Paper

Student Artwork Guide

Harem #5

Name Class Date

lalla essaydi, Harem #5 (2009). Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
lalla essaydi artsdot.com/en/artists/lalla-essaydi/
Artist’s dates
1956 – ?
Painted
2009
Movement
Contemporary

In context

Harem #5 — lalla essaydi

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: the lifetime of lalla essaydi (1956–?) ▲ this work, 2009

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: artsdot.com/en/art/similar/lalla-essaydi-harem-5-D83PJH-en/

Colours

Measured from the image

    Main colour

    Putty #d1c1ac

    Catalogued palette

    • #D1C1AC
    • #141415
    • #98887B
    • #5B5452
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    lalla essaydi

    Born in Marrakech, Morocco

    Paul Jackson Pollock: A Revolutionary in Paint

    Jackson Pollock, born January 28, 1912, in Cody, Wyoming, was an American painter whose radical approach to art irrevocably altered the landscape of 20th-century painting. His life, marked by both artistic brilliance and personal struggles, culminated in a body of work that continues to captivate and challenge viewers today. He remains one of the most influential figures in Abstract Expressionism, a movement he helped define with his innovative “drip” technique and a profound disregard for traditional artistic conventions.

    Pollock’s early life was shaped by constant relocation due to his father's work as a government surveyor. Growing up in Wyoming, Arizona, and California instilled in him a restless spirit and an appreciation for the vastness of the American West. He enrolled at Los Angeles’ Manual Arts High School but was expelled for disruptive behavior, a period that fostered a rebellious attitude towards established norms. His formal art training began at the Art Students League in New York City, where he studied under Thomas Hart Benton, absorbing elements of his mentor's dynamic brushwork and interest in American themes – though Pollock quickly moved beyond Benton’s more representational style.

    A pivotal moment in Pollock’s artistic development occurred during a workshop led by Mexican muralist David Alfaro Siqueiros in 1936. This experience introduced him to the use of liquid paint, a revolutionary concept at the time. He began experimenting with pouring and dripping paint onto canvases laid flat on the floor – a technique that would become his signature style. Influenced by Surrealism, Jungian psychology, and the burgeoning Abstract Expressionist movement, Pollock developed a deeply personal and intuitive approach to painting, prioritizing process over product. His work during this period, often referred to as the “Springs Period,” reflects an intense exploration of color, texture, and gesture.

    The Drip Technique and Action Painting

    Pollock’s most distinctive contribution to art was undoubtedly his "drip" technique, a method he refined over several years. Rather than using brushes or traditional tools, he employed sticks, syringes, and even his own hands to fling, pour, and drip paint onto the canvas. This process, often conducted on the floor of his studio in Springs, Long Island – shared with his wife Lee Krasner – resulted in expansive compositions filled with layers of color and texture. He famously described his approach as “automatic,” allowing the subconscious to guide his movements and creating a sense of spontaneity and immediacy.

    This technique is often categorized as "action painting," reflecting Pollock’s belief that the act of painting itself was as important as the finished product. His paintings are not static images but dynamic records of movement, energy, and process. The all-over composition – covering the entire canvas with paint – further emphasized this sense of immersion and participation. Critics initially reacted with skepticism to his unconventional methods, questioning the artistic merit of seemingly random splatters and drips. However, as the Abstract Expressionist movement gained momentum, Pollock’s work was increasingly recognized for its innovative approach and emotional intensity.

    Major Works and Recognition

    Pollock's career produced a remarkable body of work during his relatively short life. Some of his most celebrated paintings include Number 1, 1948 (often referred to as “Lavender Mist”), Blue Poles (1952), Mural (1956), and Convergence (1952). Blue Poles, a vibrant canvas dominated by swirling blues and greens, became one of his most iconic works and was famously exhibited at the Tate Gallery in London.

    Despite facing personal struggles with alcoholism and a volatile personality, Pollock achieved significant recognition during his lifetime. Alfred H. Barr Jr., director of the Museum of Modern Art (MoMA), played a crucial role in promoting his work, recognizing its groundbreaking qualities. MoMA’s retrospective exhibition of Pollock's paintings in 1956 brought him widespread acclaim and established him as a leading figure in American art. His legacy was further solidified by Lee Krasner, who tirelessly championed his work after his death.

    Legacy and Influence

    Jackson Pollock died tragically on August 11, 1956, in a car accident – an event that underscored the precariousness of his life and career. His untimely death, however, did not diminish the impact of his work. Pollock’s innovative techniques and radical approach to painting profoundly influenced generations of artists, shaping the course of Abstract Expressionism and paving the way for subsequent movements such as Pop Art and Minimalism.

    Today, Jackson Pollock's paintings are exhibited in major museums around the world, and his legacy continues to inspire artists and art enthusiasts alike. His willingness to challenge conventional artistic norms, embrace spontaneity, and explore the depths of human emotion remains a testament to his genius and enduring influence on the history of art.

    Where to read more

    Find this online

    QR code linking to the download page for Harem #5

    artsdot.com/en/art/download/lalla-essaydi-harem-5-D83PJH-en/

    Cite this artwork

    MLA
    essaydi, lalla. Harem #5. 2009, https://artsdot.com/en/art/lalla-essaydi-harem-5-D83PJH-en/
    APA
    essaydi, lalla (2009). Harem #5 [Painting]. https://artsdot.com/en/art/lalla-essaydi-harem-5-D83PJH-en/
    Chicago
    lalla essaydi. Harem #5. 2009. https://artsdot.com/en/art/lalla-essaydi-harem-5-D83PJH-en/
    Harvard
    essaydi, lalla (2009) Harem #5. Available at: https://artsdot.com/en/art/lalla-essaydi-harem-5-D83PJH-en/

    Look closely

    Harem #5 — lalla essaydi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Les Femmes du Maroc: La Grande Odalisque (Women of Morocco: The Grand Concubine) (2008), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. lalla essaydi was about 53 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.