big is it?

The original measures 101 × 63 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Painted when the artist was 66. The artist lived to 76. 10 of the 11 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lee Krasner (1908–1984) ▲ this work, 1974 every dated painting, decade by decade

First works: up to 1934 Main working years: 1934–1971 Late works: from 1971

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/lee-krasner-embrace-D2YFGL-en/

Colours

Measured from the image

    Main colour

    Yellow Green #9ab55e

    Catalogued palette

    • #9AB55E
    • #F2F3F6
    • #65758B
    • #D9DEDB

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Yellow Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lee Krasner over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 40.0%
    2. 2 China 20.0%
    3. 3 France 20.0%
    4. 4 Russia 20.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Lee Krasner

    1. 1 Palingenesis, 1971 20.0%
    2. 2 Self-Portrait, c. 1928 © Pollock-Krasner Foundation 20.0%
    3. 3 Installation view of Lee Krasner: Living Colour at the Barbican Art Gallery, London featuring Palingenesis, 1971 20.0%
    4. 4 Lee Krasner c.1938 © Pollock-Krasner Foundation 20.0%
    5. 5 Untitled, 1949 20.0%
    6. Embrace, 1974 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 29 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lee Krasner

    Born in Brooklyn, United States of America

    A Force of Nature: The Life and Legacy of Lee Krasner

    Born Lena Krassner on October 27, 1908, in the vibrant streets of Brooklyn, New York, the woman who would become Lee Krasner emerged as a transformative force within the landscape of American modernism. Her journey was never merely one of following established paths, but rather of carving out new, visceral territories through paint and movement. From her early days at Washington Irving High School for Girls, where a focused course in visual arts first ignited her creative spirit, to her rigorous training at Cooper Union’s Women's Art School, Krasner possessed a foundational discipline that would later serve as the bedrock for her most radical experiments. Her education was marked by a relentless pursuit of mastery, eventually leading her to the National Academy of Design between 1928 and 1932, where she studied under the legendary Hans Hofmann. It was through Hofmann’s guidance that Krasner began to internalize the principles of spontaneity and expressive gesture, elements that would become the heartbeat of her mature style.

    The trajectory of Krasner's career is inextricably linked to the seismic shifts of the mid-2ണ്ട century art world, a period defined by the rise of Abstract Expressionism. While history often attempts to frame her through the lens of her marriage to Jackson Pollock, such a narrow view obscures the profound individual brilliance she maintained throughout her life. Her relationship with Pollock placed her at the very epicenter of the New York School, yet Krasner consistently resisted being relegated to a secondary role. Instead, she utilized the era's intense energy to push the boundaries of abstraction, integrating influences from European Modernism—specifically the structural complexities of Cubism and the psychological depths of Surrealism—into a uniquely American vernacular. Her work became a dialogue between control and chaos, where the structured logic of her early training met the unbridled emotion of the post-war era.

    The Language of Gesture and Color

    To stand before a Krasner canvas is to witness a rhythmic dance of medium and motion. Her technique is famously characterized by a gestural approach, where rapid, energetic brushstrokes and layered textures create a sense of living, breathing composition. She did not merely paint subjects; she painted the very act of creation itself. In works such as Combat, one can observe a vibrant, almost floral abstraction that utilizes layered printmaking techniques to achieve a profound depth of color. Her palette was often bold and unapologetic, capable of shifting from the somber, brooding tones of her more introspective periods to the explosive, luminous hues found in her later, more celebratory works like Another Storm.

    The evolution of her style can be seen as a continuous cycle of destruction and rebirth. Krasner was known for her "collage" method, where she would often take elements of her previous, discarded paintings and reincorporate them into new compositions. This process allowed her to physically grapple with her own artistic history, recycling the past to fuel the future. This cyclical nature of her work mirrors the organic rhythms of life, making her art feel deeply connected to the natural world even in its most abstract forms. Her ability to balance dynamic compositions with a sense of underlying structural integrity remains one of her greatest technical achievements.

    A Lasting Impression on Modern Art

    The historical significance of Lee Krasner extends far beyond the canvases she left behind; she was a pioneer who helped redefine the possibilities of abstraction. As a woman navigating the male-dominated art scene of the 20th century, her resilience and refusal to be overshadowed by her contemporaries made her a symbol of artistic autonomy. Her contributions helped cement New York City as the global capital of modern art, providing a bridge between the structured traditions of the early century and the raw, emotive power of the post-war avant-garde.

    Today, Krasner is celebrated not just as a figure of a specific movement, but as an artist whose work possesses a timeless, universal resonance. Her legacy is defined by several key pillars:

    Mastery of Abstraction: Her ability to synthesize Cubist structure with Surrealist spontaneity created a new visual language for the American era.

    Technical Innovation: Through her use of gestural painting and collage-like reincorporation of older works, she expanded the physical boundaries of the medium.

    Artistic Autonomy: She successfully navigated the complexities of her personal life and fame to establish a distinct, recognizable aesthetic that stands independent of any biographical shadow.

    Enduring Influence: Her work continues to inspire generations of painters to explore the intersection of emotion, movement, and color.

    Lee Krasner remains a titan of 20th-century art, an artist whose life was as much a masterpiece of endurance and evolution as the paintings that now reside in the world's most prestigious museums.

    Where to read more

    Find this online

    QR code linking to the download page for Embrace

    artsdot.com/en/art/download/lee-krasner-embrace-D2YFGL-en/

    Cite this artwork

    MLA
    Krasner, Lee. Embrace. 1974, https://artsdot.com/en/art/lee-krasner-embrace-D2YFGL-en/
    APA
    Krasner, Lee (1974). Embrace [Painting]. https://artsdot.com/en/art/lee-krasner-embrace-D2YFGL-en/
    Chicago
    Lee Krasner. Embrace. 1974. https://artsdot.com/en/art/lee-krasner-embrace-D2YFGL-en/
    Harvard
    Krasner, Lee (1974) Embrace. Available at: https://artsdot.com/en/art/lee-krasner-embrace-D2YFGL-en/

    Look closely

    Embrace — Lee Krasner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Rising Green (1972), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?
    5. Lee Krasner was about 66 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How strong are the colors of "Embrace"?

    "Embrace" by Lee Krasner is recorded with a muted saturation and a balanced intensity.

    Is "Embrace" by Lee Krasner in the public domain?

    The copyright answer for "Embrace" by Lee Krasner: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    What was Lee Krasner's age when "Embrace" was created?

    Lee Krasner made "Embrace" at the age of 66. The artist was born in 1908 and the work is dated 1974.

    How strong is the contrast in "Embrace" by Lee Krasner?

    "Embrace" by Lee Krasner shows a gentle contrast between its light and dark areas.

    How does "Embrace" by Lee Krasner connect Abstract Expressionism to the artist's home country?

    "Embrace" was created by Lee Krasner, born in United States of America, within the Abstract Expressionism movement. The artist's origin links the work to Abstract Expressionism as practiced by artists from United States of America.

    Which artist and which style stand behind "Embrace"?

    Lee Krasner created "Embrace" within the Abstract Expressionism movement.

    What is the format of "Embrace"?

    The format of "Embrace" is tall. This is useful when planning where a reproduction will be placed.

    How light is "Embrace" overall?

    In terms of perceived brightness, "Embrace" by Lee Krasner is brilliant.